Why am I finding out just today that Salvador Dali designed the Chupa Chups logo
????
Hey. What
"relax. sucking does not kill" would make for a fun shirt
I'm sorry chupa chups I didn't know your game
Monterey Bay Aquarium
noise dept.
The Bowery Presents
RMH
Noah Kahan
almost home
Lint Roller? I Barely Know Her

roma★

Kiana Khansmith
No title available

Origami Around
Today's Document
Xuebing Du

#extradirty
PUT YOUR BEARD IN MY MOUTH
he wasn't even looking at me and he found me

PR's Tumblrdome
𓃗
TVSTRANGERTHINGS

@theartofmadeline

seen from United States
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@vworpstageleft
Why am I finding out just today that Salvador Dali designed the Chupa Chups logo
????
Hey. What
"relax. sucking does not kill" would make for a fun shirt
I'm sorry chupa chups I didn't know your game
They really went there huh.
@acelacealex i thought people should see this
The funniest reply to "what happened to..." will always be:
''LIKE YOURS'' animatic
i just couldn't pass by this song without Data...,.
Crazy how many people want characters in fiction to speak and act like they’ve had 20 hours of intensive therapy. Could NOT be me I want these bitches fucked up insane
my friend briar and i lovingly call this one ‘therapy speak joker’ and it almost caused her to drop biological samples one time
i think the joker should start talking like this for real. no other character should do this only the joker. i want batman to have to deal with this
Tumblr Sexyman Contest 2026 Final Round
Senshi (Dungeon Meshi)
Ryland Grace (Project Hail Mary)
Mr. Ant Tenna (Deltarune)
Tenna art by @9Aaaalt29 on twt
“And if you’ll give me 40% of the MOST POPULAR VOTE, I’ll give you my SPECIAL REWARD... A year’s supply of NON-GLOOBY SLIME!!! Never or BARELY used!!!” Tenna concluded his speech with a huge smile, jetting his hands up in double peace signs.
The crowd roared in confused enthusiasm as Tenna gave a gracious flurry of low-FPS bows, pausing only for the occasional stink-nose at his audience plants who weren’t throwing enough 3D roses.
Eventually, the room fell silent. It was Senshi’s turn to speak.
He puffed out his chest, took a long, sweeping look over the audience… and shook his head.
“I can see not all of you are eating properly.”
The crowd murmured with embarrassment.
“I don’t know who needs to hear this, but it’s time to take the turkey out of your icebox. I have seen the ingenious technology with which your people store food... and I have also seen the waste which results from such convenience.
“The food you take had a life. Beasts grew fat on the grass of the field, plants grew from the sun’s rays, and mushrooms grew from minerals in the cracks of caves. And yet, it sits in your iceboxes, collecting moisture until it perishes.
“Eat what is given to you. Because its life will make you stronger, too.”
Without another word, Senshi left his podium and stepped away from the stage. The crowd murmured in confusion. “Is he really like that?” somebody said. “I only remember reblogging the photosets of him tripping and showing ass.”
--
Back in the Green Room, Tenna wrung his antennas nervously.
“Y-y-you think they liked me!? They HAD to!! I mean, I don’t know what Asgore was thinking, getting that weird haircut and running that food waste campaign, but… YOU thought I did good, didn’t you, Kris?”
Laios nodded aggressively, a streak of blue face paint peeling from his forehead.
“You did AMAZING, Tenna! By the way, now that we’ve seen all your insider campaign secrets, do you have any more videos of Susie? Especially her tail... If I could get a look at that, I could finally tell if she’s a dinosaur or --”
THWACK. Fake antlers butted Laios’s head.
“LAIOS?? Weren’t we dressed up to help SENSHI???” Marcille hissed, gesturing awkwardly with her hooves.
Suddenly, Tenna turned to the two adventurers.
“Hey, WAIT a second. SOMETHING’s not right here...”
Laios and Marcille held their breath.
“Where the heck are my POINTS!?”
Just then, the door opened. Chilchuck took one step into the room, whistling and holding a large bag.
Everyone turned to him.
Chilchuck paused, took a step backwards, and closed the door.
“CHILCHUCK!!!” yelled Tenna.
“How come Chilchuck got to stay Chilchuck!?” yelled Marcille at the same time.
--
Meanwhile, in outer space somewhere, some guy was making out with a rock.
*pushes the button and holds it down for an excessively long time before releasing it. and then waits*
*presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the button* *presses the bu-
*Just barely pushes down the button for a very short amount of time*
The decision to shoot in Moroccan-occupied Western Sahara, where the Indigenous people can’t tell their stories without fear of imprisonment
The simple act of holding a camera in my homeland of Western Sahara can be a crime. When Sahrawi film-makers and journalists attempt to document everyday life under Moroccan occupation, they can often end up in prison cells. For the Moroccan regime, a camera in the hands of a Sahrawi threatens its official narrative that Western Sahara is part of Morocco. In contrast, when celebrated international names in the film industry wish to capture an ideal picture for an epic journey, and decide that our land is exotic enough to shoot the desired scenes, they are welcomed, escorted and granted access by the same authorities that usually deny us that right. [...] Nolan’s choice to film in an occupied territory highlights the extractivist practices embedded in the western film industry. Western cinema has often been complicit in mining stories and immaterial culture from the global south at a scale no smaller than the material resources mined by the western colonial industrial complex. International film crews parachute in, shoot our faces, clothing, dunes and material culture, then fly off. For them, it seems we are simply decorative elements for their sets and back in New York, London or Paris, they gain prestige, box-office returns and awards. For Nolan’s Dakhla shoot, he appears to have neither sought our consent nor considered the ethics of in effect helping to prop up and legitimise Morocco’s occupation, thus making the space even more unsafe for Sahrawis living under it. He is actively participating in a state-sponsored PR campaign designed to legitimise an illegal occupation.
2026/07/16
such loud smacks
@elodieunderglass horf
Spicy!
2026-06-29
Reblog this photo of a käpylehmä to have a käpylehmä in your blog
It's a trick! If you reblog you get TWO käpylehmäs in your blog!
I'm still thinking about the guy who saw me realize my wheelchair wouldn't fit in the elevator because he (also a wheelchair user) was already inside it and immediately quipped, "This elevator ain't accessible enough for the both of us."
not she berry or he berry but no berry
and that is berry good