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@nyctophillialife
Sorry you’re gonna have to drag me kicking and screaming off the thirty year old social reject woman website. These are my people
wasting away again in tumblrinaville...
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The Quiet Machine Ada Limón
that Diana Wynne Jones interview where she’s like “I don’t understand why so many girls are into Howl, it must be because they want the challenge of fixing him” is so optimistic, like DWJ’s out here hoping I at least want to make him a more functional person as if “rogue academic turned melodramatic fashion disaster whose social skills Do Not live up to his own hype” is not a perfectly valid thing to be attracted to
@corvidscorpse said: People who aren’t morosexual just don’t understand those of us who WANT a complete dumbass
DWJ, a reasonable woman: behold this undesirable man. look at him, he dresses weird and he keeps emotional support spiders and doesn’t even question people moving into his house without asking and he has to reverse psychology himself into doing anything he’s actually supposed to do.
every morosexual in a 100 mile radius: oh fuck yeah babey
god this isn’t even touching on the fact that Howl is??? apparently??? an ordinary-ass Welshman who was studying spells (????) at the doctoral level and then (somehow???) found a doorway into Actual Magic and promptly moved there to set up shop as a wizard with like five different names and two outfits but still goes home sometimes because he loves his niece and likes to hang out with the rugby lads (still working on processing Howl being a jock but?? okay), because PRESUMABLY all of this is supposed to further illustrate that Howl is an absolutely ridiculous sort of person but all I see is a man who made the exact decision I would make in a millisecond if given the opportunity
Howl Jenkins is what happens when the overpowered ‘thrust into a fantasy world’ man… is not the main character.
Howl Jenkins is what happens when an a normal man gets thrust into a fantasy setting and is mostly excited to dick around and learn some magic to turn his hair different colors, only to realize to his dismay that being a powerful wizard means that people are going to ask you to actually do shit for them
Howl’s real name is just Howell which is one of the most generic welsh names ever and is like a guy named Steve going to a fantasy land and naming himself Stev.
Howl is supposed to be totally ridiculous yes but also supposed to abruptly in the middle of the story turn out to be Extremely Relatable.
We turn the black knob to the Mysterious Destination and afterward Sophie is more confused than ever (though not by much because she isn’t interested enough) but the audience has abruptly had ‘incomprehensible fantasy chaos wizard’ transmogrified before our eyes into an easygoing perpetual grad student with no job prospects whom nobody takes seriously, except he has a secret magic life, which is in fact only slightly less stupid and even more off the rails than the normal one.
poetry.
Just want to add: being invested in rugby does not make a Welshman a jock. It just makes him Welsh
As a longtime filmfan, this discourse makes me Real Excited to read the book.
so I thought this was about howl’s moving castle
it is
Also- howell didn’t really name himself howl i think that’s just how everyone in magic land assumed it was supposed to be spelled?
@hiddenvioletsgrow
AGAOHJDHJ Howl Jenkins Pendragon the idiotic man that u are
KICK THE CAN!
Let’s play the biggest game of kick the can on the internet.
To kick the can, reblog it. I wanna see how long this can go on for.
the oldest reblogs for this post that i can find are from january 2nd of 2013. this can has been getting kicked around tumblr for almost 13½ years now
And yet somehow this is my first time kicking it!
*kicks it even further*
I couldn’t help it. I had to.
*points at whoever next finds this post*
Now it’s your turn.
GBBO: “A s’more is basically just an Italian merengue sandwiched between two ganache-covered digestives”
Americans:
in case anyone in wondering, this is Paul Hollywood's idea of a s'more
You know what, their absolute inability to grasp Mexican foods makes more sense every day
Nodding my head in support of the Americans despite having no clue what a s’more is.
Okay, American immigrant to the UK here to explain all the mistakes from Paul Hollywood happening here: there is one fundamentally American ingredient required to make a s'more correctly but which is basically not available anywhere at all in the UK, and that is graham crackers. A plain digestive biscuit close-ish, but still a very different beast.
From Wikipedia: A graham cracker is a sweet flavored cracker made with graham flour.
The next ingredient (which is also extremely traditionally American but slightly more variable) is typically Hershey's chocolate, but you could probably swap this out in the UK with any plain chocolate bar.
Last ingredient is big marshmallows, the kind you do the chubby bunny challenge with, like the size of your thumb and twice as thick.
A proper s'more, the most traditional possible variety, involves to graham cracker squares, two slab segments of Hershey's chocolate, and one to two marshmallows depending on your preference for filling and gooeyness. You put a slab of chocolate on one of the graham cracker squares. Your marshmallows should be toasted, usually over a campfire but if you're doing them at home over a gas stove burner is fine, but the fire part is critical. You can toast them to whatever degree you like, some people like them nice and golden brown but still kind of firm in the middle, me personally? I want that bitch to CATCH ON FIRE, I want it gooey and sticky as hell in the middle, crispy and burnt on the outside. Slap that motherfucker on your graham cracker and chocolate square, top with the other one so your marshmallow and chocolate are sandwiched together by graham cracker on the outside. You do this with your freshly toasted marshmallow because ideally it will be hot enough to start to melt the chocolate so it sticks to the marshmallow and the graham cracker and, combined with the gooey marshmallow, it keeps the whole thing together, and for that reason some people will let them sit for a hot second to let the melting process happen (especially if like me you have chocolate on BOTH graham cracker squares, not just one, because you're a sugar fiend), but if you are a young child you do not have that degree of patience and you eat that shit immediately, unmelted chocolate and all. Consume your summer camp delight like a tiny club sandwich, get gooey sticky marshmallow and chocolate all over your hands, and enjoy.
Important note: this is a kids treat. It is a traditional summer camping trip dessert. It should be something any ten year old with adult supervision and access to the ingredients can make (and make a mess of). They're called s'mores because kids always "want s'more". If you are using a blowtorch, chocolate biscuits, and merengue, you are so far beyond the bounds of s'more-hood that you have thoroughly lost the plot. If you offered Paul Hollywood's concoction to an American child and called it a s'more, they'd tell you flat out that not only is it not a s'more, it looks dumb and you didn't do it right because it's not gooey.
the point is the mess. the point is getting to make a food, at age seven, whose two basic food groups are 'sugar' and 'fire'. the other point is that this food item is so crumbly, chaotic, sticky, on fire, and prone to being dropped (outside, in the dark, while you are surrounded by other children who are also sticky and on fire) that your supervisors cannot accurately monitor how many smores you personally have consumed. the point is also that you may get away with a smore that is five blocks of chocolate and two marshmallows if you move fast and let nothing stop you.
if you haven't accidentally yet unrepentantly eaten a chunk of twigs or dirt or a bug that got enmeshed in the creative process around smore number 3st, you are too old to have any legitimate input into what makes a smore.
There's 2 other points that I think are important.
The first is that you don't pull the marshmallow off the roasting stick and somehow put it on the chocolate. Your staging area will look something like this, with the graham crackers and chocolate already set out (though not usually on the fire like this, for us it was always someone's lap or a picnic table or something)
And when your marshmallow has reached appropriate roasting perfection, you use the graham crackers to slide it off the stick.
and ideally, as a CHILD you are using a literal stick. Like you walked around and spent time looking for The Perfect Stick off the ground while the adults set up the fire. It has to be thin enough the marshmallow will fit, sturdy enough that it won't bow, long enough that you won't burn yourself roasting your marshmallow. And preferably doesn't have a lot of bark that's sloughing off, OR so much bar sloughing off you can peel it all back and get to the clean stick under it. If you're smart, you might stick the tip into the fire first to "wash" it/burn off anything that was still lingering, but. well, most kids don't.
When you bite in, the marshmallow and chocolate SHOULD ooze out all over you. If you don't kinda look like this eating it, you've probably done it wrong:
The description of the marshmallows as being either brown on the outside but still firm on the inside or fully melted but burned on the outside is missing the true art: fully molten in the middle, without the black burns. Not to say OP is wrong for preferring the burn! But there is a technique for perfection and it goes like this:
You find a spot, not above all the logs where everyone sticks their marshmallows by default, but at the heart of the fire. Ideally between a couple logs already glowing gold. Something like here:
Below the leaping flame. Near the logs. There's probably only one or two spots good enough for this on any given fire, but that's okay because everyone else is up above. They will get their marshmallows faster. They will be either firm or burned or both. That's not your goal.
Rotate the marshmallow slowly. Ideally come in at an angle so the part closest to the flame is the side, not the tip. The spot closest to the fire is the spot that turns a crispy golden brown, and you want that everywhere, on the tip and around the circle.
You keep going, slowly turning, for several minutes. Several people will rotate in and out of the higher sections, getting their fast delight. Eventually, your marshmallow will start sagging badly, risking falling. Maybe it does fall and got start over. But eventually it will be golden brown all over, and so liquid it no longer clings to the stick. It is ready, finally.
You say "who hasn't gotten one yet?" And deposit it onto their waiting graham crackers and chocolate. You've made an excellent marshmallow. It isn't for you. Get another while you're over by the bags and go back to the heart of the fire.
That's your evening. One, slow, perfect marshmallow at a time, given to whomever still wants s'more. You're making art for children to stuff into their mouths cheerfully. You're watching the movement of the fire and the heat of the logs, like you would if you were maintaining it — maybe you would be, maybe you were the one who built it — but right now that's not the goal. Let someone else put more logs on, while you take only the one stick and find the best spot for it to live.
You will, eventually, finish a marshmallow and find that nobody moves to accept it. Maybe they're all eating right now, or maybe they've gone through so many they're hesitating. Eat your masterpiece then. Enjoy it, the hardest and most perfect result from a fun and beautiful moment. Go back in for another, until you've run out of marshmallows and the fire is too low or until even you are done with s'mores, until you have made enough.
"We don't want a gooey mess" pfft even the artistry studied at the feet of my father is inherently a gooey mess. That's the whole point!
Every word of every addition to this post is both 100% true and Pulitzer Prize winning writing.
i’m always thinking about that news story where a three year old boy who wandered away from his house and ended up in the middle of the woods was found by this local great pyrenees farm dog who herded the kid back to his unrelated owners house. and the guy was like. whose kid is this
that dog must have been like. hmm. this isn’t a goat. some human must have left their puppy behind by accident. i have to bring this to management. surely my owner will be able to sort out whatever has occurred. that kid was like i’m all alone and scared and omg a big fluffy puppy is here to help. and that fucking farmer looking at his dog like. who’s toddler did you steal???
I think it is very important that everyone see the good boy in question. His name is Buford.
If you can’t appreciate a dog named Buford, you have something wrong with you.
when people are named baker or fuller or tanner or something its like HA 🫵 I KNOW WHAT YOUR GREAT GREAT GREAT GREAT GREAT GREAT GREAT GREAT GREAT GREAT GREAT GREAT GREAT GREAT GREAT GREAT GREAT GRANDPA DID 🫵🫵
Found a huge list of English vocational surnames here. Even learned some I didn’t already know!
Someone's putting the G.R.R. Martin quote of "Ruling in the Medieval period was hard. Like, what was Aragorn's tax policy?"
And I've finally narrowed in on what bugs me the most about that comment. it misses the most fundamental thing about The Lord of the Rings and Aragorn specifically.
Aragorn is The One True King. He is THE perfect monarch for Gondor and the Numenorean line. He will fix things ("The hands of the king are the hands of the healer"), he will reconnect not just the living but the dead and right old oaths that have been wronged.
Aragorn is the classical example of the king. Not an absolutist monarch, but someone who is meant to be good and do good for all in the kingdom.
Was being a Medieval ruler hard? FUCK YES IT WAS. Undoubtedly. But The Lord of the Rings is NOT that sort of story.
Also, from Tolkien's own words:
"I never set out to write a treatise on medieval governance or the practical burdens of kingship. My work is a mythology an exploration of moral truth, not political mechanics. Aragorn is not meant to be a bureaucrat but an archetype: the just king of legend, much like Arthur. Myth is concerned with the heart of a ruler, not the tax policies of his court.
The question of governance in the modern sense belongs to another kind of story one that I entirely respect, but did not seek to write. Real history is indeed complicated, but myth speaks to deeper, older truths. Power in my world is already perilous; no one may wield it without cost. Even the wise refuse the Ring, for good intentions alone are never sufficient. In that sense, my work hardly denies the burden of rule it only treats it in a different language.
As for the orcs: they are not a people I delight in destroying. Their existence is a tragedy, a corruption of something that was once good. No just king would slaughter the innocent, for even in the darkest creatures there remains a spark of the original creation. Mercy is not weakness; it is the highest form of strength.
You ask questions proper to politics. I ask questions proper to myth. Both have their place, but they need not answer each other in the same terms."
I can only find the clip from the interview on Twitter so here it is.
G.R.R.M. needs to learn to not open his yap about his betters.
beanie baby dragon is crossing your dash
the mythbusters once tested "herding cats" and at one point they brought in a proper trained herding dog and the poor dogs face when the first cat responds to his herding with swipes and aggression is to look at her human and go 😰 the sheep is broken?? what do i do boss??
The cats also escaped and got into the walls. They spent hours trying to get them all back.
pov: you're making history. you're working with the most advanced technology in the world. outlook still doesn't fucking work.
Astronauts are so funny man. Here's just a couple of things I've found hilarious from this past week of space stuff:
It's probably already been spread around here enough already, but in case anyone's missed it; 7 hours after launch, commander Reid Wiseman, dealing with tech issues, uttered the generational quote "I have two Microsoft Outlooks and neither one of those are working."
After fixing the issues that were afflicting the onboard toilet, mission specialist Christina Koch (who has quickly become my favourite of the four) laughingly said “I’m the space plumber, I’m proud to call myself the space plumber.”
On Easter Sunday, the Artemis II crew hosted a makeshift egg hunt, by hiding packets of dehydrated scrambled eggs around their Orion capsule.
The way the crew always makes sure to make it very clear they're in space when doing interviews. From stuff like Wiseman just hanging out floating sideways on screen or Koch letting her hair loose so it can freely span out flowing around her.
While in transit, the crew decided to record a parody of those bad 80s sitcom intros where everyone turns and smiles at the camera.
When the crew reached the furthest point from Earth in the mission, they jokingly clambored over each other in an effort to get to the far side of the capsule, so that they could individually claim to be the furthest person from earth.
At the same time, on the ISS which was at the time on the other side of earth, the 7 astronauts onboard had a light-hearted race to the far side of the station, making jokes about being the furthest humans from Artemis.
On the way back to earth, NASA actually managed to establish an audio call between the crews of the ISS and Artemis II (where they shared the above info), and Koch called one member of the ISS crew, Jessica Meir, her "astro-sister" as the two of them previously spacewalker together in 2019. Meir then responded I'm so happy that we are back in space together, even if we are a few miles apart" (a few here being 230,000).
While Jeremy Hansen was doing an interview, Wiseman and Koch were just in the background swatting the mission mascot (a little moon plush toy named Rise) back and forth between each other.
Please make a post about the story of the RMS Carpathia, because it's something that's almost beyond belief and more people should know about it.
Carpathia received Titanic’s distress signal at 12:20am, April 15th, 1912. She was 58 miles away, a distance that absolutely could not be covered in less than four hours.
(Californian’s exact position at the time is…controversial. She was close enough to have helped. By all accounts she was close enough to see Titanic’s distress rockets. It’s uncertain to this day why her crew did not respond, or how many might not have been lost if she had been there. This is not the place for what-ifs. This is about what was done.)
Carpathia’s Captain Rostron had, yes, rolled out of bed instantly when woken by his radio operator, ordered his ship to Titanic’s aid and confirmed the signal before he was fully dressed. The man had never in his life responded to an emergency call. His goal tonight was to make sure nobody who heard that fact would ever believe it.
All of Carpathia’s lifeboats were swung out ready for deployment. Oil was set up to be poured off the side of the ship in case the sea turned choppy; oil would coat and calm the water near Carpathia if that happened, making it safer for lifeboats to draw up alongside her. He ordered lights to be rigged along the side of the ship so survivors could see it better, and had nets and ladders rigged along her sides ready to be dropped when they arrived, in order to let as many survivors as possible climb aboard at once.
I don’t know if his making provisions for there still being survivors in the water was optimism or not. I think he knew they were never going to get there in time for that. I think he did it anyway because, god, you have to hope.
Carpathia had three dining rooms, which were immediately converted into triage and first aid stations. Each had a doctor assigned to it. Hot soup, coffee, and tea were prepared in bulk in each dining room, and blankets and warm clothes were collected to be ready to hand out. By this time, many of the passengers were awake–prepping a ship for disaster relief isn’t quiet–and all of them stepped up to help, many donating their own clothes and blankets.
And then he did something I tend to refer to as diverting all power from life support.
Here’s the thing about steamships: They run on steam. Shocking, I know; but that steam powers everything on the ship, and right now, Carpathia needed power. So Rostron turned off hot water and central heating, which bled valuable steam power, to everywhere but the dining rooms–which, of course, were being used to make hot drinks and receive survivors. He woke up all the engineers, all the stokers and firemen, diverted all that steam back into the engines, and asked his ship to go as fast as she possibly could. And when she’d done that, he asked her to go faster.
I need you to understand that you simply can’t push a ship very far past its top speed. Pushing that much sheer tonnage through the water becomes harder with each extra knot past the speed it was designed for. Pushing a ship past its rated speed is not only reckless–it’s difficult to maneuver–but it puts an incredible amount of strain on the engines. Ships are not designed to exceed their top speed by even one knot. They can’t do it. It can’t be done.
Carpathia’s absolute do-or-die, the-engines-can’t-take-this-forever top speed was fourteen knots. Dodging icebergs, in the dark and the cold, surrounded by mist, she sustained a speed of almost seventeen and a half.
No one would have asked this of them. It wasn’t expected. They were almost sixty miles away, with icebergs in their path. They had a responsibility to respond; they did not have a responsibility to do the impossible and do it well. No one would have faulted them for taking more time to confirm the severity of the issue. No one would have blamed them for a slow and cautious approach. No one but themselves.
They damn near broke the laws of physics, galloping north headlong into the dark in the desperate hope that if they could shave an hour, half an hour, five minutes off their arrival time, maybe for one more person those five minutes would make the difference. I say: three people had died by the time they were lifted from the lifeboats. For all we know, in another hour it might have been more. I say they made all the difference in the world.
This ship and her crew received a message from a location they could not hope to reach in under four hours. Just barely over three hours later, they arrived at Titanic’s last known coordinates. Half an hour after that, at 4am, they would finally find the first of the lifeboats. it would take until 8:30 in the morning for the last survivor to be brought onboard. Passengers from Carpathia universally gave up their berths, staterooms, and clothing to the survivors, assisting the crew at every turn and sitting with the sobbing rescuees to offer whatever comfort they could.
In total, 705 people of Titanic’s original 2208 were brought onto Carpathia alive. No other ship would find survivors.
At 12:20am April 15th, 1912, there was a miracle on the North Atlantic. And it happened because a group of humans, some of them strangers, many of them only passengers on a small and unimpressive steam liner, looked at each other and decided: I cannot live with myself if I do anything less.
I think the least we can do is remember them for it.
I can’t begin to describe how happy and flattered and a little teary I am that this just broke 100k.
I may be the actual only human being on Tumblr with a post this popular that I not only don’t regret making, but am actually HAPPY whenever I notice a surge in its circulation.
I never intended this to gain any traction at all (you’ll notice there’s no sources or anything–this was a personal ramble, prompted in good humor by a friend after I jokingly said that I wished someone would give me an excuse to cry about Carpathia on Tumblr so I could get it out of my system.) I literally expected to get, like, maybe 20 likes and a reblog, from friends, indulging me in my nonsense.
It just….means a lot to me that it’s touched so many people. I see a lot of tags to the effect of “HOW DARE YOU HURT ME LIKE THIS AND MAKE ME CRY ABOUT A BOAT” that are often really funny, but overwhelmingly the tags on this post are from people saving it for a rainy day, or remarking in a sort of quiet awe that they never even really thought about her role in the story–and God knows I never did, I learned it by complete accident much as most of the people who’ve found this post.
And so many of you guys are taking strength and reassurance from the reminder not only that people are capable of amazing things together, but simply that kindness matters and that a simple, tiny act of compassion is never wasted. I’m just really glad to have been able to do that for some folks.
If I can just add one personal note. I need to emphasize something I only touched on in the original post.
I need to emphasize that Carpathia failed.
A lot of the tags and comments have a tinge of…despair, or guilt, or wistfulness about things like this happening so rarely. Or inadequacy, or just being overwhelmed or unhappy about not being in a position to step up in a comparable way. And I want to gently bring up the fact that this is still the sinking of the Titanic.
They did not get there in time. They did not save the ship. It can be argued that they may not even have saved a single life; we have no way of knowing. This was still a horrific maritime disaster mired in arrogance and incompetence and a lack of care.
If the response to this story shows anything, it shows this: It matters that they tried.
Even though they got there too late, even though the ship still sank. It matters that they tried. The difference between making the best reasonable speed after confirming the seriousness of the situation, and the miracle they pulled off–it matters. It makes all the difference. Even if it made no difference at all. Not one of you read this and concluded that I was stupid for caring so much when the Titanic still sank and all those people still died.
You don’t have to fix the world. You’ll likely be cold and sick and miserable and testy and scared, and unprepared, and in over your head, and entirely too small to be of any real use. It feels stupid, passing out blankets and coffee in the middle of an ice field knowing what just happened. It’s hard to feel anything but useless when all you can do is tap a wireless transmitter and promise help that you know will come too late.
It matters that they fought for those people. It matters that they cared, and it matters that they tried. It matters that they didn’t stop. If it didn’t matter, you wouldn’t have read this far.
Kinda fucked up and nasty how vampires drink blood, imo. Like. Pepsi costs a dollar seventy five
Hospital
Not me I’m paying a dollar seventy five. At the hospital
I feel like we’re getting off topic
So is pepsi if you steal it?
Because it’s only a dollar seventy five
Why in God's name would a vampire drink pepsi
Why would anyone drink Pepsi?
Huh?
That’s why I’m not a fan of the sexy vampire trope.
1. It’s overused and supports the current status quote of typical vampire supremacy:worshiping rich folk.
2. Vampires prey upon humans and therefore symbolize capitalists preying on the working class.
3. Werewolves are much sexier imo.
am I having a stroke????
you might want to go to the hospital then
I hear the Pepsi is cheaper there
Enter DAISY GRIME, a CLOWN, accompanied by FOOLS, HARLEQUINS, and JESTERS.
GRIME I say ‘tis dirty, wicked, foul, and dark -- An opportunity both miss’d and scorn’d -- That vampires of any shape or shade Would drink the blood of innocence most pure When Pepsi costs a dollar sev’nty five.
FIRST FOOL O lady, I must ask, and tell the truth: Wherever in this God’s green holy land Canst thou obtain this drink for such a fee? I’ve seen no less than fifty-five pence more.
GRIME A hospital, good sir.
SECOND FOOL (Does some figures) And might I ask Wherever in this land (of any hue) Is fellow who two dollar thirty pence Dost pay for si of Pep?
GRIME Not I, i’faith. I pay a mere two shillings short of two. And, once again, I pay in hospital.
CANADIAN JESTER I pay a hefty two and half for mine. But in my blood runs maple syrup, too.
GRIME O Jester fine, I pray thee, still thyself. Thou stray’st from this, our mode of speaking here.
FIRST FOOL But blood costs naught but time.
SECOND JESTER Aye, that is true; But sir, remember this in figuring: A Pepsi, too, is free, if stolen ‘tis.
FIRST FOOL I see, but -- wait, another thought occurs. Wherefore, I ask thee, for what reason, sirs, Dost Lady Grime buy Pepsi from the house Of healing, birth, and death?
GRIME ‘Tis simple, friend. Allow me to explain to thee the cause. The Pepsi sold by those who follow in The footsteps of St. Luke, Evangelist Is sold for a mere dollar sev’nty five.
FIRST HARLEQUIN (Aside, to SECOND HARLEQUIN) Why wouldst a vampire drink Pepsi, then?
SECOND HARLEQUIN (Aside, to FIRST HARLEQUIN) Why wouldst an honest man drink Pepsi, sir?
FIRST FOOL A femboy, it would seem.
(There is general applause and agreement.)
GRIME O fool, a what?
Enter KONAHRIKS De’ACTIVAT EDZOZ ESQ., a SCHOLAR and WARD OF THE SKY.
WARD You see, my friends, this selfsame story tells The truth of why the incubus’s tale Is one that bears to no more to be declared. I’ll tell you all my reasons three. The first: The wealthy ghoul who drinks the common blood Is overused and stale, like molding bread; But also hangs upon the teller’s face A pallid, gasping idol worship mask. The second mark I tally here along: A vampire who sucks the blood from men Does hold up in the mind a mirror cold. This mirror shows that, far from fantasy, The vampire is real, ‘tis Elon Musk. The reason third is simple, clean, and pure: A werewolf’s just, like, sexier, my dudes.
(GRIME dances like a ferret. There is rejoicing.)
Exeunt.
Enter LARA, FELAGUND, and SHERLOCK, accompanied by the MANGO MERCHANT.
LARA I feel these words have struck me to my core. Is this, the world, collapsing to the ground Or is it just my weary, shaking soul?
FELAGUND ‘Twould seem my lady needs to see St. Luke.
SHERLOCK I’ve heard his fellows sell a Pepsi cheap.
(The MANGO MERCHANT offers a mango. All weep.)
Exeunt.
@collie-border IT WAS ME, YOU FOOL
‘TWAS I WHO SHAKESPEARIZED YOUR TUMBLR DASH
(if you want more, you can suggest more posts)
idk if anyone's said this yet but season two of dimension 20 on a bus is basically just getting to watch four extremely talented GMs get rage baited through the five stages of grief