toad lesbian

🔞 ✡️ 🇵🇸 some-stars on bluesky AO3 // buy me a coffee

[pics-that-make-you-go-hmm]

[some-stars]

Euripides’ Bacchae, 405 BC (colorized)

[gaytanic-panic]

[bonesbeetle]

compilation of my all-time favorite tweets

[wretched-mog]

one of the fastest double-takes of my life.....

[jackabbot]

Do you ever think it's coming back? All that shit from the '90s? We were despised, but you read the stuff online now, it sounds just the same. Do I think it's coming back? Yeah. It's back, you fucking idiot. Right now, it's here.

TIP TOE • 1.01

[moldspace]

weird hengelings

[i-enact-postvore]

You ever think about many peices of media have zero women and thats just perfectly normal but if a peice of media has an all female cast people get... like that? Women should be allowed to kill over this btw

[loveshoplifter]

same but it's black people

[i-enact-postvore]

That's right

[some-stars]

i was smart this year and made a priority list for the @moldspace drop, so when i got there at seven pm and thirty seconds and my number one was sold i could pounce on my number two without stopping to think. and then i went back after buying that (now 7:01 pm) and my three, four, five and six were already sold lmao. so just one new friend for me this year, which is fine! i'm soooooo excited i got one!

[empathviv]

Gay Winston from Overwatch: Excuse me for... being gay

[brainless-moe-white-lotus]

He doesn't need a fucking excuse honey that's the point of PRIDE Winston !!!!

[empathviv]

PROUD Gay Winston: Did somebody say... penis?

[improbablecarny]

people who don’t watch horror movies are SO confident that they know everything there is to know about the genre. like it’s okay to not know things. it’s okay if you don’t like friday the 13th or whatever. i promise you don’t need to make an ass out of yourself on the internet about it

[improbablecarny]

horror is an incredibly diverse genre, because there is potential horror in everything. it’s in nature, it’s in architecture and technology, it’s in human relationships, it’s in folklore, the past, the future, the mundane. there are horror movies from all over the world. it is straight up anti-intellectual to pretend that the handful of B slashers you’ve vaguely heard about comprise the totality of what horror has to offer. If you’re just not interested in horror, or if you dislike certain subgenres of horror, then that’s fine, you’re not obligated to like anything at all. but smugly announcing that you don’t like horror because you dislike a handful of VERY specific non-universal tropes is just as stupid as saying that you hate comedy because you don’t like adam sandler movies.

[improbablecarny]

this is what I mean by anti-intellectualism btw

[saturnisfilledwithbees]

“Put him on his knees give him something to believe in” has the exact same energy and depth of meaning as anything Hozier puts out on the regular but since it’s sung by Megan Thee Stallion no one takes it seriously. In this essay I will-

[saturnisfilledwithbees]

To flesh this out a little bit more: both Megan Thee Stallion and Hozier write and sing really sexual songs, but they’re different in that Hozier’s music is typically “let me worship you” while Megan’s is usually “I’m worshipping myself,” which makes all the difference because it’s an acceptance of power rather than the giving of it. He’s the sinner, she’s the saint. However, taking their difference in genres out of it, people don’t usually seem to take Megan Thee Stallion’s music seriously in comparison to Hozier because a) her lyrics are more overtly and blatantly sexual and b)she’s claiming her sexuality for herself, and that scares a lot of people. The secret, no-one-wants-to-talk-about reason is that she’s a confident black woman, which terrifies people way than sex does. In conclusion, Hozier and Megan Thee Stallion are two sides of the same poetic, sexual coin, but people just don’t want to admit it. Which is WHY a collaboration between Hozier and Megan would be so powerful that it would change the timeline as we know it yes I will elaborate 

[jester-nonconforming]

btw i love when dubcon is used in fiction as a way to explore characters. i love when characters don’t understand how to “properly” ask for consent because they have never had their consent respected in their lives. i love when traumatized adult characters make potentially unwise choices about what to do with their bodies because they have the autonomy to do so. i love when characters make choices that i personally wouldn’t make, but i can totally understand how they got there. i love when characters have complex, fucked up, unhealthy dynamics, but still care about each other and want to do better. i love when writers trust audience members to read between the lines instead of spoon feeding them moral lessons. i love when characters are allowed to actually fuck up and have mistakes to learn from!

[elierlick]

Thirty-year-old Tamara Rees shows us what trans empowerment looked like in 1954. She fought Nazis, taught parachuting, and traveled the world... but her biggest challenge came when the press learned of her identity.

1950s news coverage of Tamera Rees' transition shows a time before the trans moral panic. Most stories regarded her as brave or heroic for her openness. National newspapers even celebrated her wedding in 1955.

The New York Daily News, which now hosts daily anti-trans editorials, ran a shockingly respectful series on trans people in the 1950s. Tamara Rees's narrative was among the longest and most detailed. She thoughtfully implored the public to respect not only her identity, but also other trans people like her.

Tamara wasn't the first famous trans woman of the 1950s, nor was she the best known. However, she had a unique opportunity to share her own story. You can read Tamara's 1955 autobiography, Reborn: A Factual Life Story of a Transition from Male to Female, at transreads.org/reborn 

[weirdlandtv]

Cover art by Ralph Steadman for the 1972 edition of HUMAN IDENTITY IN THE URBAN ENVIRONMENT.

[sabertoothwalrus]

hello instagram artist. your challenge is to do a portrait study of a woman but you’re not allowed to stylize them so their eyes are really big and more cat eyed than the reference photo. You’re also not allowed to make their noses more of a button nose or their lips full and pouty or their faces heart shaped with no double chin. Also you have to draw a fat woman. one thats actually fat and not just slightly curvier than the kpop demon hunters body type. good luck

[mutimatuti]

never not thinking abt this

[mutimatuti]

fun fact - I took this screenshot back in 2018 so it's not that, the guy's name is Ross Draws and he's sucked for a lot longer than that

[hyliantomatoes]

wait now i’m curious what’s everyone’s go-to pair of shoes

[firebatvillain]

One fun thing about learning new languages is reconsidering the structure of words and language in your mother tongue. It seems with each new language I study, I get more little insights into English, either in how it's similar or how it's different.

For example, a couple years ago, while learning Spanish, I encountered the word for a store, "la tienda." I thought "huh, that's a lot like tener (tiene) - the word for store in Spanish literally corresponds to 'to have/keep'. How interesting!"

Then I stopped for a moment, and for the first time in my life, thought about seriously about the meaning of English word for the place where you buy things, "a store."