June is soul food month too btw
whoa!!!!
(with recognition that all three of these categories obviously overlap in a way that cannot be perfectly represented by this meme xoxo)
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@thehardboiledham
June is soul food month too btw
whoa!!!!
(with recognition that all three of these categories obviously overlap in a way that cannot be perfectly represented by this meme xoxo)
Sorry to post shit I found on reddit but this video has been on my mind for like 3 weeks now
this is such a profoundly stupid thing to be mad about but. i periodically think about how banksy made one of my single favorite pieces of art of all time, and everything else he's ever done has sucked. man, how did you nail it once
It's this piece, titled The Banality of the Banality of Evil. Because on first glance, you're like. Yeah, okay, it's obvious what it's saying. Even nazis, even evil people can appreciate beauty, too. But then you learn its name, and suddenly the interpretation shifts a bit. The idea that evil is banal has in itself become banal. my first response to seeing a nazi on a bench is "oh it's about the banality of evil" and not "jesus christ there's a nazi on the bench."
and like. i dunno i think that's a really interesting way for a title to recontextualize a piece. it's finding nuance by tearing out the nuance you want to project onto it. it's not the greatest piece of art ever made, but i'd be lying if i said i didn't have a huge soft spot for it
Okay but I have to add to this
what I find really interesting is how the way this is drawn (especially considering who drew it) the art style seems extremely deliberate. This type of nostalgic landscape painting is very reminiscent of nazi art and specifically, Hitler's art.
Nazis were extremely judgmental of "entartete Kunst" (degenerate art). Bansky's usual work very well fall into this category! So for him to go for this style of painting in particular is another choice I find very interesting, because I can see some people react to this painting with some variation of "oh, I didn't know he could actually draw! I thought he is a hack but he is a real artist!" - and that is where they would agree with the Nazis.
I dunno I just find this piece very compelling
oh that is actually fascinating. in fact, to add on- a detail I omitted because I just kinda forgot to mention it. The reason thereâs two signatures in the corner is because it was a painting in a thrift shop, Banksy adding the Nazi, and then returning it to the shop.
I think thereâs something interesting about recognizing the lineage of this type of art and wanting to mess with it, subvert the intent, and explore the topic and legacy. Itâs potent. I really like this piece
in happier pride news i actually found this deeply heartwarming
that's solidarity baybeeee
Further context: Durham city council (Reform UK) cut funding and support for Pride. The Durham Miner's Association and other trade unions raised enough money for Durham Pride 2026 to go ahead - a direct call back to when Lesbian and Gays Support the Miners (LGSM) raised money for mining communities when Margaret Thatcher seized union funding during the miner strikes of 1984-85.
At the 1985 Labour party meet, the motion to support LGBT rights as a party was passed due to a block vote from mining unions.
Stephen Guy, the chair of the Durham Minersâ Association, said that when it became apparent Durham Pride was under threat, he took it upon himself to âencourage the trade union movement to step up and do the right thing, and stand shoulder to shoulder with the LGBT+ community [âŠ] They not only raised funds for us, but came to our communities, uplifted our spirits when they were down, and showed their solidarity.â
the g spot is inside the stab wound
a farm that grows empty boxes
you can actually grow anything; believe it or not.
if you wish to grow an empty box farm, you simply need to plant a box under the ground. then, if you come back and dig it up in a week, you'll find a Box.
a beginner mistake is planting the empty box while it is open. once harvested, you'll be disappointed to find that your empty box crop grew into a box filled with soil. don't give up! just try again. just make sure the empty box you are planting is closed, and you'll get a plentiful harvest!
Marjane Satrapi, Iranian-French author of graphic novel 'Persepolis', dies aged 56 - https://www.reuters.com/business/media-telecom/marjane-satrapi-iranian-french-author-graphic-novel-persepolis-dies-aged-56-2026-06-04/
https://www.reuters.com/business/media-telecom/marjane-satrapi-iranian-french-author-graphic-novel-persepolis-dies-aged-56-2026-06-04/
A Horse power being only 735 watt is honestly so weird like that's not even enough to run a modern game on decent seatings
You wanna know what's fucked?
Your brain is a 25-watt computer.
Brain is 25% of your energy consumption, you burn about 100 watts of power (about 100 joules per second). You're a 25-watt computer.
I don't like that fact
No but for real. Your brain is one of the most advanced machines known to exist. It's a computer capable of running a sapient intelligence on - and I cannot stress this enough - 25 watts of broccoli and stew. What the fuck.
It's a cool fact it just makes me uncomfortable
so an average toaster runs at about 1200 watts, say it takes 5 min to toast bread thats 0.1Kwh. itd take 4 hours of brain power to toast it
Just connect multiple humans together matrix style
in the woods amongst my coven, 48 all in total, linking hands deep in concentration. our collective will united on our task of great importance for what feels like days but in reality scarce but a few minutes. in the centre of us lays a single slice of toast cooked to perfection
Apparently someone got their car stuck on the light rail tracks at Mt. Baker. For those unfamiliar this is 35 feet up in the air
First test flight of a flying car by Mazda partially a success
I feel like the Arizona license plate should take some place in our analysis of whatever in the goddam fuck weâre looking at here
Much like Springfield before it, Seattle is one of the few major cities in the world with a monorail. That, combined with a more conventional light rail system, makes Seattle the rare U.S. city with two different types of train for public transportation. On Tuesday night, the rail system briefly had a third: a Mazda CX-5.
https://www.roadandtrack.com/news/a71483251/mazda-driver-seattle-pulls-into-elevated-train-station-on-tracks/
lacuna mutata
[... ] a wonderful phrase
lacuna mutata
aint no [... ] craze
it means textual emendations
for the rest of your days
it's a source [...] free
ambiguity
lac[... ]
I feel like I need to share this because idk if Europeans are familiar with the presence of Aldi in the US, but at least especially in my area theyâve been growing a lot recently. Like Aldi bought out some local failing grocery chains where I live (Louisiana) and have opened Aldis in all these somewhat rural communities and small towns, which for the record Iâm fine with
But as a result of this they are advertising a lot more in my area and also in many cases, the people in these areas have never been confronted with Aldi or any European grocery store. So the ads that Aldi is pushing out to its new US customer base feature a cowboy shopping at Aldi who is explaining to new Aldi customers how Aldi works. Like this cowboy is explaining you gotta put a quarter in the shopping cart and why there are very little name brands. A cowboy is how they want to reach their American customer base. They gave us a cowboy
Here he is, the Aldi Cowboy
In 2026, the chicest thing a gay actor can do is never explicitly come out as gay but also make it abundantly clear that he is. Coming out is too modern. Staying closeted is too old fashioned. But this method merges contemporary freedom with Old Hollywood glamour and allure, and it weeds out the dumbest people who truly donât get it. I call it the Pascal Method.
Taylor Swift does this
no she doesnât
You clearly don't go here or to queer history and signaling, or both, enough to have this conversation and I'm not going to explain it to you. You could have asked questions, you could have done even a modicum of research. You didn't and you made yourself look ignorant. Goodbye.
#I'm fucking crying#this is an instant classic#this is the next meme#i can't believe I'm here to see a baby copypasta nary two hours old#I can't#lol#i laughed way too hard#iconic
Once when I was in undergrad, someone described something as âproblematicâ in class and our professor was like, âThatâs cool, but âproblematicâ doesnât really mean anything. It means that the thing youâre describing has a problem, and in and of itself thatâs not bad. Art, especially, should always have problems, or else itâs not interesting and not art, either. It sounds like youâre trying to say that this is bad, but you donât want to say âbad.â Is that right?â
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the âbadâ thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, âIâm uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.â
Once we stopped calling things âproblematicâ and stopping at that, class got way more interesting and... we all had to say, like, âthatâs racistâ or âthatâs misogynisticâ or âew capitalism grossâ out loud, which a lot of us had never done in a classroom before. Or we had to be like, âUhhh... Iâm not sure whatâs so bad?â and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I canât help but think of this professor being like, âGood starting point, now letâs get specific.â I think when we have to commit to saying âthatâs ___â it requires a lot more careful thought about the truth and impact and complexities of whatever weâre claiming. Sometimes there really is some bullshit afoot, and also sometimes itâs art, and it should be full of problems, because thatâs what art is.
There is a reality not so far from our own in which Ratitouille (2007) was filmed as an avant-garde conceptual horror akin to Eraserhead (1977)
There is a young American man in France. His mother has passed away. He has few friends, and works the thankless job of a bus boy in a prestigious restaurant, but dreams of becoming a chef despite having very little skill.
He returns one night to his humble apartment, which is known to have vermin, and comes across a rat, which he could easily kill or set loose on the street.
But the rat- it is special. It seems to speak to him. Promises him every little thing he desires- talent, fame, and fortune. Recognition and esteem like he has only ever seen from afar; fine company like the wealthy men and women whose scraps he picks at over the sink.
Put me on your head, the rat says. Put me on your head and think of nothing.
It is strange at first, yes. Strange to feel another take control of his life and live it better than he ever could. To see miraculous things created with his own two hands, to feel his feet move in graceful and fantastic ways with a confidence he has never had.
But the rat delivers as he had promised: he receives promotions, notoriety, admiration. He is noticed. Envied. Every day is a waking dream, rubbing elbows with beautiful women and handsome men and influential personalities who lavish him with praise. It is addictive, this lifestyle- never mind that he is only ever truly conscious of it as a passenger of in own brain.
It is when he has reached heights few can ever conceive, with all that the rat had ever promised- a beautiful wife in a beautiful house with all the world in his palm, in possession of all the wealth and success a man could ever want, that the rat says that it is leaving.
Leaving? The rat cannot leave. Everything he is, the rat has provided.
"I have delivered on our bargain", the rat says. "I have brought to you all that you have ever dreamed. What more could you desire? I must live my own life, now."
The man is furious. He is terrified. He destroys the rat, in all of the ways that a rat can be destroyed, until nothing is left of it but a fine smear of marinara sauce.
He returns to the restaurant the next day moving like the shell of something hollowed-out and brittle. He cooks well- his fingers remember the movements, his eyes recognize the patterns, his mouth knows without his asking what orders to speak and what platitudes make patrons smile pleasantly with their straight white teeth.
He retains the talents of the rat. The charm of the rat. All the worldly pleasures the rat had provided him.
Still, it seems, he is little more than a vessel for the talents of the rat.
But the rat is gone.
What remains of the man?