“If I were a livelier specimen I would go out and find a Great Dragon to slay, and win a really desirable princess; I believe that’s the way to do it. But there haven’t been any Great Dragons since Maur, I think, and Aerin, who was certainly a highly desirable princess, didn’t need any help, and the truth is I’m very glad that all happened a long time ago and very far away.”
- Ossin, discussing matrimonial possibilities in Deerskin
“She was not even a princess, finally, but a mere countess, of some obscure little backwater country which, so far as it was known for anything, was known for the fleethounds its king and queen bred, but she was quiet, dutiful, and, so far as any of the cleverest magicians in the land could tell, entirely without magic.”
- on Rosie’s mother in Spindle’s End
“Farmers in that country worried more about falling asleep during the birthing times of their stock than they worried about the weather; the destruction a litter of baby taralians caused remained, even after it had reverted to piglets.”
- worldbuilding in Spindle’s End
“The beautiful green country was at that time badly overrun by ladons and wyverns, taralians and norindours, which ate almost everything (including each other) but liked pegasi best.”
- worldbuilding in Pegasus
Conclusion: Pegasus, Spindle’s End, and Deerskin are all set in the same general world as Damar, somewhere along the timeline. Rosie and Ossin may be distantly related, because Ossin’s country tends to recycle its noble blood, and Lissar’s children and Peony’s children may end up meeting.
I’m not going to go into the short stories, because those are obscure and doing so will brand me even more horrifically as an obsessive McKinley nerd, and also because they are mostly held together by Luthe, who makes me want to punch him a lot of the time.
“There are even a few dragons left up north, you know. I saw one once, when I was a boy, but they don’t come that far south very often.”
- Ger, on living in the north in Beauty