tonight we’re gonna give it 35%

LD. 30 flirty and thriving. occupation: still going on and on about xena fucking warrior princess

[classicfilmblr]

Casablanca (1942) dir. Michael Curtiz

[jadeharleyinc]

oooooh i got plany of disk space

[arinrowan]

Gregor, wondering what to do with Miles after Miles has fucked up badly enough trying to solve a problem nepotism can't protect him from consequences so he no longer has a job

Miles, kicks down door: Gregor! I need one of your eight nepotism guys who can do anything they want to solve a problem!

Gregor: (lightbulb)

[arinrowan]

tags via sroloc--elbisivni

[pagets]

HACKS 4.07 "D'Christening"

[freckleslikestars]

Fred, you had a part people loved. I mean, my TV Guide interview was six paragraphs about my BOOBS and how they fit into my suit. No one bothered to ask me what I do on the show.

Sigourney Weaver as Gwen DeMarco in Galaxy Quest (1999)

[xbcaptain]

Jadzia Dax  +  being a menace  +  Trials and Tribble-ations

[ryhsrunner]

The four most interesting parts of time loop are when the person kills themselves for the first time, when they kill someone else for the first time (in a fuck around kind of way, this doesn't count if they already were killing people outside of the loop), how they break the loop, and the weeks afterward where they loose their fucking minds in an entirely different, significantly more damaging to the world around them way. And yet I rarely see anything done with that last one. People leave time loops and are all happy go lucky 'oh boy'. Where's the grappling with people you know who will never know you? Where's the knowledge that the safety of the loop is gone, and you can't fix any mistakes you make? That's the good angst I want

[takofukkatsumi]

Reblog this and tell me what was your biggest crying over a piece of fiction. You can be vague if you don't want to spoil.

[doggiewoggiez]

Shit man, this soldier war is fucked. I just saw a guy kill another guy, with a gun. I gotta get the fuck outta here.

[kylieminvogue]

"STAR TREK" S1E23 - "A Taste of Armageddon"

[clementine-kesh]

harry kim and b’elanna torres sweaty, dirty, bloodied, and showing skin is proof that someone involved in 90s trek loved the gays

[campmiasmas]

How did all this happen? Oh, well, that was just, you know, hard work, timing, and you know, a lot of luck. No, you got better.

HACKS: Season 4, Episode 6 "Mrs. Table"

[subatoism]

“Let He Who Is Without Sin…” (5x07)

[luciferrous]

Some Gregors and some Ivans with a little Miles mixed in

[garaks-padded-bra]

a ‘plain simple garak’ for the person who requested it in my inbox :)

[specialagentartemis]

my petty gripe about anachronism in historical/fantasy/spec-fic worlds is attraction language.

We’ve all heard the “should you use modern queer labels or not” argument but honestly even when people go “true, they wouldn’t use the labels ‘aromantic’ or ‘asexual,’” so often the characters describe their experiences as “I never felt romantic attraction” or “I don’t feel attracted to anyone” in ways that makes me go. You are stilllllll thinking about this in an extraordinarily modern online way. That 19th century steampunk detective man will NOT be angsting about having never felt romantic attraction, he would be angsting about being unable to feel moved by the beauty or charm of a woman, or something. And I do think that “attractiveness” language is different from the identity-level idea of experiencing attraction—Sherlock Holmes does not talk about not experiencing attraction, but when Watson says “What a very attractive woman!” Holmes responds “Is she? I did not observe.” (And then Watson calls him an inhuman automaton and calculating-machine and Holmes calls Watson’s judgement biased). Never swayed by the attractiveness of a man or woman, never desirous of marriage, never charmed by the delights of love, all of these feel like some of the variety of ways that someone in this milieu might describe an ace- or aro-spectrum identity more than “never felt attraction” does. Mostly because, like the terms for aromantic and asexual themselves, nailing down an exclusively attraction-based definition of a-spec identities is a relatively new and extremely post-AVEN thing. And yet in fiction everybody knows to articulate their experience as feeling sexual/romantic attraction. And I always want to go nooo how would THIS character think about it?? Not how you think this character SHOULD think about it, how would THIS person in THIS context articulate their feelings?

[murderofsomeone]

I need to make something really elaborate and cool (doesn't move