does anyone want to see a really good picture of my kitty cat
not a cat, first off
snale

shark vs the universe
we're not kids anymore.
d e v o n
Cosimo Galluzzi
dirt enthusiast
Lint Roller? I Barely Know Her
Sade Olutola

Origami Around
2025 on Tumblr: Trends That Defined the Year

ellievsbear
trying on a metaphor
One Nice Bug Per Day
Xuebing Du
PUT YOUR BEARD IN MY MOUTH
he wasn't even looking at me and he found me

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"I'm Dorothy Gale from Kansas"

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Kaledo Art
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@soleil-sunny
does anyone want to see a really good picture of my kitty cat
not a cat, first off
snale
Lady in drive through had a bearded dragon sitting on her boobs and she held it up and let me pet it. killing myself canceled
art is not my strong suit but this is my best recreation of what i saw when i opened the window. i have to emphasize that she was supermodel levels of gorgeous
There are exactly two takes on 'do your child soldiers kill people or not?' that I really respect, and it's Fullmetal Alchemist and Animorphs.
From the replies:
@nordicninja Aaaand Avatar the last Airbender
And like, okay, true! But also consider: on this particular front, AtLA is good at this because it is a solid 8.5/10 on the FMA side of this scale.
(The 8.5/10 isn't a critique of AtLA, which is an excellent show on all counts, but it doesn't quite measure up to the FMA threshhold here simply because of the limitations of being an American kids' show. It can do the thing, but it can't foreground the thing or spend five seasons of anime/27 volumes of manga meditating on the ravages and implications of violence, because it's busy also being aimed at 10-year-olds and about other stuff too.)
Witness:
You could defeat the enemy, if you killed him. Your allies say you should. It would work.
It wouldn't even make you a bad person -- not here, not now, not in these circumstances. Of course you wouldn't be "as bad as they are," that's bullshit. Putting down a single mad dog does not equal literal genocide. FFS.
You could do it. You should do it. It would work, and isn't that the most important thing? To stop the horror? In the light of all the sheer destruction and evil at play, your own personal lily-white rejection of culpability is purely selfish. Isn't it?
But, god, you don't want to. You don't want to kill. The whole point is that life is important, is sacred, is worth protecting. You haven't been forced to yet. You keep finding ways around it. You've seen enough death. You don't want to do it.
Here and now, if you did -- it would fix the problem. It would fix things! It would save the day! The world would be inarguably better. You know this!
You know this. You know it because the world will not stop telling you this. Everything you've seen, everything you've been taught. Everything the people you love and respect say to you. And it's not a lie, it's not made up, it's true -- killing, here, in this one case, would help.
Why is the world so set on forcing you to kill? Why is this how the world works, that a child (you're not as young as you were when you started, but you're a child, you were a child, the first time somebody assumed you would someday simply have to be a murderer) gets handed a weapon and made to use it?
We are using the rules that the world set. We are using the rules that the genocidal maniac set. They are the same rules, because there's a reason genocidal maniacs are able to come to power in the first place, because the world is built in a way that violence works.
You know this. You're good at it! You're skilled at violence. It's how you've come so far.
But.
((and you know, the only reason you're able to have these thoughts, is because other people have already killed for you. will kill for you again. will wear the blood on their hands to save your life. somebody else is taking it so you don't have to, and you do not get to forget that.))
But maybe, if you're skilled enough. If you're good enough. If you can find a third option. Maybe, maybe, if you are just clever enough, if you're willing to risk losing entirely, you can do more than save the day.
Maybe you can rewrite the rules. Maybe you can rebel, not just against the genocidal horror villain about to doom the world, but against the entire world in the process.
If you're good enough to find the loophole -- to master the magic -- to put everything you've ever learned into practice. If you can find another way. If you can prove that another way exists.
Maybe you get to do more than close the door on one evil.
Maybe you get to open a new door on the possibility of changing the world.
And also:
@thoughtful-collections Could you go into the Animorphs side of the child soldier question? Obviously they do kill and I think one character even kills many of the yerks while they are defenceless and justifies it as a necessary step to win. I suppose that series is saying there is no avoiding murder/killing/getting your hands dirty in war?
Yesssss
Look, there are a lot of child soldiers in the genre, whatever 'genre' that may be. Some kill easily, thoughtlessly, like any action movie star. Some have Important Moral Lessons on how killing makes us no better than the bad guys. Many of them get their very own generous plot device get-out-of-jail free card: either they have some form of captivity that their opponents get sent to at the end of a fight and we never have to think too hard about false imprisonment without trial (Steven Universe; at least one instance of Power Rangers?; Batman and Robin generally; etc), or, their opponents aren't really people, so it doesn't actually count as murder (media as diverse as the Persona series all the way back to good old Buffy the Vampire Slayer). Sometimes, through sheer force of will, grit, and absolute unparalleled protagonist energy, child soldiers get to avoid killing in a world that makes it a genuine option.
Animorphs looked at all of those options, and it said, nah.
You want a war story, little child? Okay, the books say. Here's a war story. This is war.
Here's how it starts: you're goofing around with your friends one night. You take an ill-advised turn. You watch somebody get horrifically murdered.
No, you can't save him. Yes, you can save yourselves. Get used to that. Get used to it so, so fast.
You're on a trolley. Up ahead are two tracks. On one side: a dozen evil aliens. On the other side: your brother. Make a choice.
Good job, you didn't crash the train into a cliff. By the way, did we mention there are a thousand more tracks? More people tied to each and every one?
You get to put your hands on the steering wheel. You get to drive the trolley. This is a gift. Make a choice.
(Refusing to act is still a decision.)
You can jump off the train, if you want. You don't have to be the one to steer. Maybe you'll even survive the fall. Maybe the friends you're leaving behind will be good enough to make sure they don't run you over on your way down.
Your mom is on one of the tracks, by the way. Your dad. Your sisters, your cousins. Your brother, still.
You don't have to steer. You don't have to do this. You can let the train take its course, you can let it plow through all of humanity. You can let it happen. You get to do that, if it's what you want to do.
Nobody is coming to save you.
On one track: the aliens have names, thoughts, dreams, personalities. On the other track: there are six billion humans on this planet today.
Every single option in front of you is a war crime. If you're lucky, you'll get to pick which one.
(Refusing to act is still a decision.)
It's fun sometimes, driving a train. When there's nobody in the way, for just a little while. When you can pretend you're mowing down enemies in a video game. When you can give into the rush of adrenaline and just be glad you have the skill.
Maybe, maybe somebody will come to save you. They'll take over steering. You won't have to choose.
(Refusing to act is still a decision.)
Who will they choose to hit? Will they care? Will they care enough?
You watch TV. You watch Xena, and X-Files, and Buffy. You can pretend to live in a world where your enemies are nameless monsters without souls, if you want. If that makes it easier.
Is it easier, to kill them soft and vulnerable and completely powerless, unable to fight back? Does that feel better than killing the ones hunting you down, weapons in hand?
You are looking for a loophole. You are looking, and looking, and looking for a loophole. You don't get to fight monsters without souls. You don't get to lock them up in tiny bubble jail. They are going to kill you. This is what you get.
It's you. You're the one standing here. This is what's happening.
Refusing to act is still a decision.
(There is a loophole, eventually. A third path. One of you finds it, eventually.)
(It would not have worked, without years of war first. It took you years of war to find it and if you hadn't killed so, so many, it would not have worked.)
You don't get to be good, in war. You don't get to save the day by sacrificing your own life and remaining morally pure. That would be too easy. War means dead bodies. That's what it means.
That doesn't mean you give yourself over to despair. That doesn't mean you shrug and figure the lives being spent don't matter. You don't get to throw your own moral code on the altar of heroic sacrifice and claim to be the real victim here. It never stops mattering. It will never, ever get to stop mattering.
That doesn't mean you never fight. It just means that when you choose to step up and fight for something, you'd better be goddamn sure it's worth the cost, because chances are somebody a lot less powerful than you is going to be the one to pay.
On one track: Your brother. Your cousin. Seventeen thousand unarmed, helpless enemy agents.
On the other track: a new train's barreling straight at you and all six billion members of the human race. All-out slaughterous war. Giving over the steering wheel to the last hands that decided the best answer to their problems was genocide.
(REFUSING TO ACT IS STILL A DECISION)
You make a choice.
out of the backyard gang baljeet is one of the worst to make into a coffee table. ferb would also be pretty bad. phineas and isabella would be mid because they have those bigass heads but the skinny bodies. might be worse than baljeet and ferb if you're a person who cares about symmetry. buford would objectively make the best coffee table because his silhouette has the most evenly-spaced surface area. now if you wanna talk about pnf characters in general i think pet mode perry would be the best coffee table out of all of them
love this kinda post where you have to have seen a different specific post for it to make any sense at all
every single time time i try to check facebook marketplace for furniture i get jumpscared by this (admittedly sick) custom baljeet coffee table
at planned parenthood and they're playing regular show
"dude if you don't get this abortion benson is gonna fire us"
shipping the popular yaoi pairing but shaking my head while i do to indicate that i also care about the work's themes and other characters
FINALLY I GET TO SHARE THIS PICTURE
it means so much to me that rocky's lead puppeteer james ortiz got to voice him and got like. full billing right next to ryan gosling in the opening credits. and he's gotten to do interviews and red carpet appearances and talk about puppetry and it's all being taken so seriously just like he's any other type of actor. gonna make me cry fr. like they could have gotten some famous person to be rocky's voice to try and pull more star power but. they went with the guy who acted him. and like of course they did. like there he is. how could they do anything else. he's right there and he's perfect
Comic based on a post I liked a lot
Rocky bless your heart never change
i keep laughing at the way that eridian culture in the movie and eridian culture in the book are not contradictory at all, if you accept that movie rocky is just a total FREAK
grace: boy i sure can't wait to meet other eridians haha! rocky, putting on a shirt for the first time in four years: rocky has something to tell grace but does grace promise not to be mad, question?
For a city to be walkable. It must also be sittable.
#every time I read this phrase the same thing happens#I read it as shittable and go wait that can't be right#oh right they were talking about public benches that makes more sense#but public bathrooms available without fees should also be a thing tho#cities should definitely be shittable#it happens EVERY SINGLE TIME
it must also be shittable
giggled at something and my coworker comes out of the break room and goes "I just heard like, a haunted child laugh... so weird." and I'm like okay so it was a normal regular alive adult laugh actually
me: yeah, so one of your most famous works is actually just that commission of a woman that you kept. Honestly, it's less of the piece itself that lead to its fame and more the mystery surrounding it, so I was hoping you could clear that up the decayed corpse of Leonardo Da Vinci that I resurrected: Hai detto che hanno chiamato una tartaruga che combatte il crimine con il mio nome?
Hang on let me translate something real quick
Yeah this is funny
no i actually cant fit doing this thing that takes 5 minutes into my schedule sorry :/ i only have the entire day free i just cant
possible career paths for me:
1. matching pearls in pairs for earrings
2. msn butterfly
that's it probably
“The employees need a larger salary” “hmmmm large celery”
the thing about being "good with kids" is all it takes is literally just not trying to control and mould them with every interaction. it's just being a normal person and engaging with them through normal interactions like having conversations and playing games. it's just being genuine and friendly and not perceiving them as lumps of wet clay you are there to shape. "oh you're so good with kids" thanks it's because I think they are people