She/Her, AroAce mess. Multifandom. From Tolkien, Star Wars and Marvel to TV shows like Good Omens, ofmd, Atla and Hannibal. Currently obsessed over Project Hail Mary, Arcane, Mob Psycho, Critical Role, and The old guard. ESP/ENG
I don't support Eva bashing that's emotional support environmental terrorist right there. What I'm interested in is the bad pr she is giving earth because the eridian ambassador is too invested in his flesh teddy bears life.
One of the best ones I saw was a thing noting that every single one of the few survivors of suicide jumps off of the Golden Gate Bridge realized, on the way down, that the problems they were killing themselves over actually were fixable or could be worked through...except for the now - extremely unfixable - problem of gravity.
Went to the Holocaust Museum in DC once. There was a video interview of an Auschwitz survivor who said he and some other prisoners stayed up all night with a man who wanted to kill himself. The man didn’t kill himself and survived to liberation.
In the video the survivor said “Never seek a permanent solution to a temporary problem. And they’re all temporary problems.”
Hearing that from a guy who survived the Holocaust rewired my brain a little bit.
I think something a lot of people don't understand is that depression is not suicidality, and suicidality is not depression.
People can, and are, depressed without being suicidal, and sometimes suicidality peaks as people are emerging from depression.
Suicidality is a wave, and the trick is to allow that wave to crest and subside WITHOUT acting on it.
Whatever it takes to ride it out. For some people that's distraction, like watching television. For others it's calling a friend -- not to talk about the suicidality, but just to talk. For others it could be as simple as going to sit in a coffee shop or library, because the presence of other people is a huge diminisher of suicide risk.
That's what suicide safety planning is about. It's like having any other type of emergency plan, like a plan for fire or evacuation. It's making a plan when you are in the frame of mind to do so, so that you can just DO the plan without having to think about it when the occasion arises.
When you're in the midst of suicidal ideation, or even intent, you're not in a problem-solving mood. So knowing past!you, with the help of a therapist hopefully, came up with the plan and all you have to do is follow up until the wave crests and subsides, is what allows you to see another day.
ETA: Here's a link to a safety plan. https://www.samhsa.gov/sites/default/files/988-safety-plan.pdf
There’s a really compassionate and well-written paper/book/thing called Suicide: The Forever Decision that’s written specifically for people who are currently suicidal. The letter to the reader at the beginning is wonderful and deeply understands how to talk to someone who’s suicidal without preaching or talking down to them.
It’s very honest. It’s very clear. It’s very kind. It presents you with a lot of information and a lot of understanding and lets you take it all in like the autonomous human you are, and make decisions from an informed place. It goes over the reality of suicide attempts, pain involved, likelihoods of survival, after effects of attempts, and how to get help if you want it after reading all of that and learning about the reality of suicide attempts.
You can read it for free here: https://qprinstitute.com/pdfs/Forever_Decision.pdf
No one can ever stop you if you’re really determined. Only you can stop yourself. If you’re suicidal and there’s ANY tiny part of you that wants a chance to not go down that route, but can’t convince the rest of you yet, give this short book a try. Or share it with anyone you know who might need it.
If you are receiving a warning that your password has appeared in a data breach from another site and is no longer secure, you will need to change your password to a stronger one before you can log back in.
If you are still logged in on any device, please make sure your email address is up to date before logging out or resetting your password, or you may lose access to your account.
Check below the cut for information on how to check or update your email address, and how to change or reset your password.
Posted: 20:45 UTC 31 July, 2026
Please follow these steps to check and update your email address. If you don't know your password, or if your password is insecure, you will need to reset your password – which requires you to have access to your account's email address.
How do I check what my account’s email address is?
If you are logged in:
Go to your Preferences page (Select "Hi, [USERNAME]!" at the top of the page, and choose "My Preferences" from the drop-down list)
Click on the “Change Email” button at the top of the page
Your email address will be listed on that page, next to “Current email”
If you are not logged in:
Check your email account for recent emails from AO3, such as subscription notifications or kudos and comment emails.
Look at the “To:” field to see what email address is associated with your account.
You will need to enter this email address exactly as it is listed here in order to receive a password reset email.
How do I change my email address? What if I don't have access to my old email address?
You don't need access to your old email address to change it to a new one, as long as you also know your current password.
Log in
Go to your Preferences page (Select "Hi, [USERNAME]!" at the top of the page, and choose "My Preferences" from the drop-down list)
Click on the “Change Email” button at the top of the page
In both the “New email” and “Enter new email again” fields, enter an email address that you have access to
In the “Password” field, enter your current password
Click the “Confirm Email” button
On the next page, make sure that the banner displays the correct new email address
Click the "Yes, Confirm Email" button
Check your new email address for an email titled “[AO3] Confirm your email change”
Click on the confirmation link in that email, making sure to open it in a browser where you are already logged in
Go to the “Change Email” page and double-check that your “Current email” has been successfully updated.
If you still see the banner saying your email change is pending, the most likely reason for this is that you were logged out before you clicked the confirmation link. Make sure to log in to your account before following the email confirmation link, or open the link in a browser where you are already logged in.
I know my current password, but I'm afraid my password is insecure. How can I change my password to a stronger one?
First, refer to the above instructions for checking or updating your email address, so that you can receive a password reset in case your password is insecure. Then:
Log in
Go to your Preferences page (Select "Hi, [USERNAME]!" at the top of the page, and choose "My Preferences" from the drop-down list)
Click on the “Change Password” button at the top of the page
Enter your current password into the “Old password” field
Enter your new password into both the “New password” and “Confirm new password” fields
Click the “Change Password” button
You will be automatically logged out on all devices.
If, upon logging in, you receive a message saying your password is insecure, then the new password you chose was insecure and you can't use it to log back in. You will need to reset your password (refer to the below instructions) and select a more secure password this time. You can use a password generator to choose a stronger password.
I don't know my current password/my password is insecure, but I know and have access to my account's email address.
In a private/incognito browser, go to the Reset Password page: https://archiveofourown.org/users/password/new (also available by clicking the “Forgot Password?” link on the login form)
Enter the email address associated with your AO3 account
Check your email for the password reset email
Click the “use this link to create a new password” link in the email
Enter a new, secure password
You will be automatically logged in on this device, and automatically logged out on all other devices.
If you continue to receive the message that your password is insecure, then the new password you chose was also insecure. You will need to reset your password again and select a more secure password this time. You can use a password generator to choose a stronger password.
I tried resetting my password, but it didn't work. Help?
The most likely reasons the password reset didn't work are:
You are entering the wrong email address for your AO3 account. Refer to the above instructions on how to check what your account's email address is.
Your email provider is blocking emails from AO3 or sending them to spam/social folders. Search for an email titled “[AO3] Reset your password”.
Your email account doesn't have enough storage and can't receive new emails. You'll need to delete old emails, photos, or videos to empty your storage before requesting a password reset.
You requested multiple password resets in a short time period, resulting in either a “Retry later” page or the link in the first password reset email becoming invalid. Please wait at least one hour before trying again, only submit the form once, and make sure you are using the link in the most recent password reset email.
The new password you chose was insecure, so you can't use it to log back in. You will need to reset your password again and select a more secure password this time. You can use a password generator to choose a stronger password.
I don't know my password/my password is insecure, and I don't know or have access to my account's email address.
You will need to submit a Support ticket containing the following information:
your username
your account’s current email address (if you know it)
an email address that you can access and would like to update your account's email to (enter this email into the Email field so we can contact you)
Support will begin the account recovery process with you, which will ask you for further proof of account ownership. Please be patient, as there are many AO3 users who are also submitting account recovery tickets right now.
[ID: a screenshot of a comic speech bubble. The black text in it reads "No matter how open-minded, socially conscious, anti-racist I think I am, I still have old learned hidden biases that I need to examine. It is my responsibility to check myself daily for my stereotypes, prejudices and, ultimately, discrimination." /ID end]
antiracism is a constant process. i was raised in a racist village and it's not easy to get rid of it. i moved away over 10 years ago but those ideas are still haunting me.
also keep in mind that shame + guilt are not conducive to growing as a person. when it comes to "checking yourself" it should be a non-judgemental process. it's not about flagellating yourself for every bad thought or trying to purify your mind of all corruption. it's only when acknowledging your own racist thoughts doesn't fill you with dread that you can really progress past the white guilt of it all.
radical self-acceptance & genuine self-critique are not opposites. they need each other. do not let obsessive-compulsive behaviors colonize your desire to grow as a person.
I'm relistening to the book and I'm struck by how blind Ryland is to his own position. Like yeah, he doesn't realise he's important, but he also doesn't realise how much Stratt relies on him as a mediator. She needs him to translate science concepts, sure, but there are also multiple examples of him calling her out for going too far, being an ass, or not having enough compassion.
No one else does that to Stratt. He's the only one she'll take call-outs from.
She relies on him to be her honest checks and balances.
Now let's think about how Stratt must've been after Grace ended up on Hail Mary. The mixture of guilt about having to send this man on a suidice mission he never wanted, and losing the one person who could talk back to her and call her out on her bullshit.
if you see me liking contradicting headcanons for the same character just know it's because I do not give a fuck and I have an active imagination #hewouldsaythat
hbo max blocks screenshots even when I use the snipping tool AND firefox AND ublock which is a fucking first. i will never understand streaming services blocking the ability to take screenshots thats literally free advertising for your show right there. HOW THE HELL IS SOMEBODY GONNA PIRATE YOUR SHOW THROUGH SCREENSHOTS. JACKASS
somewhere out there is a guy who meticulously takes screenshots of every individual frame of his favorite tv shows and then painstakingly etches each one onto a roll of film which he puts into his old timey projector and recreates the footage as a silent film with his own lavishly hand-lettered dialogue cards and original score that he plays on his upright piano and charges audiences one shiny penny a play. at last, big media has finally outsmarted ol' Zachary Zoetrope
PSA for everyone who doesn't know, explained simply
this is NOT because of blocking screenshots, it's because of HOW streaming sites use your computer's hardware to optimise performance, which means the thing rendering the video and the thing capturing your screen aren't the SAME thing. so they can't talk together.
you can fix this by going to your browser settings, searching for "hardware acceleration", and turning that off.
this and also the only difference between fanfic writers and writers who sell their own original works as careers is that fanfics aren’t monetized. that’s all.
being a “professional” writer doesn’t mean your works are inherently better than fanfics. I’ve read so many fics that are more professionally written than some published books.
whether or not a piece of writing is monetized has nothing to do with its quality.
A post in a writing comm I'm in recently included a bit where OP said they wrote in "novel/novella style, not fanfiction style, there IS a difference." When I pointed out that there really isn't, OP admitted to not reading much fanfiction so they didn't know. They just believed there was based on literally nothing. People say the most out of pocket nonsense about writing for pleasure versus for money.
im not arguing that you cant film in the dark without special lighting (obviously you can), im saying you shouldnt. im arguing with the second half of your statement. the lighting in the first picture is very purposeful and enhances the horror of the film. they didnt get into the editing room and go “oh darn, we forgot to shine a light on the guy hiding in the shadows!” jaws was made scarier because you could rarely see the shark, so your brain invented the scariest possibility. you can just… see the whole man in the second picture. having a flat shot where the lighting doesnt even draw in the viewers eye to anything (much less obscure something thats supposed to give the movie tension and anticipation) looks fucking boring and adds nothing
Lighting in film, and especially horror is so *so* important to the tension in the scene, it’s a significant part of visual storytelling, and the cinematographer/DOP (director of photography) should’ve picked up on that.
It’s particularly embarrassing in comparison to the original material, as with digital/modern technology, you can literally see how the shot looks while you’re shooting.
This should’ve also been sorted in comp and fixed well before distribution.
As already pointed out, the lighting values have no depth to them, thus creating a very flat scene (this is one of the first design principles we are taught in design for animation/film- if I had handed in a lighting shot or concept anything like this, I would’ve failed the module).
If you take the shots and put them into greyscale, you can see this a lot clearer.
In the original Halloween shot, we can see a high range of value (how bright or dark something is)- the lighting is brightest on Jamie Lee Curtis, the viewer’s eye is drawn to her first- we can see her emotions clearly and gain sympathy for her character. Then we are drawn into the darkest value, creating dread, and this is fulfilled and heightened with the contrasting (and next highest) value of Michael’s mask.
In the modern shot, all the values are within a similar range (mid-greys), and there is no proper depth in value- making the tension within the shot fall flat (not ideal for horror).
In fact, the highest value in this shot is the fire in the background- which is where the eye is drawn to first. The background. Not the action. So instead of feeling empathy or dread, we are focusing on the wrong details.
And yes, while it could be said from a film analysis POV that the flatness of the shot ‘puts the characters on the same fighting ground/level of power in the shot,’ I’m not going to give them the benefit.
To top it off, the use of colour in the modern shot highlights the errors in lighting. Whilst sharing the blue/orange colour scheme of the original shot, everything is blue except the one area of contrast, the orange fire. So once again, we are drawn to none of the action and instead the background.
With a very small edit in compositing and lighting to match the original Halloween, the feeling (and focus) of the shot is completely changed. The shot has higher contrast and range of values- the focus is on Curtis, while Michael feels more foreboding in the darkness. The contrast puts the characters on opposite sides- good vs evil, telling a narrative in contrast to the unedited shot.
These effects could’ve easily been achieved by adding a key light on Curtis and rim lighting on Michael in production, and if necessary, editing value depth in comp to enhance the raw footage.
TLDR: Digital filmmakers still need to know traditional film and design theory- just because you have good actors, cameras and composition, does not mean you can forgo basic film craft. The aim of cinematography is to enhance the narrative, not restrict it.
The new Odyssey adaptation has inevitably gotten people talking about a Muppet version of it, and they’re frequently suggesting Kermit as Odysseus, Miss Piggy as Penelope.
I’m sorry but that’s thinking way too small, hear me out:
We need to have Miss Piggy as Odysseus, and Kermit as Penelope.
Think about it… who’s the more fickle, prideful, warlike one in that relationship? Who is absolutely ready to go ham, at a moment’s notice?
But who is the single human cast member in this tale? Who gets to put in an Oscar-worthy performance alongside the Muppets and what role are they to play?
There’s no single human, everyone is a Muppet except for one scene. Circe, played by Janice, turns Odysseus’s crew into humans who still behave animalistic and are all played by Academy Award winning actors.
so much "masculinity" is constructed around the certainty that being gay or being a woman is inherently demeaning. and we're supposed to nod along supportively
"male loneliness crisis" ok so like.....what would happen if you started acting like a better friend to other men in your life? what's stopping you? is it the fear of being perceived as one of your inferiors?
"men aren't allowed to show emotions" ok so like…..what would happen if you started being more emotionally expressive? what's stopping you? is it the fear of being perceived as one of your inferiors?
i'm fucking tired of being expected to endlessly wring my hands over the poor men who are hurt by patriarchy toooooo...when the only penalty they really face is being treated like the people they consider subhuman (women and gay men)
the Only way men will ever stop "being oppressed by the patriarchy" is if they dismantle the idea that women and gay men are inferior
once a man decides that there's nothing wrong with being seen as gay or a woman, the power of "the patriarchy" over their lives is vastly diminished
but you cannot force your oppressors to stop seeing you as a subhuman. this is something men have to choose for themselves
and they overwhelmingly do not. because when they're not playing victim/wounded bird about the circumstances of their gender, they fundamentally understand that they benefit from patriarchy far more than they are harmed by it
Âmralimê @purplelapislazuli - Tumblr Blog | Tumgag
stormborns
2087
izzy806
romaincrisis
gracieabrams
tangentwithtanner
