future in progress @transeliot - Tumblr Blog

I need you all to know that if I boop you it is out of love, appreciation, and perceived friendship.

#boops #this is me wanting to be friends or saying I appreciate you without having to actually do the weird human interaction part #about me

nuclearbummer

wiigiwaamcore

David Cusick was a Tuscarora (Haudenosaunee) artist who self-published the first known English-language record of Indigenous stories told BY an Indigenous writer-illustrator. His book is called David Cusick’s Sketches of Ancient History of the Six Nations and you can read it for free online.

aletheyass

tes THDPSSSSPS 💜

apas-95

wgat did u say

bite-my-grimy-fleshy-ass

I remember as a kid the nearby small town had a "computer expert" who had a full storefront and office. If someone bricked their computer or it loaded with viruses he'd factory reset it for them and try to get it working again. He'd also buy, refurbish, rest, and resell old computers. But the main thing he advertised was if people brought him a computer and a list of programs they wanted installed on it he'd get them all set up. Flat rate of like 20 bucks.

Didn't realize until I was older and like, looking back on some of the tech stuff my mom needed help with and knew more about how software is priced that he was pirating it. Guy had a whole business set up where people who didn't know how computers worked would pay him 20 bucks to install Microsoft Office on their laptop because it was cheaper than buying it in the store and they didn't want to be bothered with figuring out how to install programs even if they could afford them normally. Like that guy was practically printing money well into the early 2000s. Very good hustle. Only small business owner I respect.

z0ruastudyblr

Common Words & Phrases from AAVE

Gullah & Early AAVE

Gumbo – From Bantu kingombo (okra), brought by enslaved Africans and became the name of the Creole stew thickened with okra.

Goober – From Kikongo nguba, the Bantu word for peanut that entered American English via enslaved Africans.

Yam – From West African languages (e.g., Wolof nyami, "to eat"), brought over during the slave trade and adopted into Southern cuisine.

Banjo – From a Bantu root (mbanza), the instrument was crafted by enslaved Africans based on West African string instruments.

Bogus – Likely from Hausa boko-boko (deceitful, fraudulent), entering American English through African American speech in the 19th century.

Juke (box/joint) – From Gullah juke (rowdy, disorderly), derived from Wolof dzug (to live wickedly), later attached to roadside bars.

Tote (to carry) – From West African languages (e.g., Kikongo tota, "to pick up"), recorded in Gullah before spreading to mainstream English.

Dig (to understand) – From Wolof degg (to understand), popularized by jazz musicians in the 1930s after entering English through AAVE.

Jazz – Possibly from West African or Creole slang for energy/sex, first documented in AAVE in Chicago around 1912.

Okay (OK) – Though its origin is debated, strong evidence traces it to West African languages (e.g., Wolof waw kay) via enslaved Gullah speakers.

Hip/Hep – From Wolof hipi (to open one's eyes, to be aware), entering jazz slang in the early 1900s before going mainstream.

Hepcat – A compound of "hep" + "cat" (jazz slang for a person), literally meaning "one who has his eyes open" in West African-influenced jazz culture.

Jazz, Blues & 1940s–60s Era

Cool (as in fashionable/calm) – Originated in jazz circles, likely from saxophonist Lester Young, and entered mainstream via West African aesthetic concepts of composure.

Cat – A jazz-era term for a skilled musician or cool person, derived from West African-influenced jive talk.

Crib – Jazz slang for a house or apartment, popularized in the 1940s before becoming mainstream in the 1990s.

Hokum – AAVE slang for nonsense or BS, used in blues and jazz before being adopted more widely.

Diss – Short for "disrespect," coined in AAVE and popularized through hip-hop in the 1980s and 1990s.

Bad (meaning good) – From AAVE, where inversion of meaning creates emphasis (something so "bad" it's actually good), used since early jazz era.

Jive – AAVE slang for deceptive talk or a style of jazz dancing, used by Cab Calloway in his 1930s Hepster Dictionary.

1970s–90s (Hip-Hop & Pre-Internet Era)

Homeboy/Homegirl – AAVE for a close friend from one's neighborhood, popularized in hip-hop and later shortened to "homes" in casual speech.

Dope (meaning great) – Shifted from "stupid" in standard English to "excellent" in AAVE during the 1980s hip-hop era.

Props – Short for "proper respects" in AAVE, used in hip-hop to acknowledge skill or achievement before entering mainstream slang.

Word (as in "I agree") – AAVE interjection ("Word!" or "Word is bond") meaning "I'm telling the truth," derived from Nation of Islam teachings.

Phat (meaning cool/great) – AAVE acronym believed to stand for "Pretty Hot And Tempting," though likely an invented backronym; popularized in 90s hip-hop.

The Bomb – AAVE phrase for something excellent or top-quality, widely used in hip-hop lyrics before mainstream adoption.

Def – AAVE slang for "excellent," popularized by Run-DMC's "King of Rock" and 80s hip-hop culture.

Fresh – AAVE for stylish or excellent, used in early hip-hop and 80s pop culture before spreading globally.

Wack – AAVE for "bad, inferior, uncool," popularized in hip-hop and later mainstream youth speech as the opposite of "cool."

Hella – AAVE intensifier meaning "very" or "a lot of," originating in Oakland/Bay Area AAVE in the 1970s-80s.

Cap / No Cap – AAVE meaning "lie" and "no lie," popularized by Bay Area rap in the 2010s, derived from "capping" (exaggerating).

1990s–2000s (Internet Adoption & Ballroom Culture)

Slay – From AAVE and Black ballroom culture (Paris is Burning, 1990), meaning to do something extremely well, now mainstream via social media.

Spill the Tea – From AAVE (originally "spill the T," with "T" meaning truth), popularized by drag culture and Black queer communities.

Shade (as in insult) – From Black ballroom culture (documented in Paris is Burning), meaning a subtle insult, now used broadly in pop culture.

Reading (as in insulting) – From ballroom culture ("reading" someone), meaning to publicly insult with wit, immortalized in Paris is Burning.

Kiki – AAVE from ballroom culture meaning a casual gathering for gossip or chatting, later mainstreamed through pop music (e.g., Kesha).

Fierce – AAVE and ballroom term meaning exceptionally good or intense, applied to fashion, performance, or attitude.

Woke – From AAVE meaning socially and politically aware, first used in 1940s Black activism before resurging with Black Lives Matter.

Shook – AAVE meaning startled or upset, used in 1990s New York hip-hop (e.g., Mobb Deep) before mainstream adoption in the 2010s.

On Fleek – AAVE phrase meaning perfectly executed, coined in a 2014 Vine by Peaches Monroee, one of the last pre-AI viral AAVE innovations.

Finna – From AAVE contraction of "fixing to" (preparing to), documented in Southern AAVE for decades before wider use and dictionary recognition.

Chile – A phonetic spelling of "child" in Southern AAVE, used as a term of endearment or exclamation since at least the 1970s (The Wiz, 1978).

2010s–Present (Social Media & Gen Z Slang Pipeline)

Lit – AAVE meaning exciting or excellent (originally "intoxicated" or "on fire"), popularized in hip-hop before becoming a Gen Z staple.

Bae – AAVE term of endearment meaning "before anyone else" or just a shortened form of "babe/baby," mainstreamed in the 2010s.

Ratchet – AAVE originally meaning a rowdy, aggressive woman (from "wretched"), later used to describe anything wild or out of control.

Turnt – AAVE meaning excited or intoxicated, from "turned up" in hip-hop lyrics, mainstreamed in early 2010s party slang.

Clap Back – AAVE for a sharp, witty comeback or retaliation, popularized in hip-hop (e.g., Ja Rule's 2003 song "Clap Back") before internet slang.

Bussin' – AAVE meaning delicious or excellent, applied to food or anything great, popularized on TikTok in the 2020s.

Sus – AAVE shortening of "suspicious" or "shady," used for decades before Among Us made it a global meme in 2020.

Snatched – AAVE originally describing flawless hair/makeup or a tight waist, now used to praise anything perfectly executed.

Periodt – AAVE emphatic form of "period" (meaning "end of discussion"), with a hard "t" for emphasis, popularized on Black Twitter before global use.

Bonus: My personal favorite AAVE term that I see used online religiously is receipts! AAVE meaning the proof shown to back up an accustation

deltaomicronfive

Ngl guys this entire saga and phenomenon stumbled upon is fucking frying me.

heyyoufriendthere

S. snuffleupagus, a newly described species of fish, is named after the beloved Sesame Street character, Mr. Snuffleupagus, to which it bear

SNUFFLEUPAGUS REAL

brightnessrandom

Fantastic article!! The guys looking for it were fish researchers who saw it one time, knew instantly it was an undescribed species, and then tried for nearly 20 years to find and document it!

It's a type of ghost pipefish, related to seahorses, and it floats around coral reefs looking like a piece of algae and hunting unsuspecting prey

They are, of course, named after Snuffleufagus from Sesame Street!

Later on it the project, they got citizen science involved, and people across the Pacific started reporting sightings of snuffy fish from all over!

Hooray for science and hooray for S. snuffleufagus !

googiekitsch-deactivated2024071

THIS SONG IS FUCKING AWESOMEEEEE🔥🔥🔥🔥🔥

googiekitsch-deactivated2024071

HOW THE FUCK DID YOU DO THAT THERES NOTHING THERE

malscare

foolofworms-deactivated20251128

Legitimately good example of how thorough you need to be to protect private information

rustedark

Hey do you guys think about Alec Hardison im thinking about Alec Hardison lets all take a moment to think about Alec Hardison in fact we should always be thinking of Alec Hardison

furryfeet

today-till-tomorrow

my soul leaving my body when the bread pops out of the toaster

vague-humanoid

shacklesburst

Under Virginia law, a month had to elapse before the death sentence could be carried out. Governor Wise resisted pressures to move up the execution date because, he said, he wanted everyone to see that Brown's rights had been thoroughly respected.

Brown made it clear repeatedly in his letters and conversations that these were the happiest days of his life. He would be publicly murdered, as he put it, but he was an old man and, he said, near death anyway. Brown was politically shrewd and realized his execution would strike a massive blow against Slave Power, a greater blow than he had made so far or had prospects of making otherwise. His death now had a purpose. In the meantime, the death sentence allowed him to publicize his anti-slavery views through the reporters constantly present in Charles Town, and through his voluminous correspondence.

Before his conviction, reporters were not allowed access to Brown, as the judge and Andrew Hunter feared that his statements, if quickly published, would exacerbate tensions, especially among the enslaved. This was much to Brown's frustration, as he stated that he wanted to make a full statement of his motives and intentions through the press.[54]: 212 Once he had been convicted, the restriction was lifted, and, glad for the publicity, he talked with reporters and anyone else who wanted to see him, except pro-slavery clergy.[46]

Brown received more letters than he ever had in his life. He wrote replies constantly, hundreds of eloquent letters, often published in newspapers,[133]: 43 and expressed regret that he could not answer every one of the hundreds more he received. His words exuded spirituality and conviction. Letters picked up by the Northern press won him more supporters in the North while infuriating many white people in the South.

KING

heyzeus123

Just a couple of the quotes about him that I like:

“His zeal in the cause of freedom was infinitely superior to mine. Mine was as the taper light, his was as the burning sun. Mine was bounded by time. His stretched away to the silent shores of eternity. I could speak for the slave. John Brown could fight for the slave. I could live for the slave. John Brown could die for the slave.”

-Frederick Douglass

"That new saint, than whom nothing purer or more brave was ever led by into conflict and death, — the new saint awaiting his martyrdom, and who, if he shall suffer, will make the gallows glorious like the cross."

-Ralph Waldo Emerson

arctic-hands

[Image Description: initial tweet by Haymarket Books, at HaymarketBooks. It is dated May 9, Twenty twenty-three. It says "Abolitionist John Brown was born May 9, Eighteen hundred." Beneath the tweet is a grayscale portrait of John Brown, an elderly white man with a long, bushy beard. In reply, Edward Ongweso Jr, @ BigBlackJacobin, tweets "Happy birthday to this crazy ass white boy. One day we are gonna go back in time and give him power armor." End I.D.]

kuttithevangu

Instead of doomscrolling lately I have been reading my PDFs and it turns out if you do this you learn a whole bunch of stuff. I’m afraid I must recommend it

clownsnake

just tried to show my older brother something while my little brother tried to show me something. poetic cinema in motion

clownsnake

Generational Constants, artists rendition, 2021

barbedbitchery

The colour alignment implies that the littlest brother is gonna eat the oldest brother’s phone

theotheristhedoctor

That’s just what little brothers do

zegalba

Plastic Chair in Wood by Maarten Baas (2008)

keynes-fetlife-mutual

I'm obsessed with this chair. The artist takes a flimsy hunk of injection-molded plastic that's been cost-cut to hell and back, and insists that we look at it with fresh eyes and understand its beauty. And they went about it in the most labor-intensive way I can think of.

Absolutely nothing about this design is convenient to execute in wood. Every piece is curved, most have compound curves. This is artisan craftsmanship: it's inherently slow, manual, and skilled. Notice, also, that most features of this chair must be thicker and heavier than on the plastic chairs being imitated. Injection-molded chairs can be produced in this shape in a matter of minutes with far less material at very low cost.

If these flowing, organic curves are so beautiful in polished wood, perhaps they are also beautiful in the mass-produced chairs that are far more accessible. Perhaps we should remember to admire designs that succeed enough to become ubiquitous. I don't know about you, but I'll never see injection-molded chairs the same way again.

transhuman-priestess

@puppygirllaika

puppygirllaika

I agree with all of this, but YOU HAVE HIT UPON A FORGOTTEN TRUTH OF PLASTIC CHAIRS!!!!!

The standard one-piece injection molded plastic chair is referred to as a "Monobloc", literally just describing it as a single piece. The history of this chair is fascinating, and it all starts back in 1946, with the D.C. Simpson Monobloc.

Douglas Colborne Simpson was an architect mostly active in the 40's and 50's, designing a lot of classic mid-century style buildings in Vancouver, Canada(1). In 1946, as part of a government project to find new uses for materials developed for WWII, he and engineer James Donahue developed the design you see above, simply called the Monobloc(2). Unfortunately, we don't know a lot about this chair as it was only ever a prototype, and no modern examples have survived, nor have most of the records surrounding it(3). To my knowledge, we don't actually know if this was technically injection molded, or crafted some other way. We can't even be sure if it was technically the inspiration for the designs that followed, but no matter the case it has lent its name to the entire genre.

Plastics technology was simply not what it is today back in the 1940's. Most people would have had very little plastic in their homes, most likely just a few pieces of Bakelite (the first commercially viable plastic, made from a formaldehyde based resin in a Bakelizer, the best name for any industrial manufacturing equipment ever). Over the following few decades, however, as a wider variety of plastics were both developed and came down in price to the point of commercial viability, the concept of the plastic chair was revisited, and the first folks to revisit it were Helmut Batzner, in 1964, and Joe Colombo, in 1965.

This, is the Bofinger chair, Batzner's design:

The elements of D.C.Simpson's Monobloc were pretty alien compared to todays mass-manufactured plastic chairs, but here we start to see some more modern elements come into play. The first thing you probably notice is the front legs, which have that characteristic visible 90 degree bend in them for added rigidity, plus a much more comfortably leaned back and slightly scoop-shaped seat. We also see much more support in the back rest, with broad triangles allowing for a more efficient use of materials without losing back support.

Similar to Simpson, Batzner was not an industrial designer, but an architect, and this chair had a very specific purpose. Batzner and his team designed it as part of a project to build a new theater in Karlsruhe, Germany, which required a large amount of additional seating which could be easily packed away into storage or distributed around the theaters rooms by the staff (4). As such, it was designed to be both lightweight and stackable, so several of them could be moved by one person, and they could be stored compactly. This piece of furniture was a huge hit a the theater, and was so popular that 120,000 units would ultimately be manufactured and sold around the world, with each one taking just 5 minutes to produce (4).

Around the same time, Joe Colombo enters the scene with this:

Colombo was an artist in several mediums who, after taking over his families appliance company in the 50's, made the shift towards architecture and interior design, and started designing a wide array of trend-setting furniture(5). The chair shown above is known as the Universale (sometimes referred to as the Chair Universal 4867), designed in 1965. This chair differs pretty greatly from the ones that came after it, it many ways it represents a different path that could have been taken, but it's also very widely referenced as an inspiration for what is broadly considered the origin of the white plastic chair the world over.

Enter: the Fauteuil 300

This is, arguably, the first iteration of the white plastic chair we all know today. Designed by Henry Massonnet in 1972, the Fauteuil 300 and it's imitators are, collectively, the single most widely used piece of furniture in the entire world(6). Before that, however, it was something else entirely: works of art.

What might be hard to recognize in hindsight is that all of these chairs described so far were not everyday objects. They were on the forefront of modern design, they made use of brand new materials and manufacturing processes, and at the time they were each made, they were slick, stylish, and fairly expensive. Despite the speed at which they could be manufactured, these innovative, high-end chairs rose sharply in cost up through the early 1980's due to the sheer demand for them. They weren't cheap spare seating you stuck in the garage, they were placed at dining tables and on fine patios, and they were a wildly popular talking point. That's not to say their expense justified their artistic value, but rather that their expense and popularity was a product of their status as highly contemporary and boundary-pushing designs.

With the price of plastics declining after the 70's, the increasing accessibility of injection molding to manufacturers, and the widespread popularity of these designs, copycats proliferated rapidly, and eventually drove the price down. This era, in the 80's and 90's, is when these chairs became cheap an ubiquitous, and where they became manufactured the world over.

And here is where we reach this piece, "Plastic chair in wood", by Maarten Baas, and a piece of the history I've left out so far. The Monobloc was designed to be made out of wood. Like the the other chairs designed by Joe Colombo, like the chairs that predated the Simpson, the Monobloc was designed with the intention of using laminated plywood, but as the artists and designers behind them began to experiment with new materials they fell in love with the idea of making them from plastic, and so they did. They redesigned and redesigned until they made something that would be impossible to make in wood at a price most people could afford, but which could be made from plastic in mere minutes. The organic curves and thin profiles would take so much time, so much waste material, so much skill and effort to create if made of wood that they could never be furniture, they could only be art. Baas' chair is a perfect, beautiful reflection of that.

That, in brief, is the history of the design of the white plastic Monobloc chair, but it's not all there is to know. In fact, it's kind of just the start. I've linked my sources below, but I would strongly recommend checking out the German documentary Monobloc, by Hauke Wendler. It goes over the history, but it's far more interested with what the Monobloc means, and what it's place is in our world today. The impact it's made, the better and the worse, and what it says about us. It's fascinating, and well worth your time.

sources below.

butterfly-sapphic

Always fun to learn about a tumblr friends surprise special interest

cryoverkiltmilk

We all hear about the hatemail and PVP, but this site is also unmatched for activating a trap card.

lifeafterpsychiatry

Give me less "being kind requires zero effort" and more "being kind is worth the effort it takes."

aleatoryw

i’ve started looking at weight and health the way i look at class and income and it really puts a lot of things into a new perspective.

let me explain: in america at least, the lower class have significantly worse health outcomes, even when accounting for other factors. just being poor is enough to make your overall health worse. we don’t know that being fat makes your health directly worse, like the data just isn’t there, but for a moment, pretend it does.

imagine going to the doctor with a health problem and the doctor looking at your chart and saying well, this problem will be less severe if you go up an income bracket. have you thought about becoming rich? it would really help. start by saving a little money every month.

ridiculous, right?? very few people successfully go from working class to rich, it just doesn’t happen on a large scale in society. maybe for a time you pick up some overtime hours, spend a little beyond your means, and appear rich. but eventually you burn out, your car needs to be repaired, and you return to being working class.

we do have this data: only some people can successfully lose large amounts of weight, and only a tiny fraction of people who lose that weight actually keep it off for more than a year. telling people to lose weight for their health is just absurd because they almost certainly can’t do it any more than they can double their income for their health.

and yet i see it everywhere. a little poster in my work breakroom tells me to improve my blood pressure by losing weight! a psa on the radio says you need to take care of your heart by losing weight! we can’t even conclusively prove that weight is the cause rather than just correlated with a lot of these problems but here it is offered anyway: have you tried being rich?

bumbledeefumble

You hit the nail on the head. A lot of people tend to try and invalidate fatphobia as a form of oppression by saying its not an immutible quality like race or sexuality or gender. The old “you can lose weight, i can’t become white/straight/cis” argument.

That’s because fatphobia is a lot more like classism; i.e. it’s a form of bigotry that is only TECHNICALLY changeable. They’re both seen as a lot more changeable than they actually are, for all the reasons you’ve listed.

proserpine-in-phases

The problem with your ankle hurting is it makes you limp, and then limping makes your hips hurt, and then your hips hurting spreads to your lower back, and it's just an overall miserable time

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