extremely funny to me that harley quinns real name is apparently harleen quinzel, a name that sounds less real that harley quinn. they should do that with more comic characters. batman real name batthew manning. daredevil real name darius devilson. doctor strange real name. well okay that one doesnt count.
Unironically I think the early to mid 20s age group in America has unbelievably bad consent boundaries on all levels and so much language to defend it but this makes me sound like elon musk if I say it however the commonality of someone who will be like “I had 47 panic attacks and it’s your fault” if you tell them no is insane
I rejected someone and got called “the scariest person I’ve ever met” with so much therapy speak interspersed like alright okay alright okay alright okay
“You just say whatever you’re thinking and I don’t know how to handle it” was verbatim part of this conversation. Also everyone hates to see an autistic bitch
When I was in this age bracket, there was a huge emphasis on improving consent culture via graceful rejection, and it's gone by the wayside. Which sucks.
Twice in my youth (once in high school and once in college) I was in situations where I was asking someone out and I could tell they were calculating in their heads the risks of rejecting me, and both times I said, out loud, "you can say no, I wouldn't have asked if I wasn't prepared for either answer." And then they said no. This wasn't some spark of special wisdom I had - I knew to do it because feminist conversations among my age group brought it up regularly. This isn't happening nearly enough anymore.
More recently, I was really glad when we got to "rejection sensitive dysphoria" in my IOP program and it was one of those symptoms where the therapists really emphasized how it affects others. Because it does.
Being someone who cannot handle rejection makes you much more likely to violate boundaries, and yes, that includes sexual ones. Yes, you, reader who has never hurt a fly. If you don't want to stumble backwards into sexually assaulting someone, fix your RSD meltdowns. If you keep them up it's only a matter of time. Because if you're nice enough to interact with, but are known to have RSD meltdowns, guess what happens when your friends and acquaintances need to reject you?
in Beauty and the Beast: Belle's Magical Christmas there's an evil pipe organ voiced by Tim Curry. many of you will remember this. however, i think many of us (including, embarrassingly, myself) overlooked that he is a magic pipe organ. huh. none of the other servants got magic powers. why does that guy have magic powers now? did the enchantress like him? did her magic interfere with his own pre-existing sorcerous powers? was the existing pipe organ magical and when he was meshed with that pipe organ he got some part of the powers it already possessed? i ask this because he also has my favorite motivation of any DTV disney villain: he wants to stay an evil pipe organ that can do magic. i fuck with that honestly.
everything about this makes sense. it's a midquel. given the structure of the existing movie, it's hard for the villain to be someone from the village. it would also be a bit awkward for it to be a stranger because the whole story is predicated on it being wrong to turn strangers away (the enchantress). so you have to have someone inside the castle, i guess. disney writers sitting around thinking, ok though. but if it's someone in the castle, they're all on the same team, right? they want Beast and Belle to get together so they can be human again. the reason they're working together even with meaningfully different personalities is because they are united in common cause. So, you need someone who doesn't want to return to their former form.
this is how you get Forte, explained elegantly thus:
alright so his motivations check out. If he's just an organist he's going to get old and he could easily be replaced. there's no security in his world. thanks to the enchantress, he now IS the pipe organ. by the way the internet summarized this to me as a man who wants to "remain in organ form". we recognize this as classic pervert behavior.
anyway though! magic! what's that about
i get being a weird organ pervert who wants to stay an evil pipe organ forever. anyway with the addition of magic this is an easy choice (evil magic pipe organ voiced by tim curry; ideal lifestyle and absolute jackpot win). but WHY!! why is he also a witch! did you make a saucy little face when the Prince threw out the enchantress and you two locked eyes and she was like can you Believe this guy and you were like Oh i Know, like Don't Even Tell me About It and she was like yeah you can be telekinetic!! evil pipe organ
Full-time court musician, part-time pervert and magician; sounds like your average Enlightenment-era intellectual to me. Probably writing a picaresque novel or two on the side and keeping up a lively correspondence with Benjamin Franklin.
Exactly, this 100% checks out with the way that the musical patronage system in Europe at the time Beauty and the Beast takes place (18th century) works: your entire livelihood was based on getting money from royalty and nobility, which included commissions, but ideally meant being one particular titled VIP's "court composer" since that had the greatest stability. Falling out of favor could mean losing your livelihood. (All of this was about to change in a few decades as the Industrial Revolution created an urban middle and non-titled-rich class and also established music conservatories, so we got the composer-as-job model that we have now of being either a professor or running a municipal orchestra, but obviously nobody knew this; the winds of change in the music world wouldn't make themseles known until the 19th century.) It's really easy to envision some Salieri type (as in the character in Amadeus, not the real historical guy) getting turned into a pipe-organ-who-does-magic and being like, actually, this is way better! I don't have to worry about young upstart stealing my thunder and my commissions and my court composer job. I can fulfill my sacred mission from God of serving him by making music, forever. Also, a lot of musicians in general are weird little freaks and would probably enjoy being transformed into an immortal music-producing vessel, especially in the form of an instrument with a gigantic range that is prized for its ornateness and for its historical importance (organs are one of the modern instruments with the longest histories in Western classical music, being used in churches even long before any other instrumental music was permitted) and that has a history of being carefully preserved over centuries. To paraphrase a famous Ralph Vaughan Williams quote: why just write music when you can BE music?
Hello, tumblr! I saw something on here the other day that worried me, so I decided to Do Science about it. But I can't do it alone: I need your help to build the dataset!
Here's what I need you to do:
If you see a post with a "mature content" label, and it's 2026, DM me a link to the post.
Yes, that's really it.
I am hoping to collect several thousand such posts, so that I have a decent sized dataset. I do not care what the post is about; if it's labeled as "mature content", I want to add it to my dataset.
If I get 10,000 posts in my dataset before August 31st 2026, I will post my preliminary findings then. I won't feel comfortable calling my findings "settled" before 2027, unless I get over 50,000 posts.
been reading cicero's rant about words being given obscene meanings and i don't think i've ever seen a latin sentence that made me burst into such immediate and violent laughter before
had a couple people be like "i have no idea what this means" so to clarify: the word penis in latin originally meant tail and only later got the sense of, uh. penis. so this is cicero complaining that nowadays all these hooligans are using the word "penis" for naughty purposes
why go to the grocery store or to a restaurant when you can just get food delivered why go to the mall when you can get same day shipping on amazon why go to the library when you have kindle why make art when there’s ai why go to the cinema when you can stay at home and watch netflix. we are in a loneliness epidemic btw
after volunteering at a harm reduction agency for a couple months i can confidently say that addicts and homeless people (and homeless addicts) are not the boogeymen people make them out to be. they all just want coffee and candy. there's all this fear mongering and meanwhile your local addict is just some guy drinking a double double with slightly smaller pupils than normal.
and before you bring up a bad thing an addict has done, please remember that sober people have also done bad shit and that the majority of addicts are totally safe to be around. if you want to talk about how scary addicts are, i will talk about all the customers i had at my old job who made me fear for my life. stop fear mongering and start actually meeting addicts. yes, they can be scary, but so can anybody. fear mongering about addicts only leads to discriminatory policies and policing, which increases violence against them and worsens the problem.
the scariest thing about addiction isn't the addicts. it's the blood on the hands of politicians.
art history will be like "this is the most revolutionary painting of its time!" and you will look at it and is just a normal painting of a lady sitting under a tree and then an art historian will explain "this is the first time a painting ever used this specific shade of blue which challenged all understood conventions of how to depict light and launched a movement known as auzureism, and also the lady is looking at a sparrow which in its time it was a sign of fierce sexual liberation and it was considered scandalous" and then you find out the painter was expelled from the academy of art of stockholm because of the painting and that the king of sweeden paid three thousand marcs (equivallent to ten million dollars now a days) to have the painting in his room and the painting still looks like a generic painting of a lady under a tree
internet politics and real-world politics have gotten so separated, and pretty soon all this internet weirdness is gonna come crashing into real life and politicians are gonna start throwing around words like “SJW” and “anime communist” and “dark enlightenment” and it’s just gonna be the most ridiculous fucking thing
today at work a little girl WHIPPED a packaged cookie at me with all her little toddler strength before it fell to the ground where it broke into several pieces and when i handed it back to her i said "I think you dropped this ma'am" which really tickled her mother who looked exhausted and stressed. but then the girl starting having an absolute tantrum, demanding another cookie, because that one was now broken. and her mother, so so calmly, said "well baby, today you learn about consequences" and that shit fucking ROCKED my world
Polar bear Station
Russian-based wildlife photographer Dmitry Kokh ventured to an abandoned meteorological station on Kolyuchin Island, where polar bears have taken over the station.
"Six weeks into the term, I assigned my rhetoric and writing students a 20-page article. It was the same length I had assigned for five years and the same length I had read without complaint as an undergraduate a decade ago. Not one student finished it.
When I asked why, a student answered honestly: It was too long, and she kept losing track of what the paper was about. This was not a remedial class: These were students who had cleared the admissions process and written essays good enough to get them here. Yet a routine academic reading assignment had defeated them.
Every generation of professors has complained that their students cannot read. The lament is usually overblown, but data have caught up to anecdote, and what I am seeing in my classroom is no longer a hunch. There is a measurable, generational collapse in sustained reading and writing, and the academy is responding to it with improvisation and exhaustion rather than the structural overhaul it requires.
In February 2024, Adam Kotsko, who teaches in the Shimer Great Books School at North Central College, wrote in Slate that students who once handled 30 pages of reading per class meeting now seem “intimidated by anything over 10 pages and seem to walk away from readings of as little as 20 pages with no real understanding.” Crucially, he added that this is “not a matter of laziness on the part of the students” but of underlying skills they were never given a chance to build.
The Chronicle of Higher Education’s 2024 investigation found the same pattern across institutions as different as the Stevens Institute of Technology and Wellesley College, where the average SAT exceeds 1400. Nicholaus Gutierrez, an assistant professor at Wellesley, told The Chronicle that the baseline for what students consider a reasonable amount of work has dropped so noticeably that he has cut his readings accordingly; a 750-word essay now strikes many students as long. At Stevens, the science and technology studies associate professor Theresa MacPhail described following the mantra of “meet your students where they are” for so long that she has begun to feel “like a cruise director organizing games of shuffleboard.”
Worse, the national data tell the same story in colder language. On the 2011 National Assessment of Educational Progress (NAEP) writing assessment, which is the most recent comprehensive writing benchmark, only 24 percent of 12th graders reached the Proficient level, and just 3 percent reached Advanced; another 21 percent scored below Basic. The reading side of the ledger is worse, and getting worse fast: The 2024 NAEP results released in September 2025 show 12th-grade reading scores at the lowest level recorded since the assessment began in 1992. Thirty-two percent of 12th graders now score below NAEP Basic in reading, meaning that, in the assessment’s own language, they likely “cannot draw general conclusions based on concepts presented explicitly in a text.” And yet more than half of these same seniors reported being accepted to a four-year college. That last sentence is the whole problem in one line: We are admitting a cohort that cannot read at a college level and are pretending otherwise.
Why is this happening? One reason, of course, is smartphones.
I came into teaching as a skeptic of the anti-smartphone argument: I had a phone in my pocket throughout high school and college in the 2010s, and I read long books anyway. I now think I was wrong, because the neuroscience has caught up. In a 2017 paper, Adrian F. Ward and colleagues at the University of Texas at Austin’s McCombs School of Business showed that the mere presence of a participant’s smartphone — whether that be face down, powered off, untouched, or across the desk out of vision — measurably reduces available working memory and fluid intelligence on cognitive tests, with the largest effects on the most phone-dependent users. A 2022 study by Motoyasu Honma and colleagues at Japan’s Showa University used near-infrared spectroscopy to compare reading on a smartphone with reading the same passage on paper, and found that smartphone reading produced overactivity in the prefrontal cortex, suppressed sigh generation, and led to general lower comprehension scores; the authors argued that the sigh inhibition and prefrontal overload were causally linked to the comprehension decline.
So when a student tells me they “kept losing track” of a 20-page article, I have to acknowledge that they may be describing a measurable neurological condition. The neural pathways that support sustained attention are built by use, and they atrophy without it. Your body is a use-it-or-lose-it system, and the brain is no exception.
Another reason for the decline in student reading capability is increasing reliance on generative AI. In June 2025, Nataliya Kosmyna and colleagues at the MIT Media Lab released a preprint titled “Your Brain on ChatGPT.” They divided 54 participants into three groups writing SAT-style essays — one using ChatGPT, the second group using a search engine, the last group using nothing — and monitored brain activity with a 32-channel EEG. The ChatGPT group showed the lowest neural connectivity of the three, with up to 55 percent reduced connectivity compared with the brain-only group, and “consistently underperformed at neural, linguistic, and behavioral levels.” Eighty-three percent of LLM users could not quote a single line from essays they had written minutes earlier. When the LLM group was forced to write without AI in a follow-up session, their brain activity did not bounce back to baseline; the researchers coined the term “cognitive debt” for the lingering deficit.
This is the first neurophysiological evidence that early reliance on LLMs measurably alters the brain’s engagement with writing tasks, and it is consistent with what those of us in front of classrooms are watching happen in real time. When I assign analysis, I am not trying to extract a polished product; I am trying to put the student’s mind through resistance in order to make it stronger. Offloading the struggle to a chatbot does not “free students up for higher-order work.” It deprives them of building the strength to do any substantial cognitive work at all.
There is a final factor that is contributing to this decline in reading skills, and that is that the students arriving in my classroom today are the first cohort to have experienced Common Core-influenced reading instruction across the entirety of their K–12 schooling. Whatever the standards’ original intent, the on-the-ground implementation in many districts replaced sustained reading with the practice of pulling “evidence” from disconnected short passages, the same format used on the standardized tests that increasingly determine school funding. The education scholar Natalie Wexler, among others, has documented this pivot in detail: Students drilled on “finding the main idea” in two-paragraph excerpts never build the stamina or background knowledge that longform reading requires. The pandemic then added fuel to a fire that was already burning. NAEP scores for 13-year-olds dropped sharply in 2022 and have not recovered. A 2023 EdWeek survey found that 24 percent of secondary-school administrators described pandemic learning loss in English and language arts as “severe or very severe.”
In July 2025, the journalist Mary Harrington argued in The New York Times that “thinking is becoming a luxury good.” The ability to read deeply and reason at length is fragmenting along class lines as ultra-processed digital media replaces text in everyday life, much as ultra-processed food has replaced cooking. Her longer treatment of the subject in First Things makes the more provocative case that we are witnessing the end of print culture itself, and with it the end of the cognitive substrate on which modern liberal democracy was built.
I see this stratification in the classroom and on the page every week. My students from districts that protected sustained reading through small class sizes, strict phone policies, and faculty who refused to teach to the test all arrive with their attention relatively intact. My students from districts that surrendered to devices and standardized testing arrive cognitively winded. A democracy that requires a literate electorate is now training one fraction of that electorate out of literacy while marketing to the other a “deep work” lifestyle as a luxury good. The students who cannot read a 20-page article today are the voters who will not be able to read a bill, or the jurors who cannot follow a closing argument, tomorrow.
I do what I can in my own classroom to address the problems. I break 20-page articles into two halves and assign the first half with explicit analytical tasks. I require exploratory writing before formal drafts. I model (visibly, on the board) how to track an argument across pages or distinguish a source’s claim from my own analysis. I make structured peer review explicit, because the workshop format I used to take for granted now collapses into “this is good” and “maybe add more details” the moment I step back.
But I want to be plain about the limits of what an individual instructor can do, and all of these solutions have costs. Scaffolding a 20-page article into halves compromises the integrity of the argument I am asking students to engage, just as modeling note-taking in a credit-bearing rhetoric course is using a college slot to teach a middle-school skill. None of the syllabi I teach are designed to deliver this type of cognitive rehabilitation, and pretending otherwise has produced credential inflation. We cannot keep conferring degrees on students who cannot do what the degree is supposed to certify.
I’m afraid I don’t have answers. I do, however, have some questions that may point us in the right direction. If higher education is going to respond to the reading crisis as a structural problem rather than a private burden carried by composition instructors and adjuncts, it has to stop avoiding the following questions: If a majority of incoming students cannot read at a level the curriculum requires, are we admitting students we cannot serve, or offering a curriculum we cannot provide?
Why are first-year writing and reading-intensive general-education courses still the most adjunctified, lowest-paid, highest-load corner of the university, at the precise moment when their work has become the most important work the institution does? What is the responsible institutional response for AI usage: Is it a syllabus statement, or a sequencing principle that requires students to demonstrate the cognitive work themselves before AI assistance is permitted?
Why are most college classrooms still phone-permissive by default? K–12 districts from Florida to California are now banning phones bell to bell; higher education has somehow lagged behind the public schools. Universities benefit from a pipeline they did not build and refuse to repair. What would it mean for a university system to invest seriously in the reading instruction happening in the high schools that feed it, rather than treating remediation as something to be quietly outsourced to first-year composition instructors?
The thing I am no longer willing to do is pretend this is a temporary adjustment period, or that “students will adapt.” They will not adapt on their own. The conditions that produced this collapse are still in place: the phones, the algorithmic feeds, the test-prep excerpts, staffing models that load the reading-intensive work onto the most precarious faculty, and now the chatbots that finish students’ sentences before they’ve even begun to think of them. If we want literate citizens, we will have to rebuild the conditions for literacy deliberately, against the grain of every incentive currently pointed the other way. I know the academy has the will to do that. It also has the obligation."
— Tyler Jagt, 1 June 2026, "My Students Can’t Read"
The generational collapse in literacy is measurable, persistent, and likely to get worse.
I bought Sir Cameron online this morning, finished it this evening, would have read it faster if not for work! I am absolutely obsessed with everyone in this book. I felt a this understanding of Cameron. his panics, his obsessive thought spirals, and putting himself into harms way to avoid a different perceived danger reminded me a lot of when OCD takes over the whole system. I really loved seeing a sympathetic reading of a guy who is scared.
that’s so interesting, because I didn’t intentionally give him OCD traits, but it is something I’ve been diagnosed with. so I guess it may have bled through a bit?