The Willow Wisp

[writers-solace]

I don't think Tolkien is a good fantasy writer because he scored the highest at some objective Best Fantasy Book Test that every fantasy writer has to take, I think he's a good fantasy writer because he created a world based on things that he was interested in. I feel like a lot of fantasy writers think that they need to create a whole language for their world because Tolkien did and obviously his books are the best so they have to emulate him, but Tolkien did that because he was a linguistics nerd. I think the lesson to be learned from him is not that you have to include elves and deep history and new languages, but that you have to write endlessly about the things you are a huge nerd about and use those things to create your fantasy world

[willow0wisp]

Hope Is Not a Bird, Emily, It’s a Sewer Rat

by Caitlin Seida

Hope is not the thing with feathers That comes home to roost When you need it most. Hope is an ugly thing With teeth and claws and Patchy fur that’s seen some shit. It’s what thrives in the discards And survives in the ugliest parts of our world, Able to find a way to go on When nothing else can even find a way in.

It’s the gritty, nasty little carrier of such diseases as optimism, persistence, Perseverance and joy, Transmissible as it drags its tail across your path and bites you in the ass.

Hope is not some delicate, beautiful bird, Emily. It’s a lowly little sewer rat That snorts pesticides like they were Lines of coke and still Shows up on time to work the next day Looking no worse for wear.

[rubyjones]

Create your own book cover - without generative 'AI' | Ruby Jones

Get more from Ruby Jones on Patreon

Too many writers are using generative 'AI' to make their book covers, so I've written a guide on how to make your own cover for free or cheap without turning to a machine.

If you can't afford to pay an artist, you CAN make your own!

I hope this is a helpful overview that covers the basics and points to some free resources.

[rhube]

I annoyed my cat by writing this and not playing with her; you might find it useful?

[copperbadge]

This is a fantastic guide not only to the technical aspect of cover design but the aesthetic aspect as well!

[naamahdarling]

This is GREAT STUFF. Highly recommend! Exactly the techniques I have used on covers in the past, and they look great!

[willow0wisp]

[incomingalbatross]

One of the things that’s really struck me while rereading the Lord of the Rings–knowing much more about Tolkien than I did the last time I read it–is how individual a story it is.

We tend to think of it as a genre story now, I think–because it’s so good, and so unprecedented, that Tolkien accidentally inspired a whole new fantasy culture, which is kind of hilarious. Wanting to “write like Tolkien,” I think, is generally seen as “writing an Epic Fantasy Universe with invented races and geography and history and languages, world-saving quests and dragons and kings.” But… But…

Here’s the thing. I don’t think those elements are at all what make The Hobbit and The Lord of the Rings so good. Because I’m realizing, as I did not realize when I was a kid, that Tolkien didn’t use those elements because they’re somehow inherently better than other things. He used them purely because they were what he liked and what he knew.

The Shire exists because he was an Englishman who partially grew up in, and loved, the British countryside, and Hobbits are born out of his very English, very traditionalist values. Tom Bombadil was one of his kids’ toys that he had already invented stories about and then incorporated into Middle-Earth. He wrote about elves and dwarves because he knew elves and dwarves from the old literature/mythology that he’d made his career. The Rohirrim are an expression of the ancient cultures he studied. There are a half-dozen invented languages in Middle-Earth because he was a linguist. The themes of war and loss and corruption were important to him, and were things he knew intimately, because of the point in history during which he lived; and all the morality of the stories, the grace and humility and hope-in-despair, was an expression of his Catholic faith. 

J. R. R. Tolkien created an incredible, beautiful, unparalleled world not specifically by writing about elves and dwarves and linguistics, but by embracing all of his strengths and loves and all the things he best understood, and writing about them with all of his skill and talent. The fact that those things happened to be elves and dwarves and linguistics is what makes Middle-Earth Middle-Earth; but it is not what makes Middle-Earth good.

What makes it good is that every element that went into it was an element J. R. R. Tolkien knew and loved and understood. He brought it out of his scholarship and hobbies and life experience and ideals, and he wrote the story no one else could have written… And did it so well that other people have been trying to write it ever since.

So… I think, if we really want to write like Tolkien (as I do), we shouldn’t specifically be trying to write like linguists, or historical experts, or veterans, or or or… We should try to write like people who’ve gathered all their favorite and most important things together, and are playing with the stuff those things are made of just for the joy of it. We need to write like ourselves.

[iambatdan-blog]

And yet “I detest allegory in all its forms” - Tolkien- sure bud. Sure.

[willow0wisp]

Author Mentor

Submitting Your Writing 101

Not sure how to go about getting your work out there? Whether you’re submitting your writing to a competition, magazine, or journal, or pitching a book-length project to an agent or editor, here’s a primer on submitting your work. Much of it applies as you pull together an application for a creative writing program or arts grant as well.

[makingqueerhistory]

Writing an Identity Not Your Own: A Guide for Creative Writers

Alex Temblador

A practical guide to help authors authentically write and edit a character whose identity is different than their own. Do you have the tools to authentically write and edit a character whose identity is different than your own?

It's not a subject that's generally taught in creative writing programs, and there are so few craft books and online resources on the subject. Even if you can take a seminar, class, or workshop, there's nothing like having an easy-to-understand book on hand to provide guidance and insight every time you craft characters with historically marginalized identities. In Writing an Identity Not Your Own, award-winning author Alex Temblador discusses one of the most contentious topics in creative writing: crafting a character whose identity is historically marginalized.

What is "identity," and how do unconscious biases and bias blocks impact and influence what we write? What is intersectionality? You'll learn about identity terms, stereotypes, and tropes, and receive genre-specific advice related to various identities to consider when writing different races and ethnicities, sexual and romantic orientations, gender identities, disabilities, nationalities, and more. Through writing strategies, exercises, and literary excerpts, writers will gain a clearer understanding on how misrepresentations and harmful portrayals can appear in storylines, dialogue, and characterization. Alex will guide writers from the brainstorming phase through the editing process so they can gain a full understanding of the complexities of writing other identities and why it's important to get them right.

(Affiliate link above)

[inside-my-gay-mind]

[littlepinkflowee]

NOOO!! THATS SO MEE

[theambitiouswoman]

[iamwhatismissing]

made me think of this

[id: x/twitter qrt from user styloshka that says "I read a forum post about art once, that it's a product of the dialectic between the effort of the artist and the friction of the medium. You push on the thing and the thing pushes back on you, it has its own voice. The weight of a piano key, the tension of a guitar string." original post from user colleen_daves says "Don't you want to skip over the mindless drudgery that is making art?" I do six stand embroidery and break like 10 needles a day, would I prefer that activity didn't hurt my hands and make me angry? Sure. But that's what makes having the finished piece after so worth it to me."]

link

[gwydionmisha]

Don't get me wrong, I absolutely loved when I got assigned a solo and would dance it over and over as much for pleasure as for the quest for perfection, but I loved the rest of it too.

I loved the slow methodical mediation of the stretches before class. I loved the quiet discipline of the barre exercises, the endless repetition, the feel of me shaping my body into the same forms, closer ever closer to correct.

Most of the others didn't rush onto the floor the moment it cleared to stretch alone.

Most of the others complained endlessly about barre. For me it was part of it. All of it was dancing and I loved dancing in every fiber of my being, pushing ever pushing at the boundaries of what my body can do.

It was never boring to me, not even the most mundane, repetitious parts. I gave no fucks for those few performances in front of the audience; I was dancing for me and that included doing feet positions over and over at the barre. It was doing the thing that mattered and I loved every second of it.

I was the same way with the assorted marital arts styles I studied over the years until my body gave out. The spars are the glamourous bits, but I loved the drills too, repeating, repeating, repeating.

I was the same way with candle wicking and needlepoint, my fingers reading canvas. My fingers mindlessly going in and out or doing the knots over and over.

It is possible to love every part of the thing, the colours unrealing on canvas, the patterns on linen, the repetition of form of drill of motion. Effort and beauty and sweat forever tangled together.

[elodieunderglass]

This is what Annie Dilliard said

A well-known writer got collared by a university student who asked, ”Do you think I could be a writer?”

”Well,” the writer said, ”I don’t know. . . . Do you like sentences?”

The writer could see the student’s amazement. Sentences? Do I like sentences? I am 20 years old and do I like sentences? If he had liked sentences, of course, he could begin, like a joyful painter I knew. I asked him how he came to be a painter. He said, ”I liked the smell of the paint.”

[authorkims]

[balambwanderer]

[sic-semper-hominibus]

[anexperimentallife]

[caxycreations]

This isn't very hard when you know some of the most genius strategies in human history were incredibly stupid, circumstantial events that led to victory by sheer luck of that strategy working.

Case in point: Tsun Zu's rival defended a city with 10 men against Tsun's army of hundreds by disarming his own soldiers, dressing them in plain clothes, INVITING Tsun's army to come in, and it only worked because Tsun knew the guy was an ambush master and thought "if we attack the city he's inviting us into, we will die." and left without even trying ON THE BASIS OF HIS RIVAL'S REPUTATION AND NOTHING MORE

Another example: Tsun Zu, on being told his soliders were out of arrows during a battle against a city across a river from them, had his men craft scarecrows, put them on a boat, send it out on a line, leave it there for half an hour, then pull it back in and used the arrows the enemy had fired at the boat to restock their own ammunition. It only worked because it was foggy and the enemy couldn't tell the difference between the scarecrows and actual soldiers.

Stupid things like that work INCREDIBLY WELL if the circumstances favor them, so you really don't need to come up with some multi-layered, Shikamaru-esque strategy. You just need to come up with a strategy you like for the characters involved, then write the circumstances (weather, environment, individuals involved) to favor it enough that it works.

[alpaca-clouds]

The history of Solarpunk

Okay, I guess this has to be said, because the people will always claim the same wrong thing: No, Solarpunk did not "start out as an aesthetic". Jesus, where the hell does this claim even come from? Like, honestly, I am asking.

Solarpunk started out as a genre, that yes, did also include design elements, but also literary elements. A vaguely defined literary genre, but a genre never the less.

And I am not even talking about those early books that we today also claim under the Solarpunk umbrella. So, no, I am not talking about Ursula K. LeGuin, even though she definitely was a big influence on the genre.

The actual history of Solarpunk goes something like that: In the late 1990s and early 2000s the term "Ecopunk" was coined, which was used to refer to books that kinda fit into the Cyberpunk genre umbrella, but were more focused on ecological themes. This was less focused on the "high tech, high life" mantra that Solarpunk ended up with, but it was SciFi stories, that were focused on people interacting with the environment. Often set to a backdrop of environmental apocalypse. Now, other than Solarpunk just a bit later, this genre never got that well defined (especially with Solarpunk kinda taking over the role). As such there is only a handful of things that ever officially called themselves Ecopunk.

At the same time, though, the same sort of thought was picked up in the Brazilian science fiction scene, where the idea was further developed. Both artistically, where it got a lot of influence from the Amazofuturism movement, but also as an ideology. In this there were the ideas from Ecopunk as the "scifi in the ecological collaps" in there, but also the idea of "scifi with technology that allows us to live within the changing world/allows us to live more in harmony with nature".

Now, we do not really know who came up with the idea of naming this "Solarpunk". From all I can find the earliest mention of the term "Solarpunk" that is still online today is in this article from the Blog Republic of Bees. But given the way the blogger talks about it, it is clear there was some vague definition of the genre before it.

These days it is kinda argued about whether that title originally arose in Brazil or in the Anglosphere. But it seems very likely that the term was coined between 2006 and 2008, coming either out of the Brazilian movement around Ecopunk or out of the English Steampunk movement (specifically the literary branch of the Steampunk genre).

In the following years it was thrown around for a bit (there is an archived Wired article from 2009, that mentions the term once, as well as one other article), but for the moment there was not a lot happening in this regard.

Until 2012, when the Brazilian Solarpunk movement really started to bloom and at the same time in Italy Commando Jugendstil made their appearance. In 2012 in Brazil the anthology "Solarpunk: Histórias ecológicas e fantásticas em um mundo sustentável" was released (that did get an English translation not too long ago) establishing some groundwork for the genre. And Commando Jugendstil, who describe themselves as both a "Communication Project" and an "Art Movement", started to work on Solarpunk in Italy. Now, Commando Jugendstil is a bit more complicated than just one or the other. As they very much were a big influence on some of the aesthetic concepts, but also were releasing short stories and did some actual punky political action within Italy.

And all of that was happening in 2012, where the term really started to take off.

And only after this, in 2014, Solarpunk became this aesthetic we know today, when a (now defuct) tumblr blog started posting photos, artworks and other aesthetical things under the caption of Solarpunk. Especially as it was the first time the term was widely used within the Anglosphere.

Undoubtedly: This was probably how most people first learned of Solarpunk... But it was not how Solarpunk started. So, please stop spreading that myth.

The reason this bothers me so much is, that it so widely ignores how this movement definitely has its roots within Latin America and specifically Brazil. Instead this myth basically tries to claim Solarpunk as a thing that fully and completely originated within the anglosphere. Which is just is not.

And yes, there was artistic aspects to that early Solarpunk movement, too. But also a literary and political aspectt. That is not something that was put onto a term that was originally an aesthetic - but rather it was something that was there from the very beginning.

Again: There has been an artistic and aesthetic aspect in Solarpunk from the very beginning, yes. But there has been a literary and political aspect in it the entire time, too. And trying to divorce Solarpunk from those things is just wrong and also... kinda misses the point.

So, please. Just stop claiming that entire "it has been an aesthetic first" thing. Solarpunk is a genre of fiction, it is a political movement, just as much as it is an artistic movement. Always has been. And there has always been punk in it. So, please, stop acting as if Solarpunk is just "pretty artistic vibes". It is not.

Thanks for coming to my TED Talk, I guess.

[solarpunks]

Hi! Admin Jay here! Great overview thanks @alpaca-clouds! Commando Jugendstil are good friends of ours, we love them a lot, solidarity!

Perhaps one day the folks behind this blog will write the history of Solarpunk - as we understand it - because its way weirder than you'd expect! lol

For now tho, for those interested, you can find a (more or less complete) history of Solarpunk media online from 2008-18 at the reference guide we put together.

The first Solarpunk post on Tumblr ever was our 'The initial equation' posted by Admin Adam Flynn, June 2012.

Concurring with Alpaca, Solarpunk has always been about more than pretty aesthetics: Check out Adam's July 2012 essay 'On the Need for New Futures' republished here with a forward which was written after the IRL/Online Solarpunk meet-up at WeirdShitCon Portland 2012. Post which, many of the other early admins on this blog got added and involved.

It's worth mentioning that 'Need for New Futures' ends with a bunch of open political and social questions asking what Solarpunk could become? (as it wasn't anything at all at the time) the last two being:

What is the visual aesthetic of Solarpunk?

Who’s with us?

Solarpunk as it's known today originates in Brazil!

When 'Need for New Futures' went online 'Histórias ecológicas' was yet to be published, but novelist JesseaPerry was aware of it, and said the word 'Solarpunk' to Adam - and the rest is history.

Subsequently, Solarpunk had parallel development in the Anglosphere and in Brazil with NO contact between the two scenes until after the publication of the Kickstarted translation of Histórias ecológicas in English by Sarena Ulibarri at Worldweavers in 2017. We (folks behind this blog) have had our lives enriched immensely by contact and dialogue with Solarpunks in Brazil since this happened! The Solarpunk movement at large is in great debt to Sarena!

The first self described Solarpunk story in English was “Sunshine State” written by Adam Flynn and Andrew Dana Hudson - also the winner of 2016's Everything Change: An Anthology of Climate Fiction short story competition.

Sunvault and Wings of Renewal, Biketopia etc all came out in subsequent years.

For some early Solarpunk thinking which clearly demonstrate that its about more than just aesthetics: check out Adam's massively viral Solarpunk: Notes toward a Manifesto from 2014 and Andrew's 2015 essay 'On the Politics of Solarpunk' - also the reference guide.

Many of the early Solarpunk voices were interviewed by VICE a few years ago and we explicitly say Solarpunk is about the end of capitalism lol.

As for me (@thejaymo) you can read my pretty viral 2019 essay: SOLARPUNK – Life in the Future, and this more recent one Solarpunk: A Container for More Fertile Futures which is about what Solarpunk means to me.

Being involved in Solarpunk and its community of - kind, motivated people, who are concerned with the struggles en route to a better world, the solutions to live comfortably without fossil fuels, how to equitably manage scarcity and share abundance, to be kinder to each other and to the planet we share - for the last decade, has been one of the biggest and most meaningful experiences of my life.

Thank you Solarpunks 🙏.

I'll close with our groupblogs tagline since the beginning:

Solarpunk: At once a vision of the future, a thoughtful provocation, and an achievable lifestyle. In progress...

Who’s with us?

[wheatormeat]

I made a little zine!

You can download and print it yourself here

[bookmania]

Seven years after, I see you again 😚

[scripturient-manipulator]

Guys this completely changed my writing, heed it. I often do an entire draft just looking at sentence variation and oftentimes the results are absolutely transformative in the difference.

[officialleehadan]

This is very very good advice, and absolutely worth following. Read this. Read it again. Follow it. Your writing will get much, much better.

[dropthedemiurge]

I agree, this is certainly one of the writing advices that opened my eyes and changed the way I was writing. It made it so much better, and I still remember that this post stuck in my mind. It did it.

[thecaffeinebookwarrior-deactiva]

Resources For Writing Deaf, Mute, or Blind Characters

Despite the fact that I am not deaf, mute, or blind myself, one of the most common questions I receive is how to portray characters with these disabilities in fiction.

As such, I’ve compiled the resources I’ve accumulated (from real life deaf, mute, or blind people) into a handy masterlist.

Deaf Characters:

Deaf characters masterpost

Deaf dialogue thread

Dialogue with signing characters (also applies to mute characters.)

A deaf author’s advice on deaf characters

Dialogue between deaf characters

Mute Characters

Life as a Mute

My Silent Summer:  Life as a Mute

What It’s Like Being Mute

21 People Reveal What It’s Really Like To Be Mute

I am a 20 year old Mute, ask me anything at all!

Blind Characters:

The 33 Worst Mistakes Writers Make About Blind Characters.

@referenceforwriters masterpost of resources for writing/playing blind characters.

The youtube channel of the wonderful Tommy Edison, a man blind from birth with great insight into the depiction of blind people and their lives.

An Absolute Write thread on the depiction of blind characters, with lots of different viewpoints and some great tips.

And finally, this short, handy masterpost of resources for writing blind characters.

Characters Who Are Blind in One Eye

4 Ways Life Looks Shockingly Different With One Eye

Learning to Live With One Eye

Adapting to the Loss of an Eye

Adapting to Eye Loss and Monocular Vision

Monocular Depth Perception

Deaf-Blind Characters

What Is It Like To Be Deafblind?

Going Deaf and Blind in a City of Noise and Lights

Deaf and Blind by 30

Sarita is Blind, Deaf, and Employed (video)

Born Deaf and Blind, This Eritrean American Graduated Harvard Law School (video)

A Day of a Deaf Blind Person

Lesser Known Things About Being Deafblind

How the Deaf-Blind Communicate

Early Interactions With Children Who Are Deaf-Blind

Raising a DeafBlind Baby

If you have any more resources to add, let me know!  I’ll be adding to this post as I find more resources.

I hope this helps, and happy writing!  <3

[thecaffeinebookwarrior-deactiva]

Updated with more resources, specifically for characters who are blind in one eye.

[eeyore9990]

Write Your Story

I just showed my 11-year-old son how many coffee shop AUs there are on AO3.

Why?

He sat down the other day to write a Minecraft story about three kids who go through a portal in their back yard and end up in the world of Minecraft where they have to battle all the big bosses (I didn’t even realize there WERE big bosses in Minecraft but that’s beside the point). He wrote three chapters with a little input from me – his first beta – and y'all?

He was fucking excited. To be writing a story.

Today he came home from school and seemed a little down, so I asked him about it only to find out that some little asshole at his school told him, “There is already a Minecraft story.”

Me: Okay? So what?

Lucifer: If there’s already a story, no one will read mine.

Immediately, I dragged him in and pulled up my AO3 account. My boys know I write fanfiction, so I showed him my account and how many subscribers I have. Then I showed him how many Teen Wolf stories there are. And then, because it seemed like the perfect analogy, I said, “What if I wrote a story where two characters meet in a coffee shop and fall in love? No werewolves, nothing at all to do with the actual Teen Wolf universe. Just Stiles and Derek meet in a coffeeshop and fall in love.”

He laughed.

I showed him Mornings Aren’t For Everyone. Showed him how many hits it had, how many kudos, how many lovely comments.

Then I said, “So do you think, if anyone else wrote a story about those exact same characters meeting in a coffee shop and falling in love… would anyone read it?”

He laughed and said, “No because you already did.”

So I clicked on the Sterek tag and refined to coffee shop AU. His mind was blown to see that they ALL had thousands of hits and kudos and comments. Then I clicked on JUST the coffee shop AU tag and showed him all the fics across all the fandoms written by countless different people.

I’m going to tell you all now what I told him because it applies to everyone.

Write your story. It doesn’t matter that someone else has written a story about that subject. They didn’t write YOUR story. Only you can do that.

And I want to read your story.

[naamahdarling]

Holy crap, this is A+ parenting and such a good lesson.

[the-cassquatch]

Ok but like. What the fuck is there to do on the internet anymore?

Idk when I was younger, you could just go and go and find exciting new websites full of whatever cool things you wanted to explore. An overabundance of ways to occupy your time online.

Now, it's just... Social media. That's it. Social media and news sites. And I'm tired of social media and I'm tired of the news.

Am I just like completely inept at finding new things or has the internet just fallen apart that much with the problems of SEO and web 3.0 turning everything into a same-site prison?

[dj-of-the-coven]

Long collection of resources under the cut.

You're right that the internet is smaller than it used to be, but there's still some cool stuff left in the corners. I'd recommend checking checking out Neocities if you haven't--it's an independent web hosting platform like Geocities of the old web, and there are hundreds of interesting and active pages discoverable both through their search function and through web buttons (links attached to small pictures with the title of a website) within the websites themselves. Here are three examples of web buttons you may find in link pages:

Most Neocities websites have link pages or button collections with anywhere from tens to hundreds of these. Don't be afraid to explore!

If you're looking for something more like a search engine, I can point you towards Marginalia. It's not a particularly smart engine, but it's perfectly usable if you've ever been taught to use search engines back when they were mostly run through keywords instead of full sentence comprehension. There's also an "about" and "tips" section on the front page with more information. The algorithm of Marginalia can be filtered by the user to allow, disallow, or require JavaScript depending on your needs, plus there are filters designed specifically to prioritize web 1.0 sites or mostly text-based ones. It is possible to search for modern websites with it, but it can return websites from just about any decade (since the invention of the web, obviously) so long as they contain the information you're looking for. For example, here are some random interesting sites I've found using Marginalia:

Native Languages of the Americas: Native American Cultures

BASIC HTML COMPETENCY IS THE NEW PUNK FOLK EXPLOSION!

Earthbound Text Labs by Bill Eager

The possibilities for discovery are truly endless.

Now you might want to know about directories. These make browsing for websites easier, but require you to read through and judge which ones to visit, as there aren't algorithms ranking the sites besides the whim of whoever coded the directory. Some of them have themes, others don't. Here are two that I've used:

Yesterlinks Directory

Ichigo Directory

Directories can be harder to come by just by surfing the net, but they aren't impossible to find. Many personal websites have their own directories of interesting sites hidden within them.

Webrings are similar to directories, but are actually more community-based. You have to register your website to be a part of a webring, usually by sending an email to whoever runs it and meeting some kind of entry criteria. For example, my personal website used to be a part of a webring called Sweet Dreams, which was for websites that heavily utilize color palettes and images of cute things, particularly sweets. Webrings will give you access to a widget upon entry that allow visitors and other members to browse between the registered websites in a massive ring, ergo, where the term gets its name. Webrings can have any theme or criteria for entry. If you can make a website about it, you can find a webring for it.

Now, you might be wondering about social media alternatives. I can't offer much, but I can nudge you towards the idea of forums. Here's one I found that could really use some traffic. I also browse a bit on MelonLand forum, which is actually closed right now--it's currently closed on Mondays--but on any other day of the week, you can find a fun community there dedicated to web revival. You can find it through MelonLand's main page. I'd also recommend checking out SpaceHey, which is a MySpace clone that's customizable and easy to use.

I hope this is of some help to you. The internet may feel less magical than it used to be, but that doesn't mean that the spark has completely died out. These types of indie websites need more attention if we ever hope to reverse the damage done to the internet by centralization and corporate interest. People are trying to make the web a cooler place to be, but we're going to have to do the work of finding and interacting with these projects in order to get them off the ground someday.

[xerxestexastoast]

ALSO you should consider browsing Virtual Pet List and seeing if there are any pet sites you might be interested in playing. There is a whole genre of browser games right under your nose

[biothreads]

Another one that I just found recently is this, which is a whole collection of blogs, organized by topic!

ooh.directory: a place to find good blogs that interest you

A collection of 1,966 blogs about every topic

[derinthescarletpescatarian]

Look guys the real internet IS STILL THERE I'm going to cry