tbblobnoern tuesday
tbblobnoern tuesday
tbblobnoern tuesday
so-called free thinkers when it’s tbblobnoern tuesday
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titsay
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Kiana Khansmith
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Claire Keane
occasionally subtle
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Sweet Seals For You, Always

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@kitreadsabook
tbblobnoern tuesday
tbblobnoern tuesday
tbblobnoern tuesday
so-called free thinkers when it’s tbblobnoern tuesday
We’ve all heard tales of the moon being made of cheese, but what if it were made of bones? Bone fragments. Bone dust. Partial skeletons from animals we have no name for, no knowledge of. What if the moon were made of bones?
i think the crux of human misery stems from the fact that our skeleton just wants to sit around and accumulate dust in an ancient barrow (that is the innate imperative of all skeletal remains in-case you didn’t know) but our meat has its own agenda which creates this fundamental conflict of interests
No transphobes allowed, only transborbs.
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Your honor, I love them, they're so horrible
“you support gay rights so you must be gay”
i support animal rights do i look like a fucking alpaca to you
turns out i am gay
holy shit how’d this alpaca learn how to type
Diversity win! The alpaca is gay!
he was a llama
Arcturus after Paige destroys another historical landmark:
My wife’s idea of decompressing after the busy holiday was to rearrange every piece of furniture in our home is this an ADHD thing or just a her thing
I’m not complaining the way she’s done it is much better than it was it’s just like how is this your idea of a relaxing weekend
Listen I don't get to decide when the drunk elf that is my executive actually does the functioning but when he does we have a SMALL WINDOW OF TIME before he finds the schnapps again and we're done
yes this exactly
So to me, there are spoons (general energy cost) and carnival tickets (specific energy cost).
Spoons can be used pretty much anywhere.
Carnival tickets are only good for the carnival, and it’s only in town for a limited amount of time.
So like, if I get “kitchen cleaning” carnival tickets, I can’t use that to clean my bedroom, that’s not where the carnival is.
her ass is not listening
So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really not—but honestly this is it man.
I'm going to try it.
I love the lawyer metaphor, because whenever I see “John knew that...” in prose writing I immediately think “how? How does he know it?” Interrogate your witnesses. Cross-examine them. Make them explain their reasoning. It pays dividends.
All of this, but also feels/felt. My editor has forbidden me from using those and it’s forced me to stretch my skills.
This is your "show not tell" advice explained!
Editor here.
First, let me preface this with something very important: you can treat all of this advice as SECOND-DRAFT ADVICE. It is so much easier to rewrite this kind of stuff once you have words on the page. Telling yourself the first draft is totally appropriate and acceptable.
What we’re talking about here are FILTER WORDS (and to some degree verbs of being). Yes, “thought” words are included. But so are “heard, saw, looked, tasted, smelled” etc.—most words having to do with the senses.
This isn’t black and white advice; sometimes you’ll use these words and that’s okay. They’re not WRONG. They’re just weaker. And they’re weaker because they create distance between the reader and the experience of the character.*
If you want your reader to feel like they’re experiencing the story right alongside the character, you want to cut down on filter words.
*This is particularly important with first person and close third POVs. The reader always knows whose eyes they’re seeing through and thoughts they’re privy to. So you don’t need to tell them “I saw X.” Or “I heard X.” Or “I thought Y.” You can just jump into the action/observation as it’s happening.
This is also where you want to pay attention to verbs of being.
“It was rainy.” Versus: “The rain pounded against the roof.” Or “The rain howled like an injured animal.” Or “The rain tapped against the window like an anxious lover.” All of these are inviting the reader deeper into the experience of the story by using stronger verbs and similes. And, at the same time, they stir feelings (instead of TELLING feelings). And feelings keep your reader engaged. Engaged readers keep turning pages; engaged readers become FANS.
This is also where
you want to pay attention
to verbs of being.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
The most valuable advice that Author Ex gave me through the years that we wrote together was this: the problem with all these filter words is that they create distance in the POV.
That means that when you read a line like
John saw that the curtains were open.
It immediately takes you OUT of the character's perspective and instead tells you what they experience as a secondhand observation.
You don't have to get fancy or purple with how you rephrase things like this. Not everything needs a ton of breathing room.
You wanna know what's perfectly impactful while keeping a tight POV?
The curtains were open.
Simple as that.
This was one of my all time most powerful writing lessons! This mindset shift makes you a stronger writer immediately in a way that just keeps getting easier and better for you.
The take I always have on advice like this is that "John saw that the curtains were open." and "The curtains were open." are sentences that are telling you two different pieces of information.
Some of this, yes, is about POV distance--but some of it is also about the information being conveyed by the sentence. If you are using a sentence like "John saw that the windows were open" it should be because the information you are seeking to convey is that John saw it.
Maybe this matters because the next time John looks back they are closed, and so he's doubting what he saw. Maybe it matters because he later has to recount information about the room he was in, and it's notable that he specifically saw that the windows were open. The fact and method of his observation is part of the point of the sentence, rather than simply the observation itself.
When we are using sense verbs, it should be because part of the point is the sense. Same with "thought", "felt", etc.: "Mary thought that Susan looked a little thin" is telling us a different piece of information than "Susan looked a little thin."
Contrarily, at least in my opinion, simple telling phrasing like "It was rainy" can sometimes bring us more into a character's head than something showing like "The rain howled like an injured animal." I have read books when a relatively plain-spoken/plain-thinking character suddenly starts having elaborate descriptions of things like scenery or weather, and it is abundantly clear that the author wanted to spruce up their writing and avoid "telling." The problem is that it drags me as the reader out of the character's head and shows me where all of the strings are. I'm suddenly thinking about how the author is worried about being yelled at for "telling" instead of just reading the story.
Your writing, down to the sentence structure and word choice level, should be about what you are trying to accomplish. Is the point to tell us that the window was open, or is it to tell us that John saw that the window was open?
we simply do not talk enough about gideon and palamedes' friendship. him and harrow friends of all time i agree and yes of course camilla and gideon that's gay woman solildarity BUT we must not forget palamedes is the first person gideon ever tells about her deepest darkest secret .. and he immediately assuages her guilt in terms easy for her to understand. and then they hold hands about it and quietly decide to go accuse the woman they're both hot for of murder. and they're friends. it makes me crazy
same _and_ the 5% is Arcturus Mesarthim
Anywhere is walking distance if you've got nothing better to do.
lord of the rings
Bloodguard
I would like to ammend my previous mid-book review of bloodguard to include that yes, this is a Harrow the 9th or Holden Caulfield situation and I just didn't know it yet. Still doesn't explain some of the timeskips, but I will accept that our female lead is having a bit of a time with the whole being a reliable narrator thing.
Sometimes I can still hear their voice
Breaking: TikTok is better bc it’s more hostile towards humanity
The lack of video content is what kept us here... I thought we all agree that the best feature of this hellhole was and always will be anonymity.
Tumblr's not asking for my phone number. It's not going through my contacts to try and connect me with my fucking colleagues. I can come here and talk about whatever I want without anyone ever seeing my face or hearing my voice. I don't have to censor myself and hide my interests or enthusiasm out of fear of consequences it might have in my real life.
I think the biggest misunderstanding they have of Tumblr is that they think of it as a social media platform when in actuality it's a blogging platform with social features.
I like the use of Metroman here because if there's one thing Tumblr users collectively agree on it's that we want everyone to think we're dead
wish we were still on Tumblr instead of the void