why is it called a "stick" of butter. that is blatantly a The Ingot
THE BUTTER INGOT
You absolutely would still need a smelter and at least two perks.
YOU ARE THE REASON
todays bird

Andulka
Misplaced Lens Cap
trying on a metaphor

⁂

if i look back, i am lost
dirt enthusiast
Not today Justin

Discoholic 🪩

tannertan36
I'd rather be in outer space 🛸
Mike Driver

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roma★
i don't do bad sauce passes
Cosimo Galluzzi
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@nightsong
why is it called a "stick" of butter. that is blatantly a The Ingot
THE BUTTER INGOT
You absolutely would still need a smelter and at least two perks.
i’d like to thank tumblr for being the only social media platform that doesn’t make me feel like shit after scrolling through it for a while
Don't worry there's still time to change that
Long day on the road, long night off the road 🍁
it’s tough when you and your elf husband are in love but there’s a giant evil volcano or something that wants you all dead 🏹💎
Slightly NSFW, sorry…But I liked it enough to put it here too.
This is what happens when you’re still on tumblr as an adult, you start reblogging shit like this
I’ve seen the Ursula K LeGuin quote about capitalism going around, but to really appreciate it you have to know the context.
The year is 2014. She has been given a lifetime achievement award from the National Book Awards. Neil Gaiman puts it on her neck in front of a crowd of booksellers who bankrolled the event, and it’s time to make a standard “thank you for this award, insert story here, something about diversity, blah blah blah” speech. She starts off doing just that, thanking her friends and fellow authors. All is well.
Then this old lady from Oregon looks her audience of executives dead in the eye, and says “Developing written material to suit sales strategies in order to maximize corporate profit and advertising revenue is not the same thing as responsible book publishing or authorship.”
She rails against the reduction of her art to a commodity produced only for profit. She denounces publishers who overcharge libraries for their products and censor writers in favor of something “more profitable”. She specifically denounces Amazon and its business practices, knowing full well that her audience is filled with Amazon employees. And to cap it off, she warns them: “We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.”
Ursula K LeGuin got up in front of an audience of some of the most powerful people in publishing, was expected to give a trite and politically safe argument about literature, and instead told them directly “Your empire will fall. And I will help it along.”
We stan an icon.
I never knew the whole quote or its circumstances. Lord she was amazing.
“We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.” – Ursula K LeGuin
smol people only
loyalty, honor, a short stature
This is too funny and endearing not to share.
speaking as a professional archivist, everyone should leave lizzo the fuck alone bc:
old instruments get played all the time and this is a normal thing
she's literally a professional flute player
fuck james madison, it fucking rules that a black woman got to play his stupid fancy flute
it's NOT like the kim k marilyn dress thing. kim k paid to wear a historical item that was custom fit to a particular individual's body and damaged it, as anyone who knows about textile preservation who saw that going down KNEW was going to happen
i trust the motherfucking library of congress with loans of its holdings more than i do the goddamn ripley's believe it or not museum of hollywood are you shitting me
in conclusion, the "controversy" is just people being racist byeeeee
Lizzo fucks severely and she's a great flautist fuck yeah
So I’m on AO3 and I see a lot of people who put “I do not own [insert fandom here]” before their story.
Like, I came on this site to read FAN fiction. This is a FAN fiction site. I’m fully aware that you don’t own the fandom or the characters. That’s why it’s called FAN FICTION.
Oh you youngins… How quickly they forget.
Back in the day, before fan fiction was mainstream and even encouraged by creators… This was your “please don’t sue me, I’m poor and just here for a good time” plea.
Cause guess what? That shit used to happen.
how soon they forget ann rice’s lawyers.
What happened with her lawyers.
History became legend. Legend became myth…. And some things that should not have been forgotten were lost.
I worked with one of the women that got contacted by Rice’s lawyers. Scared the hell out of her and she never touched fandom again. The first time I saw a commission post on tumblr for fanart, I was shocked.
One of the reasons I fell out of love with her writing was her treatment of the fans… (that and the opening chapter of Lasher gave me such heebie-jeebies with the whole underage sex thing I felt unclean just reading it.)
I have zero problem with fanart/fic so long as the creators aren’t making money off of it. It is someone else’s intellectual property and people who create fan related works need to respect that (and a solid 98% of them do.)
The remaining 2% are either easily swayed by being gently prompted to not cash in on someone else’s IP. Or they DGAF… and they are the ones who will eventually land themselves in hot water. Either way: this isn’t much of an excuse to persecute your entire fanbase.
But Anne Rice went off the deep end with this stuff by actively attacking people who were expressing their love for her work and were not profiteering from it.
The Vampire Chronicles was a dangerous fandom to be in back in the day. Most of the works I read/saw were hidden away in the dark recesses of the internet and covered by disclaimers (a lot of them reading like thoroughly researched legal documents.)
And woe betide anyone who was into shipping anyone with ANYONE in that fandom. You were most at risk, it seemed, if your vision of the characters deviated from the creators ‘original intentions.’ (Hypocritical of a woman who made most of her living writing erotica.)
Imagine getting sued over a headcanon…
Put simply: we all lived in fear of her team of highly paid lawyers descending from the heavens and taking us to court over a slashfic less than 500 words long.
all of this
Reblogging because I can’t believe there are people out there who don’t know the story behind fan fiction disclaimers.
Yep I used to have disclaimers on all my Buffy fic back in the day. The Buffy creators were mostly pretty chill about fandom but it’s not like it is now. You did NOT talk about fandom with anyone except other fandom people and bringing it up at cons was a massive no no because of stuff like this.
I think Supernatural (and Misha Collins specifically) was when that wall between fandom and creators started to break down. It’s a relatively new thing.
I remember going to a Merlin panel down in London and a girl sitting next to me asked the cast about slash and I thought she was going to get kicked out!
Fandom history is important.
Oh, this brings back some not so-awesome ‘90s fandom memories!
Oh man, let me tell you about the X-Files fandom. Lawyers for FOX sued, threatened, and generally terrified the owners of fan websites on a regular basis. God help you if you wrote or created original art set in their (expansive) universe or worse - dared to write about their characters. Even people who weren’t creating fanworks, just hosting Geocities pages about how much people liked the show would be sent C&D orders or actually fined. When I was first discovering the concept, the first rule of fandom was you do not talk about fandom because the consequences could be devastating.
It was such a strange and uncomfortable experience for me when fans in LOTR and Potter fandoms suddenly started shoving their work in people’s faces speaking publicly about fandom and wanting to engage in dialogue with the creators and actors of the Thing they were into. Fan stuff was supposed to stay online, in archives and list-serves and zines we passed around because it just wasn’t cool to talk about it and it could get you in a boatload of trouble. The freedom we have to create and gather together in a shared space, or actually be acknowledged in any way by people outside the fandom was inconceivable to my fannish, teenaged self. I want fans these days to understand how amazing modern fandom really is, cherish the community, and appreciate what it took to get us here.
“if you found this by googling yourself, hit back now. this means you, pete wentz”
Oh hey, even more blasts from the past.
I was one of the ones who got a love letter from Anne Rice’s lawyers. Bear in mind that up until that point her publisher had encouraged fanfic and worked with the archive keeper (one of my roommates at the time) to drum up publicity for upcoming books and so on.
I could tell such tales of how much Anne screwed over her fans back then. The tl;dr version is that she and her peeps would use fan projects as free market research and then bring in the lawyers once it was felt Anne could make money off of it herself. (Talismanic Tours being one of the most offensive examples of this.)
But where fanfic is concerned not only did we get nastygrams but one of my friends had Anne’s lawyer trying to fuck up her own privately owned business which had NOTHING TO DO WITH ANYTHING ANNE RELATED. Said friend was a small business owner with health issues who wasn’t exactly rolling in money, so guess how well that went?
On top of that when yours truly tried to speak out about it I discovered that someone in Anne’s camp had been cyber stalking me to the point where they took all the tiny crumbs of personal information I had posted over the course of five years or so and used it to doxx me (before that was even a term and in early enough days of the WWW that this wasn’t an easy task) and post VERY personal information about me on the main fandom message board of the time. Luckily for me the mod was my friend and she took that down post haste, but it was still oodles of fun feeling that violated and why to this day I am very strict about keeping my fandom and personal lives separate online.
Hence why those of us in the fandom at the time who still gave enough of a shit to want to keep writing fic DID keep writing fic, but shoved it so far underground and slapped it with so many disclaimers they could’ve outweighed the word count of War & Peace. It wasn’t just for the purpose of protecting fic but for trying to protect our personal lives as well.
(Also would love to know who @tiger-in-the-flightdeck knew. Life paths crossing after so many years….)
Lucasfilm also sent cease-and-desist letters to Star Wars fanzines publishing slash.
My favourite bit I read from one included the idea that you weren’t allowed to have any explicit content, of which anything queer, no matter how tame, was included, to “preserve that innocence even Imperial crew members must be imagined to have”.
Yeah. The same Imperial crew members who helped build the Death Star to commit planetary genocide.
(It’s one reason Sinjir Velus, while I still have some issues with him, feels like such a delicious ‘f*** you’.)
Later on, they were apparently persuaded to ‘allow’ fans to write slash, provided in ‘remained within the nebulous bounds of good taste’.
(On a related note, if I wasn’t quite so attached to my URL, I would 100% change it to ‘Nebulous Bounds’, because that’s just downright catchy)
Anne McCaffrey had this huge long set of rules about how exactly you were allowed to play in her sandbox. Dragonriders of Pern was my first online fandom, and I was big into the Pern RP scene - and just about every fan-Weyr had a copy of these lists of rules McCaffrey wanted enforced. One of which was ‘no porn’ and another was basically ‘it can’t be gay’ (and for a while ‘no fanfiction posted online’? which??? anyway.)
She relaxed a little as time went on, but still.
Let’s not forget: the reason AO3 is called ‘Archive of our own’ is because it was created in response to some bullshit that assholes were trying to play with fan creators. Basically (if I remember the fiasco correctly) trying to mine fandom creators for content which they could then use to generate ad profit on their shitty websites. When the series creators objected, the fans tried to pull their content, only to find that the website hoster resisted, claiming their content was all his now.
That wasn’t even all that long ago…
fandom history class
To this day, *talking* about writing or reading fanfiction - just acknowledging that it exists - to anyone other than people I know are in fandom as well, feels like a dangerous act. The strict separation I maintained between my real life identity, my online identity, and my fandom identity (yes, they were separate, because some of the most vicious and mocking people were fellow nerds) has broken down a bit these days, but I don’t think I’ll ever be able to integrate them as freely as some younger fans do.
Everybody should know that AO3 is just one project of the Organization for Transformative Works. Their mission is much broader than just hosting a (very good) fanfic site. They do all kinds of fandom history archiving and publish an academic journal, but most importantly, they perform legal advocacy to protect the fair use rights of people who make fanfic or fanart.
The OTW Legal Committee’s mission includes education, assistance, and advocacy.
We create and post educational materials about developments in fandom-related law on transformativeworks.org and on archiveofourown.org.
We assist individual fans when their fanworks are challenged, we answer fans’ questions about law relevant to fanworks, and we help fans find legal representation.
We partner with other advocacy organizations and coalitions in the U.S. and around the world.
We advocate for laws and policies that promote balance and protect fanworks and fandom.
And much more!
I haven’t been involved in fandom stuff all that long, but I find this stuff so fascinating!
whew, i feel old, but that’s mostly bc i was on forums way way waaaaay too young. but this? yes. all the way. people had password protected forums on the weirdest, most unconventional websites. before you could even be approved by the mods they would search your blog, your other accounts, question you, everything, all because we were broke teens and preteens trying to do something for fun and if someone got in who could doxx you or send your work over to a lawyer? that was it, you were OVER. that’s also part of where fandom wars and the defense of fandom came from: quote unquote “enemy” fandoms would infiltrate just to hurt you. @theglintoftherail makes a very good point: ao3 is a goddamn haven. and they’re a great team of lawyers and people dedicated to protecting fanworks! part of the reason it’s so great is because they know there’s no one like them out there. they also go to the ends of the damned earth to protect you and to be inclusive, which is why there’s shit like tentacle porn and underage and dubcon. because they’re dedicated to protecting readers and creators to the death. they don’t advocate for it and they have the extensive rating and tagging system because of that (legit the best tagging system i’ve ever seen) but they don’t know if you’re dealing with trauma or if you need to get something out. do not forget your fandom, kids. jesus
Who else knew nothing about this? A show of hands
I’m just the right age to remember the disclaimers and to have HEARD about the Anne Rice, Anne McCaffrey, and X-Files fiascos, but I was never in any of those fandoms and I was more or less on the tail end of that. I can’t imagine having to be scared to tell people I write fanfic. So glad we’ve come so far.
Every time I start reading fanfics, I thank all of you people whose neverending resilience and the drive to be creative made it possible for me to consume content freely and without worry 🖤
My older fics have the disclaimers. Heck, my older fanart has disclaimers in the descriptions. FFN and DeviantArt were those times, AO3 and Tumblr era I stopped finally.
In case folks still don’t get why losing AO3 would be so devastating…
King Charles and his … consort (abridged version)
And when Harry was born Charles went off to play polo just after.
And the Camilla Queen Consort was announced the same time Andrew got 12 million from the Queen to pay off his victim. It was said Charles demanded that before he ok’d the 12m
Didn't ge famously look at newborn baby Harry and sneer "Oh god, he's ginger" before immediately walking out to play polo?
based on a true story
I don’t think Fortnite is to blame for kids nowadays not reading…
That’s the joke. It’s the authoritarian overbearing parent.
He was being sarcastic lol
Reminded me of these
That violin one hit close to home.
I remember doing homework once, asked my grandmother if she was proud of me. “Do some thing for me to be proud of.” That hurt.
That comic up there – I witnessed almost that exact scenario. Teacher wanted the kids to all pick books. One kid spots something on the shelf and gets visibly excited. Pulls it out and starts reading. Teacher sees it, snatches it off him and tells him that this is a book for 8 year olds (the kid was 15ish) and tells him to get a book more appropriate for his age. Kid slouches around the shelves for about 10 minutes, finally picks up a book at random and sits in his chair tucking the edges of each page into the binding to make that looped-page look. He didn’t read a word. He sat there and did this to his book for the remainder of the reading session:
He had been genuinely excited about the 8 year old book he’d picked up. It was a new one in a series he used to read as a younger kid. He’d been actively sitting and reading, and then he was embarrassed in front of his classmates, told off for reading a kids book, and voila. He lost all enthusiasm for reading anything else that day.
What’s worse? That kid had been hit by a car like a year and a half earlier. Severe brain trauma. Had to re-learn a lot of basic things, like how to speak and how to read.
An 8 year old book would have been perfect for him. Easy enough to read that it would have helped rebuild his confidence in his own reading ability. A book meant for 15/16 years olds? A lot harder to read than a book for 8 year olds. Especially if you’re recovering from a relatively recent brain injury.
And yeah, the teacher knew all about his brain injury, and the recovery. He just seemed go be of the opinion that the kid was 15, so he should be reading books for 15 year olds, irrespective of brain injury.
Reading this thread I’m reminded of Daniel Pennae’s The Rights of the Reader, which can be found in a lot of bookshops and school libraries:
The child speaking at the bottom in Quentin Blake’s distinctive spiky handwriting is saying ‘10 rights, 1 warning: Don’t make fun of people who don’t read - or they never will’
OKAY LISTEN
This thread is fucking depressing so I wanted to add an example of what can happen when the RIGHT approach is taken.
My best friend is a school librarian. But for a few years, she taught 7th and 8th grade. This was right around 2010.
She assigned a book report. You could do any book you wanted, but she had to approve your choice.
Some girl chose Twilight.
Alicia called me and said “I don’t know what to do. Her other teachers said it was a miracle she picked a book at all. She won’t even read two paragraphs for homework. But…it’s TWILIGHT.” Which, yes, Alicia had read, because it was popular with her students and she felt like she had to keep abreast of their likes and dislikes to be effective. (For those who weren’t around for this, or don’t remember: a lot of schools and teachers were banning Twilight more or less on the basis of finding it trashy.)
I said: “tell her yes. But tell her that if she wants to read Twilight, there are some questions you want her to keep in mind while she reads.” And advised her to tailor those questions around things that bothered her about the books (for example, Edward’s stalking of Bella).
She did.
A few weeks later she called me again.
The girl decided to read the whole series, got halfway through Breaking Dawn, took her the book, and said “Mrs. [name], I just don’t LIKE any of these people.” Normally, Alicia would’ve recommended Harry Potter, but again: these were the only books the girl had been known to pick up in YEARS, and the final Potter book was just barely three years old. If she’d wanted to read it, she already would have. Alicia’s preferred genre is one I call Tudor-lite (Jane Austen, Philippa Gregory, that stuff), and she was pretty sure the stuff she was really into wouldn’t pass muster with her student.
I was still living in the same area as Alicia at the time, so I told her to ask the girl what she HAD liked about Twilight, give me the answers, and my creepy-loving ass would make a recommendation and give her a book. Based on her answers, I gave her my copy of ‘Salem’s Lot and told her to tell the girl she could keep it as long as she liked.
I NEVER GOT IT BACK.
This girl went from ‘Salem’s Lot to Dracula. And from Dracula to Frankenstein. And from Frankenstein into the wider world of gothic literature. By the end of the school year she’d plowed through almost fifty books—which meant ALMOST THREE PER WEEK.
All it took was being told “sure, you can like Twilight” and then “it’s okay, you don’t have to like Twilight.”
A little sun, a little rain, a little love—that’s all it takes to make a flower grow.
(And sometimes, a copy of a book you will have to accept it was time to lose, because it will bear more fruit in different soil.)
Reblogging for the positive addition!
This thread made me cry in every emotion
Conceptually Project London Bridge is kind of fucked up if you think about it. They purposely didn’t tell people about the death of the Queen until the signal went out for the BBC to announce it. This was the video on the BBC which was cut into by the broadcast:
Meanwhile, they said that the cost of living crisis is "insignificant now due to the gravity of this situation"- meaning they’re going to take at least a month for the funeral proceedings, ignoring the declining economy and its detrimental effects on their citizens.
this is fucked.
[id: screenshots of tiktok captions. the images say, “but the only reason we still love princess diana is because she did not have the time to disappoint us.”]
begging queer kids to read up on princess diana’s involvement with the community. yes, she was a rich, pretty monarch. yes, she died young.
but the reason why queer people love her is because she used her privilege during the aids crisis to advocate for sick queer men, when very few others would - much less someone of her status.
diana spent years advocating for the health and care of queer people with hiv/aids. in 1987, at the height of the epidemic, she opened the first specialist clinic dedicated to treating aids patients (the first clinic of it’s kind in the uk).
she also fought public hysteria by hugging and shaking bare hands with aids patients, at a time when aids was thought to be spread by skin to skin contact. not only that, she visited patients in the clinic regularly and even comforted them through their sickness.
and when queen elizabeth told her to try focusing on “something more pleasant”?
diana ignored her and kept fighting.
and this is only her work towards the aids crisis. she publicly called out the royal family, brought attention to numerous world issues, and was known as an advocate for empathy and kindness. she’s known and loved as the people’s princess for good reason
Diana also literally walked across a minefield (through a lane cleared by the humanitarian organization HALO Trust, which she was promoting, but there was still some risk). She used the paparazzi who always followed her around to raise awareness of the plight of landmine victims in Angola, met with survivors who still talk about her visit, advocated on their behalf to the UN, and then went to other places suffering the same problem.
Her advocacy was instrumental in helping push forward a treaty to ban the use, production, and export of land mines. She was attacked by British politicians for meddling in government policy, but the Ottawa Treaty was signed by 122 countries including the UK three months after her death. One of the anti-landmine groups in which she'd been involved received the Nobel Peace Prize.
The princess's backing brought the campaign wider attention, says the founder of an anti-landmine group.
I remember the photos of her holding hands with dying AIDS patients, of her sitting by them and listening to them like fellow human beings, at a time when tolerance was radical and most people feared AIDS was transmissible by touch.
I also remember her holding HIV-positive babies, when most people were paranoid about fluids from AIDS patients— and let's face it, babies leak. (There was a brutal subtext to criticism of Diana's AIDS work: was she neglecting, even endangering, the heir(s) to the throne?)
Like Carrie Fisher, Diana wasn't a perfect human being. But she did indeed use her privilege to advocate for and amplify the voices of those with none.
its just fucking offensive tbh
annibyniaeth cymru