gracie abrams
@theartofmadeline
roma★
official daine visual archive
Monterey Bay Aquarium
almost home
bliss lane
Cookie Run:Kingdom Official!
Kiana Khansmith
izzy's playlists!
Andulka
Doug Jones
cherry valley forever
Sade Olutola
titsay
Lint Roller? I Barely Know Her
2025 on Tumblr: Trends That Defined the Year
if i look back, i am lost
RMH
Not today Justin
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@table-top-romulan-playing-games
extremely underrated subgenre of tumblr post: when someone makes a general statement about something, and another person offers a counter-statement that's just completely nonsensical, and the OP just agrees instantly even if it makes no sense at all
examples:
I love this post especially the rat part
going on me feed
what do you mean there are exactly zero rats i. this post
Who would win
Miss Piggy
Angel from Buffy
It seems like we're just feeding characters to Miss Piggy at this point
Kira Nerys
You know Jones soda cap, as a tumblr user i can actually say i think I have.
It’s crazy that Star Trek TNG had an entire subplot about how Data isn’t funny when he’s EASILY the funniest motherfucker on that entire starship
ALIEN YURI (人*´∀｀)｡*ﾟ+
Women covered in blood. Reblog if you agree.
In 2026, severe drought across Europe has caused water levels in major rivers to fall dramatically, exposing parts of the riverbeds that are normally hidden underwater. Along the Elbe River in Germany and the Czech Republic, this has once again revealed the ancient “Hunger Stones.”
These stones were carved centuries ago to mark periods of extremely low water levels. One of the most famous is located near Děčín, Czech Republic, and bears the chilling inscription: “If you see me, weep.”
The warning was not just symbolic. When the stone became visible, the low river level meant difficult conditions for agriculture, shortages of food and problems for river transport. Historical dates carved into the stone record previous periods of severe drought, with one of the oldest readable markings dating to 1616.
Now, in 2026, as Europe faces another severe drought, the reappearance of these ancient stones offers a striking reminder that extreme low-water events have repeatedly brought hardship to the region throughout history.
straight white people making a romance movie: haha what if it was illegal to have sex? wait what's lawrence v texas. wait what's mclaughlin v florida. wait what's loving v virginia
As preposterous and stupid as this fucking movie's premise sounded (for a light-hearted rom-com, and not The Handmaid's Tale) I didn't want to think about it too much until the movie actually came out, and then I could see if it was somehow more intelligent and subversive than the trailer let on, but guess what, it's even worse!
If this is what it takes to get a rom-com greenlit these days, maybe we should just let them die.
Sex workers are thrown under the bus, shown only as thieves who fleece men in the woods at night, while queer sexuality is relegated to a few scenes with Allie’s roommate (a woefully underused Quintessa Swindell) and a handful of pans past blurry same-sex extras making out in the background. “This night is for the straights,” Swindell’s character says to Allie, before saying that queer people have worked around straight laws for centuries. This is supposed to be a nod to queer resilience, but largely comes off as straightwashing the history of anti-LGBTQ legislation in this country that led towards raids of queer clubs and incarceration of queer people in the not-too-distant past (let alone the current barrage of anti-Trans and LGBTQ legislation currently in the works and on the books). It’s also ignorant of the long and fraught fight for the normalization of age-of-consent laws, which, by the way, did not happen in all states in this very country until 2003. Yes, that’s not even thirty years ago. By the end, our intrepid protagonists have not had sex with anyone, because this is a film about Romance with a Capital R (and I guess sex is not part of romance!) and for that very same reason they ultimately embrace the fascist state of things. They aren’t the only ones who refuse to fight back. No one in this cursed film is protesting this mandate beyond “repeal” signs in various windows and some creative graffiti (...) (...) If we are supposed to believe that the film is making some subversive statement about the state of sex and bodily autonomy in this country, it cannot end with its leads embracing their chains. That’s just warmed-over conservatism running around in sheep’s clothing.
yeah i wrote this post having only seen the trailer, but jesus christ. was this movie a psyop LMAO??
also, for the unaware: mclaughlin v. florida was a 1964 supreme court case that struck down a florida anti-miscegenation law that criminalized cohabitation (and thus, as implied, sex) between white people and people of color of opposite genders. anti-miscegenation laws made marriage and sexual relationships between white people and people of color, most often specifically black people, a FELONY in several states in the united states up until the 1950s and 1960s. though it was already struck down by the supreme court, the state of alabama didn't repeal their law until 2000! there were THREE ATTEMPTS at codifying anti-miscegenation into the us constitution!
like yes, the issue here is partially straight white people's ignorance on the united states's history of homophobic policy, but it's also really important to recognize that arguably the majority of the issue here is straight white people's ignorance of the united states's history of codifying eugenics and antiblack racism.
the premise could have been interesting as a serious dystopian story, especially taking that history into account, but it wasn't written that way at all. this movie should never have been a fucking romcom making light of the violence the united states (and many other countries) has enacted on any kinds of sexual relationships it deems undesirable.
can y’all maybe reblog this version i feel like people are forgetting about the racism and just focusing on the homophobia
Your favorite band’s favorite band
Paris wanted to play funky covers of Vulcan epics, and Janeway and Chakotay were happy to join him. Kim was too busy with his own orchestra on Voyager but Tuvok joined the band reluctantly to make sure that they weren’t ruining the Vulcan epics too much. Paris named the band Falor’s four.
The official Star Trek Canon
