"I learned a lot from making this" is artist talk for "making this sucked ass and I'm not entirely happy with the result."
^what artistic growth feels like
almost home
Misplaced Lens Cap

JVL
Claire Keane
🪼
tumblr dot com
2025 on Tumblr: Trends That Defined the Year
art blog(derogatory)
$LAYYYTER
Not today Justin
No title available
Alisa U Zemlji Chuda

#extradirty
No title available
Three Goblin Art
h
KIROKAZE
No title available
Mike Driver

★

seen from Malaysia

seen from Malaysia
seen from United States
seen from United States
seen from United Kingdom

seen from Netherlands

seen from United States
seen from Canada
seen from United States
seen from United States

seen from United States
seen from United States
seen from Türkiye

seen from United States

seen from United States

seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
@andieb4650
"I learned a lot from making this" is artist talk for "making this sucked ass and I'm not entirely happy with the result."
^what artistic growth feels like
reddit is having a glitch where it puts the wrong captions over photos and it’s the only thing i care about right now
I am aware that my "sincere" tone often comes out as "passive-aggressive" and I'm working on that. So, with the knowledge I'm going for "sincere" here, I want as many people as possible to know about a key difference between renfaires and SCA events.
Renfaires have audiences. SCA events have participants.
This means that SCA events are often a lot cheaper to get into, because there are no actors practising skits, just nerds like you who have been doing it a bit longer. You still can watch people sing and swordfight, but there's no plot to follow. Because we are doing this for ourselves.
And you can join in! We want you to join in! We want to teach you how to spin flax and swordfight and forge armor and build kilns!
Because you aren't an audience. You're playing the same game as the rest of us and you have to play by the rules. We will loan you garb. It's free, we're happy to do it. But if you refuse to wear it, we are permitted to ask you to leave, because you aren't following the rules of the event.
I know you don't have to wear garb at a renfaire, but the SCA isn't a renfaire.
Anyone can reblog this. Even if you don't intend on attending an SCA event or a renfaire you should know the difference.
which one of u was going to tell me that tea tastes different if u put it in hot water?
y- you were putting it in cold water?????
Radish. Answer the question radish.
yeah??? i thought for like. 5 years that ppl just put it in hot water 2 speed up the tea-ification process didn’t realize there was an actual reason
You dont have the patience to microwave water for 3 minutes???
[ID: Tags reading “u think i have the patience to boil water wtf ?????” /End ID]
why are you. putting it in the microwave to boil it
Do you think I have the patience to boil water on the stove
Its takes less than a minute
Bestie is ur stovetop powered by the fucking sun
How long does it take you to boil a cup of water on the stove
Like seven minutes
Just stick the mug on top of the stove on medium heat n it boils in like two minutes… less than that is u use a saucepan…
Crying you’re putting the whole mug on the stove ???? On medium heat???? Ur stove is enchanted
Every single person in this post is a fucking lunatic
Yet another post that reads like four shakespeare characters who come out in the middle of the play to talk about something completely unrelated for comic relief
(Enter RADISHN’T, MOTHMAN MISATO, BOIMG FROG and CATS'N RAINCOATS, stage left. They are having a HEATED DISCUSSION.)
RADISHN’T: Prithee, which one of you had planned to tell
Of diff'rent flavours gained by simple act
Of brewing tea with water hot, not cold?
MOTHMAN: Egad! you poured the water cold? Wherefore?!
FROG: An answer from you, Radish, I must beg.
RADISHN’T: Indeed I did, dear friends - why does this shock?
Without the guide of others I assumed
That heat was merely added for the sake
Of expediting this solution’s brewing!
Half a decade I have spent, or more,
Not questioning this worldview I had made.
In fact, I am myself a bit surprised
That you might think that I, your dearest friend,
Might have a patience of sufficient stock
To wait until a pot of water boils.
FROG: Three minutes overtaxes patience so?
The microwave will beep when it is done!
CATS'N: My friend, this answer vexes me the more!
Can it be true that thou dost boil by nuke?!
FROG: Are you in turn, my friend, so shocked to know
That I have not the patience, like our Root,
To boil upon the stove our favour’d drink?
CATS'N: It takes less than a minute!
FROG: On what plate?
Perhaps your dinner cooks atop the sun?
CATS'N: How long can take your stove to fill the task
Of boiling but a single cup alone?
FROG: In minutes?
CATS'N: Yes!
FROG: I counted seven, once.
CATS'N: Perhaps you ought to have your timepiece checked!
If on a middle heat you place the cup
You soon will have the scalding drink you crave.
Two minutes, in a mug upon the plate
Or even less, if you should have a pot.
FROG: You cause me tears - is this how thou dost live?
You place upon the iron stove a mug?
A mug, ceramic, filled with water cold?
How do these flames, though medium in height,
Not shatter like a glass this fragile thing?
Surely, then, your kitchen is bewitched
With magicks far beyond the mortal ken!
(The FOUR realise they have wandered into the THRONE ROOM. The ROYAL COURT watches with fascination.)
KING: Ev'ry single person in this group must be a fucking lunatic, it seems.
I’m sorry but the THOUGHT that has been put into this, I actually CAN’T—
The fact that nearly every line is so metrically considered- near perfect iambic pentameter witb the occasional trochee for emphasis, but usually retaining a strong sense of rhythm nonetheless. And then the king comes in at the end, so wound in his disbelief that his response is reduced to prose.
And the even better thing about this is how easy it would have been to structure the king’s line into iambic pentameter: it is effectively already said as such because of the way wizardlyghost has phrased it, yet they haven’t!! They did not break the line, rendering what, by all typically of both Shakespearean canon and other periods context should be the character with the most command and authority in the whole play. If there was ever a more effective way to convey a genuine “what the fuck??”, I know of it not.
But it gets better!! Shakespeare regularly uses meter in order to represent class divide; the nobility usually speak in iambic pentameter, save for a few particularly chosen moments (e.g. Lady Macbeth’s descent into madness, Othello’s realisation of Desdemona’s “betrayal”) or just lines where Shakespeare needs to suggest high emotion or when a character is lost in thought. Supernatural characters like the fairies in A Midsummer Night’s Dream and the Witches in Macbeth usually speak in trochaic tetrameter, an inversion of iambic pentameter. Lower class characters, particularly those used for comic relief (usually under the influence of alcohol), speak with no structure at all: their language is plain prose. Therefore, if this is a conversation between these types of characters, as the prompt from silvergirachi suggests, why the hell are the characters speaking so eloquently???
Now, this is Tumblr. It is subsequently logical to assume that this may have merely been a humorous recreation (and a very good one at that) of the Shakespearean style in a way that is widely recognisable to an audience that may or may not have read a great deal of Shakespeare, which is understandable. However, logic is boring so I’m going to probe further into this to the point where future historians will look to this as an example of overanalysing.
The inherent eloquence of the characters here suggests an unusual subversion of the roles typically assumed in Shakespearean comedy. This could be interpreted along two major avenues: firstly, that the rhetoric displayed by the speakers is fundamentally representative of how truth can be expected even from the most seemingly pointless or ludicrous discussions. Furthermore, it could suggest that it matters not how well constructed your speeches are: if you talk bullshit, it’s going to sound that way despite your attempts to hide it.
This is similar but not identical to the second avenue of interpretation: there is the implication that the noblemen in the play are in fact the comic relief characters, therefore implying that the “common people” of the play are the ones whose influence, though not expressed in such a highly spoken manner, makes a lot more sense than whatever the hell this is. If this was a real Shakespeare play, I would call it a subtle exploration into the innate corruption of the rich and powerful. Well done, op.
Now, I doubt any of this is actually grounded analysis in any way, shape or form, but if someone else can take this to the extremes of writing a Shakespearean scene, why can I not analyse it as such? And where else to do so than Tumblr?
im in tears i didnt think anyone would put this much analysis into this‚ thank you so much
i also like that everyone else gets a version of their handle and then tumblr user pidoop is promoted to king
I am in awe of this post.
Years ago back when I worked in cubicle land, we were hiring junior software developers. They didn’t have to have a ton of experience, just a willingness to learn, and some demonstration of their software skills. Like: show me a program you wrote (any language) or a web site you designed. Anything.
And there was this one guy I talked with who seemed super sharp, but had virtually zero experience writing software. When it came time to do the show-n-tell part of the interview he whips out his laptop, brings up a website, and spins it around to show me what he made.
A website of tiny ceramic frogs.
Not for sale. Just… all these ceramic frogs, organized into categories. Frogs on bicycles, frogs with hats, frogs sitting on lily pads. It was a virtual museum of ceramic frogs in web form.
I scrolled through his online collection of frogs, slightly baffled.
“This is your website?” I asked finally.
“Yep!”
“You coded this yourself?” I popped into view-source mode and poked around some incredibly well-formatted, well-commented html. I nodded slowly. This guy was meticulous.
“Yep!”
“So… where’d all the frogs come from?”
“I made those too,” he says, beaming.
And while I’m processing this he rummages in his bag and pulls out a little ceramic frog working at a computer terminal. He places it on the table before us, next to the laptop.
“And THIS one,” he says, “I made for you! As a thank you for the interview.”
It was adorable. I hired him on the spot. I mean, why not? Worst case he’d wash out in 90 days and we’d hire somebody else. He turned out to be one of the best developers on our team.
And yes, his cubicle was loaded with ceramic frogs.
Sometimes the rats in my brain come together and start yelling “YEARNING” and in trying to appease them I ask “FOR WHAT” but they are too small so all they can say is “YEARNING” which is a very big word for such a tiny creature, even collectively
I loved this visual so much I had to doodle it.
ratratratratrat
:D :D :D :D :D :D
⬇️
D:
:o :o :o :o :o
recently ive been thinking more and more about my experiences pre figuring out im trans and ive come to the conclusion that the trans community as a whole places way too much emphasis on Being instead of Doing
like. when i was trying to figure myself out, spending cumulative hours staring at the mirror wondering who i truly was deep down inside did not actually help me figure anything out. i had to actually go out into the world and do things. i had to find out what i liked and how i liked the world to percieve me. and i think that this line of reasoning can be applied to a lot of things
even though i no longer consider myself strictly asexual, i still consider myself part of the ace community because the attitude of celebrating the shifting of identity when confronted with new experiences and life circumstances felt genuinely revolutionary to me, in a time where mainstream online queer culture heavily emphasised creating specific flags for increasingly specific identites, splitting hairs over similar sounding labels, and attempting to slot the entire queer experience into neat boxes with no overlap. like idk i think at a certain point the focus on Being hinders more than it helps. like sometimes it really is about the material experience of your life. and it does make me feel a bit silly that it took so long for me to figure that out. but i guess having a clear concise identity label does have a certain comfort to it
thinking about that one wordless calvin and hobbes sunday strip thats just calvins dad ditching his work to go play in the snow... its going to make me cry
ohhhh my god
”#I LOVE that the comic keeps the lens on Calvin’s dad to the degree of not even showing Calvin’s excited face when his dad surprises him, #You can see the joy and excitement of the moment in his pose and reflected in his dad’s expression, #it’s a great little artistic decision, #I realized what gets me about it it’s the hat covering his dad’s head and hair so the dad just looks like Calvin. #you don’t HAVE to show Calvin! You already see him in the dad becoming a kid for a moment you only have to draw that once”
I asked one of my (male) friends to stop using the phrase “man up” and he has been using “fortify” for the past two weeks instead and it’s just a little thing but honestly it makes a difference
and tbh it’s also pretty funny when I start to deflate in the library and he leans over and goes “FORTIFY”
Dude, fortify is bangin’. That makes things like you’re some kind of RPG character. Fortify is way better than “man up.”
Happy 10th anniversary to Fortify
How quickly we forget the dangerous crow boy who’s job it is to destroy plastic
has entered the vault thank you
we DO grow old and happy. btw.
And you find love and it stays with you.
Older women are so, so beautiful, and older trans women are no exception. Celebrate the beauty of our elders! Celebrate trans beauty!
I wanted to share some more of these, specifically trans women of color. The images I'm posting are from a project called To Survive On This Shore and it's an interview project. I am only posting a handful so it's so worth checking out!
This is Linda, 60
Alexis, 64
Helena, 63
Kendrah, 72 (!!)
Tasha, 65
It was deeply healing to me to discover this project. The site has selected photos and attached interviews and it's definitely worth your time. I didn't include any because the focus of this post imo is transfems but there are a lot of beautiful interviews with transmasc people too if you're interested! But that'll have to be another post 💖
for those interested, the photographer is Jess T. Dugan. The link to this particular project is as follows:
To Survive on This Shore — JESS T. DUGAN
Getting really tired of how all the anti porn censorship posts going around are like, "I don't like porn but I will defend it" or "it was bad for me to see porn young but it's better than the alternative." I like porn. I want to see porn. I was not damaged by seeing porn as a young person. Porn and erotica are valid and fun vehicles for artistic expression and completely normal expressions of human sexuality. We gain nothing by being squeamish in our support of porn, erotica, and nsfw content.