♯ 25 DAYS OF CHRISTMAS .ᐟ ⌁ (15/25) ↠ Meet Me in St. Louis (1945) dir. vincente minnelli
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♯ 25 DAYS OF CHRISTMAS .ᐟ ⌁ (15/25) ↠ Meet Me in St. Louis (1945) dir. vincente minnelli
Just some angsty Batfam thoughts (in combination w/ SuperBat)
After coming together with Clark, Bruce starts spending more time with Kon and Jon as they are his new step-children and also well-known friends of his children.
It's so subtle at the beginning, that the batkids don't even realize how much time Bruce spends with the Kent children, until Kon and Jon constantly talk about their super cool step-dad (or for short/familiarity "B").
It starts with little praises like "oh, your dad is so cool" and turns more and more to "look what B and I did together!"
The batkids just roll their eyes, thinking that soon, they'll also begin to feel overwhelmed by Bruce's constant presence, but as the weeks and months go on, they feel jealousy.
On Werewolves and My Work
Things have been quiet lately, but I've been hard at work. I'd like to take a moment to direct your attention to a page on my site that seems to be oft-overlooked - this isn't the first time I've pointed it out, and I doubt it will be the last, but I find it important nonetheless.
I especially want to highlight this with the upcoming publication of my next nonfiction work: a collection of werewolf folklore stories/primary sources, with added historical context.
My protagonist, Tom Drake, from Wulfgard, in werewolf form. Artwork by Justin RR "Saber-Scorpion" Stebbins (my brother).
Werewolves are my greatest passion. I cannot put into words how fully the werewolf curse captivates my mind and imagination, as it has for so much of mankind for countless ages. There are endless elements to explore and stories to tell with werewolves and so many annals of folklore, myth, and history to discuss relating to the idea. That is why I have all but dedicated my life to the concept of the werewolf.
Werewolf illustration from a 1941 issue of Weird Tales.
Why I Love Werewolves
Let me take you to a lonely night in the fens, or on a quiet city street...
The air hangs thick with fog. A distant howl, wolfish yet wrong, drifts over the graveyards and haunted forests that are cast deep blue in the full moon's baleful glow. You know that cry is the voice of a cursed monster that is also, conversely, an innocent soul: haunted, powerless, enduring the untold agony of the transformation - and now, above all else, indescribably dangerous. It is a man cursed, lost in rage with which no one could contend, and always starving for flesh...
It is a werewolf.
The werewolf curse is one of the deepest tales of tragedy. The werewolf is a being of duality, of halves, never to be truly whole. Neither man nor beast, they must wander, alone, lost, at odds with themselves, in sorrow, fury, and eternal hunger. How does one reconcile committing atrocities in a beast's skin? How can any good person continue as such a monster?
It gives me chills just to think about. I've never seen a concept more haunting, fascinating, and horrifying than that of the werewolf, and I know I never will. You cannot best the oldest of legends and such a core terror that haunts all humanity: the idea that even the most civilized a man could become the most terrible of beasts.
This is why werewolves have haunted the human psyche since the dawn of time - and they always will.
Obviously, there are many takes on werewolves, especially these days, and not all folklore told such tales, but I'm speaking in terms of why werewolves captivate me personally. To me, it all comes back to The Wolf Man (1941), as inspired by legends and turned into a tale of tragedy that touches the hearts of all who hear it. You cannot help but relate to such a character and feel sorry for him, but you must wonder... what would you do in such a situation? What would you do, as a werewolf - or as a werewolf's loved one? What would you do, if someone you cared about turned into a monster? And what would you do when that monster came to your door - either asking for help... or to take your life, against the will of the man who bears the curse?
That is untold narrative power.
And that is why I love werewolves.
If you've read this far, I humbly ask you to take a look at my fiction in particular, namely my series Wulfgard: The Prophecy of the Six, starting with its first installment, Knightfall. It's a bit like Lord of the Rings meets The Wolf Man. If you love traditional fantasy, adventure, horror, werewolves, knights, mystery, strong characters, even pitched battles, and so much more, this book has it all. I promise you won't be disappointed. Of everything I ever do and create, The Prophecy of the Six means the most to me, and I would be honored if you read it.
P.S.: I have revamped my P4t-ree-on a lot lately to include more werewolf things (rants! folklore posts! reviews!) again and try to reenergize it. Be sure to go check it out. I am maverickwerewolf there. Find it in my pinned post. <3
canon batfam meets fanon batfam
You don’t understand how happy I got when I saw this in my inbox I plan on writing a longer post (which will probably expand into a fic) but we’ll break this down and have them take their turns. So sorry this took so long 💖💖
Dick Grayson: Thinking of Fanon Dick, he’s someone who has “oldest daughter syndrome” which means he argues with Bruce a lot (✅) on how to be a good parent (❌) and is a better parent than Bruce. (❌❌❌)
Dick would HATE this. He can be a pretty mean spirited person, especially when people insult his dad/batman. The “jolly happy go lucky” attitude is (to me) like Bruce’s Brucie Wayne persona. But he’d have a much, MUCH, bigger gripe about how Fanon Dick is a “better parent”. The animosity between Canon Dick and Fanon Dick would begin as they watch each other interact with their siblings and Bruce. C!Dick would hate how F!Dick parents the other Batkids and nags Bruce to be “a better father” and live up to unrealistic standards and expectations. Because how can a version of himself not love his dad??
C!Dick can NOT stand his siblings sometimes (not to say he hates them) and F!Dick feels like a caricature of the love he does have for his family.
Jason Todd: Idk much about Canon Jason outside of WEBTOON’s redhood and the outlaws, Jaybin, and his villain arc. But! I will try :) To me, Jason is someone who carries a lot of conviction in his beliefs says things how they are even if it’s harsh. Jason’s relationship with the family is rocky but they’re compatible after a lot of long, probably teary eyed, conversations. It’s not like it used to be, but it’s better than it was. Jason probably tries to act like he isn’t a part of the family, that he isn’t like them but the truth is he is exactly like them.
College got me in a chokehold rn ✨
Tom Drake (August 5, 1918 – August 11, 1982)
MEET ME IN ST. LOUIS (1944)
Director: Vincente Minnelli Cinematography: George J. Folsey
Judy Garland & Tom Drake - Meet Me In St. Louis (1944).