Fifth Avenue at Twilight, c. 1909. Birge Harrison. Oil on canvas.
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art blog(derogatory)
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macklin celebrini has autism
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pixel skylines
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cherry valley forever
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Cosmic Funnies

tannertan36
let's talk about Bridgerton tea, my ask is open

Love Begins
noise dept.

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@silentroblr
Fifth Avenue at Twilight, c. 1909. Birge Harrison. Oil on canvas.
Absence.
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so cool how advanced the algorithm has become, it literally only takes like a decade or more of spying on all my internet activity and then it can expertly curate a selection of 15-20 youtube videos that i don't really want to watch, and then keep showing me those videos over and over again for a week so i can scroll past them again. the future is now
Very true
As a former humanities student, I feel it is my duty to reblog this one.
genevieve o’reilly getting a part in revenge of the sith that eventually got cut and 20 years later giving us one of the best performances I’ve ever seen out of star wars is the greatest comeback of all time
Basilica of Bom Jesus, Old Goa.
More : via & via
St. Francis Xavier Old Goa Church Basilica Bom Jesus Travel
Fairy Hordes Attacking a Bat
C. 1860
John Anster Fitzgerald
a wizard threw skull shaped fire at me for no reason
as a child i assumed that martha’s vineyard was a fancy private vineyard owned by martha stewart and the reason rich people vacationed there was because they were friends with martha
Saw this twitter post and instantly started looking for pictures of Stratt to use it with
you are not immune to inventing an arbitrary set of rules that only you have to adhere to
‘The Flame of Contemplation’ - this self-portrait by Laura Makabresku really resonates. Storyteller Laura never fails to create magical pieces that beautifully depict the emotional challenges and depth of human existence.
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#beautifulbizarre #lauramakabresku #photography #selfportrait #contemplation #bird #art #artphotography #surrealism #contemporaryart #visualart #artist #newcontemporary
bull in a china shop
José Benlliure y Gil - Vision in the Coliseum - (1885)
https://en.wikipedia.org/wiki/Jos%C3%A9_Benlliure_y_Gil
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.