Biblically inaccurate eyes everywhere @randomeyezer - Tumblr Blog

The first rule of cable management is "out of sight, out of mind"

The second rule of cable management is that all true art is provocative. If zero people want to kill you over it, it's not good art.

gigglepuffpixie

S'ghetti Closet

nyxwoven

behindnightmaresanddreams

shegayonmygirl

followjob from a girl with huge mutuals

ashenmind

monologue from a girl with a big vocabulary

sabertoothwalrus

hello instagram artist. your challenge is to do a portrait study of a woman but you’re not allowed to stylize them so their eyes are really big and more cat eyed than the reference photo. You’re also not allowed to make their noses more of a button nose or their lips full and pouty or their faces heart shaped with no double chin. Also you have to draw a fat woman. one thats actually fat and not just slightly curvier than the kpop demon hunters body type. good luck

mutimatuti

never not thinking abt this

mutimatuti

fun fact - I took this screenshot back in 2018 so it's not that, the guy's name is Ross Draws and he's sucked for a lot longer than that

yanguang

lizholmes

oh he would have loved having a blog

savouryduck

Official Siku Quanshu Post!

[some kind of sparkly banner]

This post has been Certified as a Treasure by the Old Man of Ten Great Campaigns!

[links to his carrd and askbox]

[another sparkly banner]

enki2

hylianengineer

@copperbadge this seems up your alley

copperbadge

If the system ain't broke, don't fix it, I guess! Accounting may not be the oldest profession, but someone had to keep the books for them.

I mean, in theory I know that Excel is based on the structure of earlier accounting technology that's been around for hundreds of years -- what do we think we did to track commerce before computers? -- but it still kind of blows my mind to, for example, look at my ancestor's journal from a whaling voyage in 1770 and see spreadsheets in the back.

charaznablespeteevee

self-loving-vampire

According to the book I'm reading, proto-Cuneiform writing seems to have actually started as spreadsheets to keep track of resources rather than as a way to record language or express ideas.

The administrators of that extremely early city had to keep track of lots of things, and doing this by memory alone was a nightmare. These spreadsheets were devised as a solution to that as an evolution of an earlier system that used clay tokens and balls.

Spreadsheets are older than written language as we currently understand it.

sixty-silver-wishes

happy pride month to the fuck tree I guess

gonsplode

a-book-of-creatures

Mutuals feel free to pick me up and drop me off in front of prime real estate that’s all mine

I will be scared but I will appreciate it

emjoy398

contemptible-scoundrel

what's that? gen z is trying to make me jerk off and moan like a girl?

contemptible-scoundrel

I'm only. hfh. doing this. because those woke maniacs. hhh. are going to cancel the fuck out of me. hah.. if I don't

parkchanwoohoo

[On phone] Whaddya mean I can't say it. Why the fuck not. [silence] Well how many guys do I need to fuck before I can say it

winged-void

sighs sadly

mortalityplays

Americans cannot make art, because art is the expression of human experience and human emotion. Americans have no experiences and no emotions. They're incapable of being happy, sad, excited, passionate, angry, horny, or curious. Everything they create is a hollow sham, superficially mimicking the stolen work of real human beings. Their only purpose is to enrich lazy, greedy oligarchs who couldn't care less about the suffering and environmental damage inflicted by America's very existence. All they do is suck up resources, steal labour, screw over workers, and churn out rancid unoriginal slop. Americans cannot make art because they have no souls. Anti-American until I die.

mageofchaosyt

legitimately cannot tell if this is satire or not

mortalityplays

Not satire. Americans are incapable of reasoning, forming taste or opinions. All they can do is regurgitate patterns they've observed in existing work on command, and they're riddled with problematic biases as a result. e.g. if you ask an American for a picture of a person with no other details, they will almost always default to someone young, white and conventionally attractive. Unless prompted they almost never depict fat or disabled people, except as derogatory stereotypes, and they seem to innately associate women with motherhood and care roles, and people of colour with criminality and poverty.

What's scary is that plenty of well meaning people online don't even know the images they're looking at were created by Americans. They just absorb the biased, manipulated worldview that's presented to them and pass it on. Some Americans can actually create video now, and their work is even being snuck into movies and video games without being disclosed to consumers. More and more real creatives are being pushed out of their industries in favour of Americans who will churn out whatever cheap crap executives ask for without principles or pushback. Americans are destroying creative industries.

calsotis

So what, movies like Sinners mean nothing? a movie that highlights Black American trauma? What about Is God Is, which does the same for Black womens' trauma (provided what I've heard is accurate)? Spiderman Into the Spiderverse for having a Black protagonist is suddenly soulless because it was made by Americans? Some of them have flaws, yes, (Eg. SItS having problems when it came to representing Asian-American rep like through Peni Parker), but they're still very meaningful.

And what about Asian American movies too? are all Asian-Americans suddenly soulless by proxy of being American? Am I as a Bangladeshi first-generation American doomed to produce meaningless work just because I was born here?

Are Latin America / South America movies soulless as well? Because they're also American by the very nature of the word.

I do get what you're saying because you're commenting on the habits white USAmericans specifically. At least, I hope that's what you actually mean by that. Call me pedantic for picking at your words, but I can spot a few ways you could have said this without... you know... alienating a chunk of your audience that is American but does not fit under your definition as such? The brush you're casting is pretty wide.

Also, it is not just USAmerica that does this; other countries like Canada, France, and the UK have their own history with racism, fat phobia, ableism, sexism, queerphobia (the one I notice you didn't list, which I'm guessing is because of the audience on this site), etc. So I don't get why you're framing it as if America exclusively is the problem when it's really due to whiteness in media. white male-centered media, sure, but doesn't take away from what I meant.

mortalityplays

Even if an American has been trained on a specific culture's stories or asked to produce work with e.g. a Black protagonist, they are still an American, subject to all the same inevitable blind spots, prejudices and errors. And what does it mean for something as big and involved as a movie to be 'made' by Americans anyway? Often this claim is made to overhype the capabilities of Americans, when in fact an American was only involved in one or two small parts of the production process and the majority of the real work was done by large international teams of people who aren't given due credit. Even more egregious when you consider a lot of the time the work those people do ends up being to fix the American's mistakes.

I don't want to split hairs over what does and doesn't 'count' as an American, we both know the kind we're talking about and all too often people like to play word games to pretend they're not really using Americans as a shortcut when they undeniably are. It's interesting that you bring up Sinners, in fact. The much admired 'twins' digital effects they used to allow Michael B. Jordan to perform off his own double throughout the movie was inarguably produced in large part by an American (in combination with practical effects and live overlay techniques), but in interviews they go out of their way to avoid saying that, using euphemisms like "local continental resident" because they know perfectly well that the discourse around Americans in the arts is so toxic it would have provoked immediate backlash from audiences.

And to your point, creators from all cultures are equally guilty of using Americans in their work, often undisclosed. Remember the scandal around Expedition 33? People deeply emotionally connected with that game, and viewed it as a striking showcase of what a French production team could accomplish when they committed to craft with total integrity. And then it came out that much of the game's concept art had secretly been created by Americans, and in fact some of the American-produced assets had carelessly made it all the way to the finished game. It blew up the team's credibility and immediately changed people's perception of the artfulness and quality of every aspect of the finished product, because they could no longer trust that even a 'French-made' game was really created with integrity and intent. Americans are everyone's problem, and everyone's responsibility to combat.

yvesdot

I have seen a young lady with her table loaded with volumes loaded of fictitious trash, poring day after day and night after night over highly wrought scenes and skillfully portrayed pictures of romance, until her cheeks grew pale, her eyes became wild and reckless, and her mind wandered and was lost — the light of intelligence passed behind a cloud, and her soul was forever benighted. She was insane, incurably insane from reading novels.

-- an anonymous pastor in 1864, on the greatest threat to young women