Peter Solarz
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JVL
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KIROKAZE
2025 on Tumblr: Trends That Defined the Year
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$LAYYYTER
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Jules of Nature
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romaâ
PUT YOUR BEARD IN MY MOUTH
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đȘŒ
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@thecowardlycreative
Oh my gosh. I just found this website that walks you though creating a believable society. It breaks each facet down into individual questions and makes it so simple! It seems really helpful for worldbuilding!
Heads up that this is a very extensive questionnaire and might be daunting to a lot of writers (myself included). That being said, it is also an amazing questionnaire and I will definitely be using it (or at the very least, some of it).
Bookmarking thisâŠ
look. look at this beautiful sword meme. iâm going to cry
@petermorwood
I saw and reblogged this one a while back, but itâs always worth repeating, and this time Iâm adding a bit of background info comparing common fantasy sword features to the Real Thing (with pictures, of course.)
Leaf-bladed swords are a very popular fantasy style and were real, though unlike modern hand-and-a-half longsword versions, the real things were mostly if not always shortswords.
Here are Celtic bronze swordsâŠ
âŠAncient Greek XiphoiâŠ
⊠and a Roman âMainz-patternâ gladiusâŠ
Saw or downright jagged edges, either full-length or as small sections (often where they serve no discernible purpose) are a frequent part of fantasy blades, especially at the more, er, imaginatively unrestrained end of the market.
Real swords also had saw edges, such as these two 19th century shortswords, but not to make them cool or interesting. Theyâre weapons if necessaryâŠ
âŠbut since they were carried by Pioneer Corps who needed them for cutting branches and other construction-type tasks, their principal use was as brush cutters and saws.
This dussack (cutlass) in the Wallace Collection is also a fighting weapon, like the one beside itâŠ
âŠbut may also have had the secondary function of being a saw.
A couple of internet captions say itâs for âcutting ropesâ which makes sense - heavy ropes and hawsers on board a ship were so soaked with tar that they were often more like lengths of wood, and a Hollywood-style slice from the Heroâs rapier (!!) wouldnât be anything like enough to sever them. However swords like this are extremely rare, which suggests they didnât work as well as intended for any purpose.
I photographed these in Basel, Switzerland, about 20 years ago. Look at the one on the bottom (I prefer the basket-hilt schiavona in the middle).
A lot of âflambergeâ (wavy-edge) swords actually started out with conventional blades which then had the edges ground to shape - the dussack, that Basel broadsword and this Zweihander were all made that way.
The giveaway is the centreline: if itâs straight, the entire blade probably started out straight.
Increased use of water power for bellows, hammers and of course grinders made shaping blades easier than when it had to be done by hand. This flamberge Zweihander, however, was forged that way.
Again, the clue is the centre-line.
Incidentally those Parierhaken (parrying hooks - a secondary crossguard) are among the only real-life examples of another common fantasy feature - hooks and spikes sticking out from the blade.
Here are some rapiers and a couple of daggers showing the same difference between forged to shape and ground to shape. The top and bottom rapiers in the first picture started as straights, and only the middle rapier came from the forge with a flamberge blade.
Thereâs no doubt about this one either.
The reason - though that was a part of it - wasnât just to look cool and show off what the owner could afford (any and all extra or unusual work added to the price) but may actually have had a function: a parry would have been juddery and unsettling for someone not used to it, and any advantage is worth having.
However, like the saw-edged dussack, flamberge blades are unusual - which suggests the advantage wasnât that much of an advantage after all.
Hereâs a Circassian kindjal, forged wigglyâŠ
âŠand an Italian parrying dagger forged straight then ground wigglyâŠ
There were also parrying daggers with another fantasy-blade feature, deep notches and serrations which in fantasy versions often resemble fangs or thorns.
These more practical historical versions are usually called âsword-breakersâ but I prefer âsword-catcherâ, since a steel blade isnât that easy to break. Taking the opponentâs blade out of play for just long enough to nail him works fine.
NB - the curvature on the top one in this next image is AFAIK because of the book-page it was copied from, not the blade itself.
The missing tooth on that second dagger, and the crack halfway down this next oneâs blade, shows what happens when design features cause weak spots.
So there you go: a quick overview of fantasy sword features in real life.
Hereâs a real-life weapon that looks like it belongs in a fantasy story or film - and this doesnât even have an odd-shaped bladeâŠ
Just a very flexible oneâŠ
If you want more odd blades, Moghul India is a good place to startâŠ
i could not ask for a better addition to my meme post than blade education thank you so much
love the idea of sawds (the spork of combat)
Surnames are just as important as given names. So, I compiled a list of the websites I use to find my surnames.
English Surnames
Dutch Surnames
Spanish Surnames
Scottish Surnames
German Surnames
Italian Surnames
Irish Surnames
French Surnames
Scandinavian Surnames
Welsh Surnames
Jewish Surnames
Surnames By Ethnicity
Most Common Surnames in the USA
Most Common Surnames in Great Britan
Most Common Surnames in Asia
For whoever needs these.
I NEED THE ITALIAN LAST NAMES SO BAD
We are like fireworksâŠ: Surnames Master Post.
Chinese surnames
Indian surnames
Indonesian surnames
Pakistani surnames
Bengali surnames
Japanese surnames
Filipino surnames
Korean surnames
Syrian surnames
Mongolian naming and clan names
Thai surnames
Asia is not a single country.
âAsia is not a single country.â
oh my fucking god if heaven is real its this fucking post.
For those curious, here's a Very Short list of my two favourite hand tutorials:
Sinix's hand tutorial (13 mins)
Ethan Becker's breakdown of sinix's tutorial (11 mins)
And you might think you should watch Sinix's video first... nah watch Ethan's video first. Puts it into perspective (haha, artist puns)
Get some short cuts down to build confidence
Work on Gesture
Work on anatomy in Conjunction with gesture
best part about fantasy worldbuilding is that you get to invent new horse breeds
fun times
My top three rules for world building:
How are these bitches eating?
How do these bitches stay warm at night?
Who is paying for all of this bullshit?
You know what fantasy stories don't use enough? Different measuring scales, and confusion caused by them. Because before the metric system, practically every place and culture had their own measures for weights, lengths and distances. It would be fun to add that into a story for added realistic cultural confusion.
The average dwarf is four or five feet tall, but not in human measures. Yeah they're still shorter than humans but the dwarf foot (and the namesake measure of length) is bigger in proportion to their body. "Is that in dwarf feet or human feet?" is a common question to hear on construction sites, wherever human carpenters and dwarf masons are working together.
A dedicated local Common Misconception Historian has a pet peeve about the whole "princess Featherblade was only 12 years old when she led the attack on Marshland Halls" -myth, because the historical recordings on the human side are off. While she was remarkably young, that myth came about back in the day when humans were still trying to apply "dog years" to elves, and in an elven life span, 120 years is not a direct equivalent to a 12-year-old human.
A whole culture whose smallest unit of weight loosely translates to "about as much as an apple", and varies from region to region depending on the size of local apples. These people are famed for their alchemists, whose uncanny ability to simply measure their ingredients by heart, making their recipes essentially impossible to replicate. This famed skill is a matter of survivor bias - the ones that don't have that knack ten to explode into fine mist.
As a sidenote. Medieval construction sites actually decided at the beginning of the project just exactly whose feet, inches and thumbspaces they were going to use for this site. Then theyâd post them on a board at the workshops so everyone could be on the same page here.
I want to believe that there have been several incidents where this desicion was resolved with a fist fight.
Places you should add to your little town/city in your fantasy world!!
Post offices. Wild, I know. But give me the unhinged kind. Pingeons and little postal dragons all over the place. You enter. The most disgusting smell fucking assaults your nostrils. You know what it is. Letter in hand, you go up to the counter. The postal worker is just a slightly bigger pigeon. You shed a tear.
PLAYGROUNDS!! Create the most dangerous kinds of playgrounds, the ones suburban moms would TRIP if they ever saw one. Monkey bars that are way too tall, swings that go full circle... The metal slide stays the same, it's already painful enough.
PARKS!! MAKE IT ALIVE!! Show people going on walks, reading beneath trees. C'mon most of them are already hundred years old (And are going to die after that CR 15 creature wrecks the town) anyways!! Show couples and picnics, show a family enjoying the sunday, give me someone picking flowers for their loved ones.
A bakery! Do you know how much these places are underrated? And do you know how much plot potential they have? Every good story starts with food poisoning or granny's recipe! Give me a place your players/readers are going to treat like home and, for once, it's not a tavern or a guild.
Government buildings! Give me a town hall that has a kilometric line in front of it. Give me a registry that is as old as this town. Give me police stations! Give me courtrooms! Make one of your players get arrested and now all of the party has to go through burocracy like a bunch of normal people!
(Who am I kidding? You don't need to make them get arrested. They are going to do that for you.)
Touristic attractions! Give me a full-on statue of the country's leader! Give me museums! Give me streets, ruins and whatnot that attract thousands of tourists everyday! Give me an annoying city guide that tries to get the party's attention everytime!
Magazine stands! Magazines don't exist? Newspaper stands! From the Queen's Journal to the most questionable new piece of Fox's Tailtracker, you have it all! Make your players doubt what's actually happening, sprinkle a little fake news... Or is it fake at all?
...Toy stores. OK HEAR ME OUT. Make magic toys; miniature skyships that actually fly, metal toy dragons that expel fire, little wands that make little light spells, wooden creatures that can move and make noises... Make children happy! And your players too because they will waste their money on these stuff.
Instrument store!! Make your bards happy with special instruments or just weird ones! Give me a battle in one of those that is just filled with funny noises and the worst battle soundtrack ever!!
Not exactly a place but... Cleaning carts!!! Show me people cleaning the streets, picking up the trash, cutting trees!! Make the town look clean!! Give me an old man that is really proud of his work!!!
(or ways to make your players feel even worse when the villain destroys the town later on :) )
When inventing a fantasy religion a lot of people a) make the mistake of assuming that everyone in fantasy world would worship the same gods and b) assume that polytheistic religions see all of their gods as morally good
Some types of religions for your world building (any of these ideas can stand alone or be combined with each other):
One god, donât play with any others.
Everything is God
One big god or small group of gods made everything but that doesnât mean there arenât other smaller ones that work for the big one(s)
Thereâs one god but all of these hundreds of gods are aspects of that one god and the aspects of the one god can absolutely marry each other and have marital squabbles
Individuality is an illusion and the universe is a series of vibes experiencing itself
The world used to be an egg but then that egg became a god and then that god made some other gods and then those gods became bored and made the universe and then they got to screwing each other to make even more gods and now thereâs hundreds of them and exactly what gods are worshiped changes on who you ask in a particular region
Everything has a soul. Act like it.
Someone or something spoke the world into existence and weâve been stealing other peopleâs stories ever since weâll take whatever gods you have
A bunch of regional gods got smushed together and now thereâs a state mandated religion thatâs trying to make this smaller pantheon more popular than local folk religion
The difference between a god, a nature spirit, and a legendary person is extremely unclear even to worshipers but thereâs shrines to all of them
A god chose these people to be their special guys and their special guys are gonna have a tough time. That god may be the only god or it may be one of many those people believe exist
Humans were kinda stupid until this one spirit or person showed up and taught them how to do stuff so now we do stuff to thank the person or thing that taught us how to do stuff
The world will keep on ending and being rebuilt it just does that sometimes nobody knows when it started or if it ever did
You can learn a lot from talking animals.
People were made to do work the god(s) donât wanna do
People were made because the god(s) were lonely/bored/drunk
This river in particular is the most important thing in the whole universe
You need to get better philosophy. This guy was good at philosophy. Read his book.
Apologies to OP for tacking my own planning notes on the end here but, just for the sake of having my thoughts written down somewhereâ
Itâs hard to justify conflicting pantheons or genuine atheism when there are people running around with divine powers. But, at the same time, this continent is huge and travel is hard (because money and monsters and faux-mediaeval technology) so having universal belief is also pretty unbelievable.
Current plan is a three tiered structure.
True Gods â these are universal beings that will still exist even if the entire cosmos implodes. Neither good nor evil, they represent things that are and must be and are above mortal morality. HOWEVERâ their semi-absenteeism allows various interpretations of their person/abilities/portfolio. Think: the variety of Abrahamic religions on earth.
Belief Gods â these are deities that are powered by pure belief. Sustained and Sincereâą worship over centuries can create divine abilities in otherwise mundane things. Plenty of mountains, rivers, and other natural-world phenomena have become anthropomorphised and subsequently deified in this way. Same with particularly powerful/long-lived races. There have been a number of dragon belief gods. Eventually the True God of Balance descends and is like, âmate, you gotta come with me to the divine realm. Youâre going to start screwing things up if you stay here among mortalsâ. HOWEVER â because theyâre made purely of belief, their power is directly tied to their worshippers. The number and location of their worshippers determines where and how much power they have.
Immortals â these are just mortals that have extended their natural (or unnatural) lifespans to such an extent that Balance once again has to come down like, âmate.â Tend to be the weakest of the deities, with only the power that they had as mortals (turned up to 11). Like belief gods, any additional power they obtain beyond their mortal abilities is directly tied to the number/region of their worshippers. Several immortals have eventually been reclassified as belief gods in this way. Unlike belief gods, however, they are still independent beings and will not cease to exist if they lose all their worshippers.
Even though these are just my current thoughts/planning notes, if anyone wants to chime in with anything, please feel free.
Free worldbuilding idea:
Wizards have the same trust in magic that software designers have in software, which is to say, almost none at all.
âAre you fucking kidding me I worked in a reagrent shop for a few years I donât trust any of that stuff. Who the hell knows what other components are in the ashes.â
âYeah I was in the circle that made Alstonâs Divine Circle of Teleportation. Thereâs some pretty nasty corner cases you can get into but the headmaster published it without us. I just take ships. Itâs way safer.â
âI call bullshit on that Necromancer channeling spirits of loved ones. What did he say he was using? âMedium Conduit Ruinic Circlesâ? Thatâs just a bunch of buzzwords slapped together, and they donât even interact with each other.â
âIâve been looking at this scroll all morning and Iâm 90% sure that the scribe didnât even look at the standard for pyromancies.â
âHelp Desk, this is Gloriline, what did you fuck up this time?â *indistinct vocals* âDave, Iâve seen the news, and, frankly, I can see the ash cloud from here. You paid for extended support, not enabling support.â
âI canât get this fucking spell to work, Jane, can you look it?â
*passes a scroll* *a few moments of silence*
âI think you missed a bookend rune right here-â
âGODS DAMN IT! ITâS ALWAYS SHIT LIKE THAT! THANK YOU!â *angrily scribbles on parchment*
(It takes five more aggravatingly tiny adjustments before the spell works)
I donât play wizards anymore because theyâre too much like my day job.
Instead of a orb the wizard has a little statue of a duck he tells his spells to and then swears when he spots the obvious mistake.
You beat me to it! I was going to add that the reason why wizards and witches always have familiars around is so they can Rubber Duck at them until they realize what the mistake with their spell is!
Outsiders get it wrong and figure the familiars are somehow teaching spells to their owners, but no. Itâs just explaining to Firewing what youâre trying to do with this teleportation matrix until you realize that youâve been using telepathy crystals to power it the whole time like a FUCKING IDIOT!
Programming is magic (derogatory) so why shouldnât magic also be programming (derogatory)?
What are some chronic illnesses that can only occur in a fantasy setting?
Partial transformation - mummy rot is slowly turning you to sand, a near miss from a medusa left you with partially stoned body parts, etc.
Hypnotic suggestions from being mind controlled persist after the controllerâs death, causing the victim to occasionally take actions to support the cause of a mind flayer cult that no longer exists.
Repeated demonic possession has left the patient with permanent gaps in their soulâs defenses, causing them to immediately get re-possessed if they go outside a consecrated area.
Post-resurrection trauma as the revived soul remembers an unpleasant afterlife.
Magical healing can get very weird if something is stuck in the wound. Itâll get you back on your feet, but you can get outcomes like âthereâs a chunk of wood fused into your chest because the magic couldnât figure out how to get the arrow out of your chest and just healed it in place,â and this can cause mobility issues or infection vectors down the line.
SHealth tied to something else - the health of a tree, the amount of frost on the ground, the inverse of another personâs, the political power of whoever cursed you
Curse of bad luck - makes any small illness or injury potentially fatal if not treated with anti-curse in addition to anti-infection procedures
Magical reliance on a magical or nonmagical substance - can have any number of side effects
Repeatedly being drunk by vampires can cause an increase in blood production and therefore high blood pressure and related ailments. Can be treated by blood letting.
Thereâs a lot of hybridization happening in a lot of fantasy settings, and thatâs just asking for a lot of people with weird half-dragon genetic disorders. Works out fine for some people, not so much for others.
Parasitized by (insert creature here). If you donât take the correct precautions to keep it dormant it will continue to spread and eventually hatch out/transform you.
Repeated contact with the undead has left you open to their influence - leading to hearing or seeing things that other mortals canât, which can distort or distract from more mundane concerns.
Alternately to being more vulnerable to intrusion, oneâs soul can form a scar that makes helpful magic more difficult to take in.
Sleep disorders that make one fall into an impenetrable sleep at a specific trigger, or to do so for years at a time.
Out of phase with 4D space, oneâs body not connected to itself or anchored in place/time in the usual way. There could be a consistent two hour gap between the things you hear and what has happened, you might clip into the floor as if it was in a different place for you, or you might slide through the material plane in cross section.
Intermittent intangibility.
Split into two people, each with only half your traits.
Stuck in a mirror.
Sensitivity to ambient magic - like the thing where peoplesâ joints ache before a storm but for being near ley lines or people with a lot of magic built up or other magic reservoirs. - The potential for magic, but where the magic has not yet begun.
Heal spell dependency: years of repeated serious injuries being healed by magic causes the body to stop healing naturally. seen often in professional fighters and those with a long career in hazardous occupations.
the forgotten dread: memory modification magic has caused the subjectâs conscious mind to forget some past trauma, but their subconscious still remembers, causing them emotions that they cannot explain or justify ranging from mild discomfort to blind panic when presented with triggers related to the aforementioned trauma. often encountered in cases where the subject has paid an unscrupulous mage to make them forget their past as an ill-advised alternative to therapy.
Psychically Transmitted Memories: the subjectâs mind has been linked to another personâs and, although the bond has since been severed, they have retained memories or thought patterns from the other person that are difficult to distinguish from their own.
Negative Life Syndrome (previously âFalse Life Syndromeâ): seen most often in cases when the subject is exposed to dark magic while in the womb, Negative Life Syndrome leaves the subjectâs life energies tainted by undeath without making them truly undead. common symptoms include intolerance of radiant magic, aversion to sunlight, and the inability to set foot on hallowed ground; rare symptoms include healing from negative energies, sudden necrosis, and the desire to eat flesh or drink blood of living beings.
lycanthropy
Early Life Possessions: the subject was possessed by a spirit or demon during early childhood or infancy, and the possessing presence was in control of them when they learned important milestones, such as how to walk or speak. The subject is now dependant upon the possessing presence to help them perform these tasks or, in cases where the presence has since been exorcised, performs the relevant tasks at a level appropriate for an infant or small child.
Body requires nutrients not found in human food, and you must eat rocks, or gems, or some other alternative. You may or may not have the ability to actually digest these without magical assistance
Awareness of too many dimensions makes it difficult to interact with just this one - either to keep track of conversations, or walk to specific locations without ending up on another planet instead
Telekinetic psychosis - delusions tend to physically affect those around you (but HIGH chance for ableism in this one!)
you have flare-ups where your skin tends to slough off and be replaced by some other substance
After sharing life energy with a dying loved one, youâre now both trying to survive off one personâs supply. Like chronic fatigue, but if your loved one gets too big of a bruise you wonât have the energy to get up until it heals
living in reverse
stuck at a certain age
supersenses lead to constant overstimulation
youâre a changeling, and if you donât have someone who loves you close by, youâll turn back into sticks and mud
Signs of Attraction
Mirroring your movements unconsciously.
Frequent light touches on your arm or back during conversation.
Persistent eye contact, with pupils dilated when looking at you.
Quick glances at your lips while talking.
Frequent, almost nervous laughter in response to your jokes.
Finding excuses to start or extend conversations.
Revealing personal details in hopes of creating a deeper connection.
Sudden interest in your hobbies or activities.
Adjusting clothing or hair when they notice you looking.
Offering compliments not just about your appearance, but your qualities or achievements.
Standing closer to you than to others in a group.
Making plans for future meetings without a specific reason.
ayo i found 2 pages with head angles of humans and animals, could be useful to anyone reading this
hoomans
animals
Holy FUCK, this is an amazing tool.
Reblogging for my artist fellows.
Reblog this!
Tips for writing those gala scenes, from someone who goes to them occasionally:
Generally you unbutton and re-button a suit coat when you sit down and stand up.
Youâre supposed to hold wine or champagne glasses by the stem to avoid warming up the liquid inside. A character out of their depth might hold the glass around the sides instead.
When rich/important people forget your name and theyâre drunk, they usually just tell you that they donât remember or completely skip over any opportunity to use your name so they donât look silly.
A good way to indicate you donât want to shake someoneâs hand at an event is to hold a drink in your right hand (and if youâre a woman, a purse in the other so you definitely canât shift the glass to another hand and then shake)
Americans who still kiss cheeks as a welcome generally donât press lips to cheeks, itâs more of a touch of cheek to cheek or even a hover (these days, mostly to avoid smudging a womanâs makeup)
The distinctions between dress codes (black tie, cocktail, etc) are very intricate but obvious to those who know how to look. If you wear a short skirt to a black tie event for example, people would clock that instantly even if the dress itself was very formal. Same thing goes for certain articles of menâs clothing.
Open bars / cash bars at events usually carry limited options. Theyâre meant to serve lots of people very quickly, so nobody is getting a cosmo or a Manhattan etc.
Members of the press generally arenât allowed to freely circulate at nicer galas/events without a very good reason. When they do, they need to identify themselves before talking with someone.
As someone who spent over a decade catering luxury events, let me add some back of house info:
These events are almost always open bar. They're not trying to make their money back on alcohol. They want you to drink and eat and donate generously.
If there are cocktails, there will be at most two on offer, pre-made in large tubs. You cannot order a different version, it is what it is.
There are two types of events: cocktail style or seated. The first includes roaming hors d'oeuvres or a fancy buffet with tiny plates called a grazing station. For a long night, the roaming food will get a little bigger throughout the evening and have a 'main' at some point based around a protein.
A seated event will usually be more structured and may include multiple courses. Silver service is not in vogue anymore. You are likely to get either alternating meals brought to you like at a wedding, or served banquet style. A good caterer can get a plate to everyone in a 300 person event in about three minutes.
Drunk people are the same no matter how expensive their suits. They still laugh too loud, spill their drinks and slip on the dance floor. They are usually less embarrassed about doing coke in the bathrooms.
A full scale event that starts at 6pm will have staff arriving at noon to begin setup. Earlier if there's a light show or pyrotechnics. Typically venues don't just have 30 tables and three hundred chairs lying around, let alone table cloths, chair covers, etc. It's all rented and brought in on the day. Bands and DJs will be running audio tests in the background throughout.
Most heritage buildings that host these things, like museums and manor houses, aren't really designed for them. They might put down mats so you're not walking in stilettos over two hundred year old wooden floors, the kitchens are weirdly far away, and there are not enough taps. There is never anywhere for staff to sit, so if you open the wrong door you might find half a dozen waiters sitting on upturned milk crates in a room full of million dollar paintings, eating the left over bread.
Really old buildings don't have enough bathrooms, which means the staff will be sharing with the guests.
Clean up starts the second the event ends, if not sooner. Unattended glasses will start to disappear first, then table decorations. When the timer ticks over, the lights come back on and exhausted staff strip the tables, pack up dirty glasses and unopened wine bottles and have to Tetris it all into the back of a van. The venue is booked for that day only, so everything has to be gone before anyone can go home. A large event that finishes at midnight might take until 3am to be cleared away.
These are very long and physically demanding nights for anyone working them. The staff all get to know each other, and will absolutely notice someone trying to sneak in wearing a borrowed uniform. They are not being paid enough to care.
a list of 100+ buildings to put in your fantasy town
academy
adventurer's guild
alchemist
apiary
apothecary
aquarium
armory
art gallery
bakery
bank
barber
barracks
bathhouse
blacksmith
boathouse
book store
bookbinder
botanical garden
brothel
butcher
carpenter
cartographer
casino
castle
cobbler
coffee shop
council chamber
court house
crypt for the noble family
