Can't believe it's been 11 years since Captain America The Winter Soldier came out. Time truly flies
KIROKAZE

titsay

Origami Around
Peter Solarz
Game of Thrones Daily
d e v o n

oozey mess
PUT YOUR BEARD IN MY MOUTH
art blog(derogatory)
trying on a metaphor
TVSTRANGERTHINGS
Claire Keane

ellievsbear
Lint Roller? I Barely Know Her
AnasAbdin
NASA

Discoholic 🪩
h
No title available
i don't do bad sauce passes

seen from United States
seen from Botswana
seen from Canada

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from T1

seen from Chile

seen from Germany

seen from United Kingdom
@tenubrium
Can't believe it's been 11 years since Captain America The Winter Soldier came out. Time truly flies
I actually really really like that while yes, he was physically threatening in the end, and yes, that was there implicit the whole time... the way Kevin Can Fuck Himself portrays abuse at not just about physical abuse is really, really important to me.
something can be life threatening and horrific and terrible and worthy of retaliation without being physical. it is still abuse when its someone ruining your career, its still abuse when someone is constantly shutting you down and insulting you, its still abuse when someone is controlling and demeaning.
and it still is That Bad
ilya promising children cash if they win knowing he's gonna let them win and then asking shane for money because he doesn't have his wallet. he wasn't even an annoying husband yet but he was letting shane know his potential
man was auditioning
Dick Bayford, Botswana's attorney general, removed anti-gay language that courts struck down years ago. (Photo courtesy of the Sunday Standa
Local LGBTIQ+ organisation LEGABIBO welcomed the government’s move, describing it as “a necessary and long-overdue step toward restoring dignity and aligning our legal framework with constitutional values of equality and human rights.” The group said the change sends “a clear message that LGBTIQ+ persons are not criminals, and that their lives and relationships deserve protection, not punishment.” LEGABIBO noted that the colonial-era provisions had long cast a shadow over the lives of LGBTIQ+ people in the country.
Minnesota’s Giant Rainbow and Leather Pride Flags
June 28, 1998. Both flags measured approximately 50 feet wide and 75 feet long.
Friendly reminder that the leather flag predates almost every other flag. We owe this community to leather daddies and kinksters
In the era of corporate sanitization never forget it was leather daddies and S&M folks who protected some of the earliest pride parades.
Three years after that last comment and the corporate backers are fleeing as the moment the political tide turned - the kinksters aren’t.
what's so cool about "kevin can fuck himself" is the way it forces you to reframe what are otherwise painted as harmless sitcom antics. it makes you really think about it.
for example, the sarcastic asides typical of a sitcom are actually cruel and abusive when rooted in reality. while you're watching the scene, set up in saturated colors and a laugh track, you have to force yourself not to slip into the banter.
it's a depiction of how abusers manipulate perceptions and get everyone else to go along with it. how it's normalized as "harmless" and laughed away.
it's a really good show.
kevin can f*** himself is crazier bait than destiel but nobody cares because it’s f/f
It would be so damn hilarious if after Shane and Ilya figured their shit out in the cottage and finally admit that they love each other and want to build a life together, instead of trying to develop a friendship in the public eye, they just redefine the meaning of a rivalry.
Imagine Ilya stays in Boston, so the rivalry is still going full strength, but through interviews people slowly start to realise that these two are even more unhinged about each other than previously thought, like toxic soulmates unhinged.
Shane is doing an interview in his house, maybe because however much he tries to deny it he does have both real estate and voyeurism kinks, and this is a way to subtly exercise those while showing off for his boyfriend, and midway through the interview the door just opens and Ilya walks halfway in before realizing there is an entire fucking camera crew in the living room. And they prepared for this because it is Shane and Ilya who are both hyper competent planners who have had to manage massive secrets for years.
So Shane just kind of yells out, “I told you not to break into my house this afternoon Rozanov, I’m in the middle of something.”
And Ilya just calls back while walking out, “Sorry, I will come back later, have fun being boring with your weak backhand.”
When the interviewer asks about it, Shane just says, completely deadpan, “of course Rozanov has the code to my house, and will sometimes just randomly walk in, he’s my rival.” And leaves it at that.
Of course, the internet goes absolutely feral, but this alone cannot prove anything; however, the flames are further fanned in Ilya’s next interview.
It’s one of those what’s in your bag interviews, but about his gear bag that he brings to every game, and notably, he has two rolls of stick tape. This in and of itself is not unusual, but what is strange is that they are two different brands with completely different feels to them. This strikes everyone as extremely odd knowing how superstitious hockey players are, what could Rozanov possibly be doing with two completely different brands of tape.
In response, Ilya says, “One of them is for me and other is the brand Hollander uses. I keep a spare in my bag.”
“Why do you keep your rivals tape in your gear bag.”
“Because Hollander is very particular, and I want to make sure that when I am playing against him, he is at his best, and to be at his best he needs to have right tape. He is my rival, it is my responsibility to make sure we are both performing to best of our ability.”
This just sets off another bomb on the internet.
It was one thing for them to have the codes to each other’s houses, maybe they go in and mess with their stuff, that can be explained by a rivalry, but Ilya just admitted on air that he goes out of his way to support Shane and make sure he is comfortable. What the hell is going on between these two?
It continues like this, getting progressively more unhinged as more and more gets revealed. It comes out that Shane is learning Russian, and he admits it is for Ilya, but kind of plays it off as chirping while also stating that he has seen how difficult it can be for someone with a language barrier to answer questions in a high stress environment, and he wants to make sure his rival can understand and is always understood, because that’s his rival.
It comes out that Ilya is close to Shane’s parents, and of course he is close to Hollander’s family, that’s his rival.
They share custody of a dog named Anya no one knew existed, of course they do, they’re rivals.
They admit they are each others’ emergency contacts, why wouldn’t they be, they’re rivals.
There are and many number of funny ways this could eventually resolve itself, but I personally would love if they kept it going long enough where they got to a point where both of their contracts expired (Ilya took out a shorter contract when resigning with Boston,) and they both up and leave to go join Ottawa.
Everyone is stunned. What the fuck just happened? What do you mean they are playing on the same team? What do you mean they just broke the damn game? What do you mean they have been seen together around Boston? What do you mean they live together? What do you mean they were seen together at a COURTHOUSE?!
Of course they were, they’re rivals.
We NEED to talk about this scene because it shape-shifts when you watch the movie a second time???
On your first viewing, when Grace leaves the party to join Stratt on the deck, you’ve been following Grace's POV for the whole movie. You can feel how he's trying to break the ice and connect with Stratt via humor: "Permission to come aboard, captain?🫡"
And Stratt being Stratt kills the joke immediately: "You’re already aboard." And by killing that joke she also kills his attempt at connecting with her. That's her thing. You feel it in the knock-knock scene and you feel it here because Grace is feeling it. He stammers and he's nervous ("Talk too much, that's my problem, like right now"). His attempt at human connection is painfully unrequited (again).
When you finish the movie, you learn, however, that that is not true at all. You hear Stratt's voice crack when she has to do what she has to do, and you realize how her carefully constructed armor fractures because of him. He is not nothing to her.
And when you (inevitably) watch the movie again, and your POV is not limited to Grace's anymore but you can shift your view to Stratt ever so slightly, then suddenly the whole connecting-via-jokes business drops away to make room for the metaphorical meaning of "coming aboard".
"It is okay to be in your space? Am I allowed to be closer to you?"
And her answer?
He is already in her space, behind her defenses, and he doesn't even realize it (blissfully unaware about SO many things in fact). He is asking to be allowed inside the house while standing in the damn living room.
Of course watching a movie a second time will always deepen your understanding of the characters, but it's remarkable that Stratt's answer does not just gain a more differentiated level of meaning. Instead, it is transformed into it's opposite, from a very clear "I am not letting you in" to an equally clear "You've come in uninvited a long time ago", and both can be true at the same time!
God, the writing in this movie is KILLING ME
i think there is something to be said about this wave of white women made media that is so surface level with an underlying racist and/or insensitive bias and that refuses to engage with criticism. i'm talking taylor swift's the life of a showgirl, emerald fennell's wuthering heights, colleen hoover, the acotar series and booktok in general, etc. whenever you dare to raise concerns about the superficiality or the questionable writing or the treatment of poc in those pieces you get shut down with a "it's not that deep" or "let women have fun". this weaponisation of misogyny to justify slop made for mass consumption, especially considering how wide spread it is becoming, scares me quite a bit. to quote princess weekes, "the girlypopification of anti-intellectualism" is truly concerning, and i do believe it is linked to the rise of far right movements worldwide. if you refuse to engage with what you are being presented with, and exclusively consume brain smoothing content "for fun" then yeah you do become more susceptible to propaganda. it is that deep.
I recently watched Emerald Fennell's Wuthering Heights.
So, this thing is absolutely not trying to be a brainless fun teehee girliepop movie. It is indeed a deeply stupid film, but not on purpose. You can tell there's a genuine effort there to be artsy and meaningful! They're trying to use color symbolism and to make commentary about arousal and sex and abuse and offer some perspectives on gender and classism! This thing wants to be deep so badly that it's actively got a shovel in one arm and a fire hose in the other.
And that's what I've sort of found with most of this white woman made media with underlying racism and/or major insensitivity, which is that it's not that it's all supposed to be I guess "brain smoothing" good times.
It's that for a lot of it the lowkey racism isn't incidental, but rather a vital component of the fantasy they're trying to sell. They don't want you to point it out because that is a load bearing bit of bigotry that actually appeals to them.
White supremacy often gets sold to white women on the idea that they are desirable. Yes, ladies, you might be a second class citizen, but you're a beloved second class citizen who will be cherished and protected by your strong husband, who will keep you from being stolen away by savages who want to rape you. And isn't the idea of being so desired that there are savages who would risk dying to steal you away kind of exciting too? It's akin to the poor white men getting sold on the idea that they at least get to be part of the same group as the rich white men, that they are allowed to be above other men, even if they're still getting fucked over by classism.
White women on the whole are usually well aware that the second class citizen thing is at least kind of bullshit-y, but, it's harder to pry some of them away from the appeal of being the object of irrational desire. Heck, in some ways embracing the appealing aspects help with embracing the idea that it's also a bogus deal, since a component of it is that white women are beautiful victims and martyrs whose suffering is an aspect of their appeal. Which on the one hand is like, yeah sure y'know that makes sense, a lot of people want to be desired and to be told that their suffering is real. The trouble is that this comes as a package deal with the white supremacy baggage, it's not just being desired, it's being the desirable white, it's the dangerous exotic savages, the victim of the covetous gaze of said savages and also of masculine aggression in general, it's the only truly finding your match with a white guy, it's being innately and universally more desirable, and etc etc. It's a whole specific romantic fantasy that you can't really leave intact and pry away from the racism.
Which is just to say that I don't think the matter is necessarily being critical vs uncritical, anti-intellectual vs literary or so forth. A lot of fans of this kind of media will happily overthink it to the moon and back, and only bring out the "don't overthink it" argument for this specific topic. They don't need a discussion of the importance of critical thinking, they need to self-reflect, which is why the conversations on this usually turn into a rotten mess of defensiveness.
I'd like to remind fandom of this once again today
An addition, if you don't mind
I don’t know if we’re actually wrong in this one, but may I add
I don’t know if we’re
actually wrong in this
one, but may I add
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
Adult Shane still not always being sure whether he's having an allergic reaction or a panic attack... like breathing bad, limbs tingly, feels like he's dying... but is he actually
i have a very special scenario in my head of shane who is used to feeling like this and finding a quiet place to assess what tf is happening to him rn so he can decide if cold water on his face or hospital.
(not even considering the fact that hiding away while potentially having a life-threatening allergic response is an AWFUL move).
and i am especially endeared by the idea of it going from him going off and doing this by himself to ilya clocking him leaving the room in a way that says Not Okay and following him and the two of them in just a quiet little pocket of space together, with shane having already handed over his auvi-q (the version of an epipen that fits in a suit pocket) just in case.
just very sweet to imagine that this is still scary and frustrating to have to deal with and tbh? still feels a little embarassing even if he knows it shouldn't, but it is also nice that there's someone with him who just Gets It and who will sit quietly with him until he can decide what's happening and help him if he needs it.
OH MAN in vegas, ilya canonically was freaking out ahead of time in anticipation of seeing shane again, so i posit that he was denying that he was freaking the fuck out and was trying to lie to himself and say it was just low blood sugar, so he grabbed something from craft services backstage.
and it's fucking. peanut butter crackers.
and he chews some mint gum in another attempt to settle himself so shane doesn't end up smelling it on him, but him kissing shane in the vegas bathroom then means contact with it, and shane's reaction wasn't from exposure earlier, bUT IT IS NOW.
THIRD OPTION: EXTREMELY UNFORTUNATE TIME TO PURSUE FINGER SUCKING AFTER ILYA WAS PICKING AT THINGS DURING THE WAIT FOR SHANE TO SHOW UP AT THE PENTHOUSE BUT ALSO DRINKING VODKA SO SHANE DOESN'T SMELL IT ON HIS BREATH
STILL NO KISSING DURING THE PENTHOUSE FUCKING, BUT THANKS TO THE POWER OF ALLERGENS ON THE FINGERS SHANE SO HAPPILY TAKES INTO HIS MOUTH, THESE MOTHERFUCKERS NOW GET TO EXPERIENCE DOMDROP, SUBDROP, AND ANAPHYLAXIS ALL AT THE SAME TIME
GOD the panic and angst of shane trying to communicate what's happening and get ilya to grab his epipen out of his inner jacket pocket (assuming he even has it on him by some fucking miracle) and ilya at first thinking this is just a bad panic attack because that's the only guess he would have based on past experience with shane, and he's trying to do the same move of kissing him to calm him down, but shane already can't breathe right and also doesn't know WHAT the contaminant was so doesn't want to risk more contact
but now ilya thinks it was him being too rough or missing a signal that shane wanted to stop and being HORRIFIED at the idea and immediately backing away, but shane reaches for him both because he is experiencing impending doom as an element of the reaction and also REALLY needs ilya to get his epipen for him and him trying to back across the room is NOT HELPFUL FOR THAT GET BACK HERE
god AND!!! ilya can't ghost him after!!! he straight up experienced hollander almost dying in front of him so 1. needs to know what the FUCK that was 2. needs to know the next day when hollander is stable and okay again because otherwise he isn't going to be able to fucking FUNCTION 3. can't help but keep in touch after that more often than he might otherwise because that scared the FUCK out of him, and while yes, it would be easier to just call it right now before anything else happens, he also can't resist the little check-ins now and then during that summer
OH MY GOD I DIDN'T EVEN THINK ABOUT THE FACT THAT HE WAS THE ONE WHO FOUND HIS MOM
AND THE FACT THAT THIS IS PROBABLY SO EXTREMELY ON HIS MIND GIVEN HOW CLOSE HE IS TO GOING BACK FOR THE SUMMER AND THE MEMORIES THAT WOULD HAVE ALREADY DREDGED UP
jesus, we really put these two in the Bad Blender and hit PUREE
oh my god WAIT
ilya who remembers when the responders who came to the house took his mother away, and he never saw her again, and it's totally irrational, but he manages to get shane's epipen and help shane use it, and then he helps shane get dressed so he can get to a more neutral area before he calls for an ambulance, and he's SUPPOSED to leave. he's going to leave. it's just going to cause some uncomfortable ass questions if he doesn't leave and has to come up with a story about why he was with hollander and why he's with him now and why he still hasn't let go of him even though he has him back in his room now.
and yet.
again: IRRATIONAL. he KNOWS it's irrational. but there's a part of him that's still thinking, "if i let them take hollander away right now, then i will never see him again." because he's BEEN HERE before. and it doesn't make sense, but trauma and fear NEVER do.
so ilya ends up going with him.
and listen. shane atp?? nauseous, still can't fully breathe right, still not fully present. in his right mind, he'd be sending ilya the FUCK away because embarassing and also doesn't want questions. but in this moment?? can't feel anything but relief when he climbs in the ambulance with him to ride along because he's at least someone familiar in the middle of all of this.
and then at the hospital, they get shane stable and ilya should go. he should totally go. he knows he should go.
and yet he doesn't. he's already here. there's already going to be questions. it's a little bit reckless and a little bit fuck it, but the damage is already done. might as well stick around until he can be sure that shane is actually okay. it's not like he's going to sleep tonight after this because jesus FUCK.
and texts keep coming through on shane's phone, but shane is sleeping, and ilya keeps seeing "Mom" and "Dad" pop up over and over and over because obviously the hospital contacted them. and ilya KNOWS he shouldn't answer. but shane can't do it right now, and there's parents worrying about him, and won't it just stress him out if he wakes up to thirty phonecalls-
and on call number thirteen from Mom, he picks the phone up and answers.
and yeah yuna is confused as FUCK why ILYA FUCKING ROZANOV is answering her son's phone after she got a call that shane had been admitted to a hospital because of an allergic reaction, but she also doesn't have a lot of other fucking options for getting updates on her baby, so fine. talking to this cocky ass kid it is.
except...he doesn't sound cocky? he actually sounds...almost sweet? he's answering questions as best he can and even tries to read some stuff in the notes the doctor left guided by what yuna tells him to look for. and she's on her way to the airport right now to get there and asks ilya to tell shane that she'll be there as fast as she can because he hates being in the hospital by himself, and in a moment of TOTAL fucking impulse ilya says he'll wait.
and he does.
the first time yuna and ilya meet face to face outside of that first elevator scene is when yuna finds him by her son's bed in the hospital keeping him company so he wouldn't have to be alone.
and maybe he's not such an ass after all.
yuna hollander is going to unknowingly begin shifting the hollanov rivalry narrative years early because that ilya rozanov doesn't seem so bad after all, and her shane deserves another friend. so! fuck the league and the media and the fans!! she's going to make it happen!!! she is going to encourage shane to build this friendship, and she is going to ask after how ilya rozanov is doing during her calls with shane, and she is going to get them an ad campaign together to repay ilya!
of course, she doesn't know what she's enabling by doing this. but she does notice that shane seems a lot more happy to do ad campaigns when paired up with a friend, and oh, isn't that nice? maybe she can make this happen more often. and it'll help the boys to become closer friends, too! (yuna, they have literally been as close to each other as physically possible. the emotional closeness, however—that's a still a work in progress, but these additional chances to see each other are helping an awful lot) (and of course, shane's... other friends.... like that young man, pike... well. there just aren't as many sponsorships available with someone like him, someone who is not as high profile as her shane. rozanov is the obvious choice, here. obviously!)
oh MAN selling the narrative of work hard play hard with them as friends. like yeah they're RUTHLESS to each other on the ice and anyone watching them play can see that, and they still pick at each other in interviews and make jokes at the other's expense, but there's also an element of "boys being boys" to it that isn't quiiiiite there in canon. like it's fun to watch them! they're having fun playing against each other. they still tease each other and the audience has watched them slam each other against the boards enough to know they're not holding back even if they ARE friends, but the narrative is shifted juuuuust enough that it's also not strange to see them at a bar together after.
i canNOT remember their names, but i saw a video of two hockey captains who have an ongoing bit of doing rock, paper, scissors with each other after games to see who loses and has to get off the ice first, and i feel like that's the shit shane and ilya would be pulling in this situation. like they are still SO fucking competitive with each other and anyone can see that.
but they're also the kind of competitive that has people taking surreptitious video clips of them chirping the FUCK out of each other while playing pool at a bar after a game together.
(and what happens after they leave that bar, well...that still stays between the two of them)
also the way the tuna meltdown just. straight up could not happen in this verse lmao.
they're already using first names. if The Vegasing wasn't enough, ilya gets invited to go get dinner with shane and yuna after their commercial shoot together (because yuna was already going to invite him, but now that she has a different frame of view for him, it registers for her that he's always done these shoots and events on his own, and the idea of him going back to a hotel room by himself (lmao yuna) while she and her child go get food together is sad), and yuna has already decided ilya is Same Age As My Child Shaped before he's anything else so 0 chance she isn't first naming him now, and if his mom is already doing it...well...shane might as well.
motherfucker i text with your mom and we have a shoot together in two weeks. even if you leave now i will see you literally in 14 days and we will be spending literal hours together. and i will probably be texting your mom in the meantime. you might as well stay, like???
Not pertinent to anything in particular but I do think it's kinda weird that we keep depicting cavemen in media crawling around on all fours covered in dirt with tangled, matted hair, speaking in broken, cobbled-together toddler language when like.
They were us.
Like literally genetically they were US, just like. A while ago.
Like
Would you trust a TV caveman with a baby? Probably not
A real life caveman though??? I think they'd be at least okay at it
This is actually really important and comes up in Anthropology classes all. The. Time.
As long as homo sapiens have existed, we have had the same emotional and mental capacity as you and I do today. You nailed it. They were US. Even Neaderthals existed alongside and had offspring with Homo Sapiens for many thousands of years.
There's much evidence that cavemen would have had complex spoken language, culture (learned information passed down), symbolic interpretation, and I think they most certainly would have been able to handle holding a baby. In fact I have my suspicisions that an ancient homo sapiens mother may be a more present, attentive, and knowledgable mom than I could be today.
Do not let media trick you into believing we are the pinnacle of humanity. Unilinial evolution theory (google it quick I beg) is BUNK, GARBAGE, and the root of so much evil.
We've been human for a long, long time, and we are not inherently better than all those who came before.
One the most profound experiences of my life was visiting Font de Gaume, which has 12 thousand year old paintings. They use a technique where the horses appeared to run across the wall when seen in flickering firelight. There was a bison the wall staring at us with such attitude, I could practically hear him. I had the most profound feeling of those ancient artists reaching forward to lay their hands on my shoulders. To say, "This was my world." It was a profoundly moving experience.
Some years later, I went to the Orkney islands where we visited a tiny family run museum of artifacts from the chambered tomb at the other end of the farm. They handed me a pestle once held by some neolithci human.They'd worn groves where the thumb and forefinger would be for better grip.
One time, in a French history class, my teacher randomly at the end of the class had all of us draw a sketch of a horse. And we were all like ??? Okay???
At the beginning of the next class, my teacher showed us a cave painting of a horse. And then he showed all of our horses, which he had scanned and put into the presentation.
He then pointed out all the ways that our horses looked similar to the prehistoric horse. Same features, drawn from the same angle, etc.
And then he asked us, "Isn't it cool that you draw horses the same way as someone who lived 20,000 years ago?"
Yeah. That stuck with me for a while.
In Spain, there's a cave full of ancient, ice age era drawings of bison and reindeer and other animals of that period... And one small section of chaotic scribbles just a little away from everything else. These scribblesv were so incomprehensible, they were originally just called the 'Panel of Enigmatic Signs'... Until it occurred to someone that drawings only three feet off the ground probably weren't made by adults.
Scientists are now pretty sure the scribbles were made by kids ages 3-6, more or less on their own. The adult cave artists were probably doing what any modern parent might do when they want to keep small children out of their hair for awhile: they gave the kids some drawing tools of their own and a small section of wall to work on, out of the way but still close enough to keep an eye on them, and let them have at it.
What's most charming about the whole thing is the way the cave scribbles look exactly like what you'd find on the wall of a preschool today. Artistic styles vary widely across different times and cultures, but child development is as near to a universal human experience as it gets.
Wisher made detailed 3D scans of the drawings, which helped her understand the uneven pressure applied to the charcoal and the direction the lines were drawn. The team then compared the panel’s composition with age-appropriate artistic efforts by modern children. Kids across cultures go through the same developmental stages, which influence their physical ability to draw, until about the age of 6, Amir notes.
The team compared the ancient art with the developmental stages exhibited by modern children: the furiously scribbled circles and push-pull lines typical of 3-year-olds just learning to control their bodies, for example, or the wobbly, right-angled figures of slightly older kids beginning to master fine motor skills.
Both are apparent in the cave, superimposed on each other as though two or more kids were drawing at once. That’s a clue the Las Monedas marks were likely made by “siblings or a mixed-age play group within the sphere of safety around adults, but also within their own space,” says co-author Felix Riede, an Aarhus archaeologist.
...
Adults at Las Monedas would have been aware of what the kids were doing and presumably had lit fires or torches; without ample firelight the cave is pitch black.
In a move that has delighted fans of classic science fiction, Warner Bros. Discovery has begun uploading full episodes of the iconic series
*takes you by the shoulders*
Listen. I know people say this about shows. That it's a joke now. But I need you to understand that I mean this and I am serious and you should trust me on this: power through season 1. It's messy and over-earnest and cheesy as hell but I promise, it's worth it. I promise, this show is worth it. I swear.
And when you've done it come back and post about it, because if any 90s sci-fi deserved and has been underserved by a vigorous fandom resurgence, it's this one, and I never got to read or write B5 fic while the fandom was going strong and the AO3 existed and I want that so bad.
You are allowed to watch ONE (1) later-season episode to convince yourself it will be worthwhile to power through season one. I recommend A Late Delivery From Avalon, Passing Through Gethsemane, or, given the current circumstances, The Fall of Night.
I promise you this show contains anti-fascism, wlw, freaky alien genitalia, and some of the best fucking character arcs you have ever seen. In the first episode you learn how two main characters are going to die murdering each other and you WILL be surprised at how it happens and you WILL get emotional about it. There's a time loop that almost makes sense. Majel Barrett plays a character who is almost but not entirely the opposite of Lwaxana Troi. There are evil telepaths. There are morally ambiguous freedom fighters (also telepaths). There's a dude who takes the declaration of martial law as an excuse to give the dockworkers' union better contract terms. That's in the first season, even. Go. Watch. Ignore the 90s CGI and let yourself feel love.
Luis Camnitzer - The Photograph (1981)
The Screenshot (2014)
The Reblog (2014)
Bahahahaha love this
The Unnecessary Comment (2014)
The Revival (2026)