man sometimes friendship really is just "I saw this and knew it would give you psychic damage. please respond with agony" and then they do. and it's great

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@luminarygardens
man sometimes friendship really is just "I saw this and knew it would give you psychic damage. please respond with agony" and then they do. and it's great
the only way out is through but fuuuuuuuuuck fuuuuucckkkk cant i like scooch past or something
you literally have shitty hide armor and a dull ass shortsword. let me guess. your loot is 6 gold coins too? 🙄
friendly fucking reminder do NOT post about your lootdrops publicly!!! this post is a great example of "table baiting" to get you to reveal what valuables you drop on death WHICH IS OBVIOUSLY PUTTING YOU AT RISK OF FARMING!!! think for a second and be safe out there!!
When we were kids, like six or seven years old, my brother would draw comics of the superhero he created called "Mr what's-his-name", who was a wealthy cat with a top hat and monocle and cane who would walk up to bank robbers while they were taking giant sacks of money out of the bank vault, beat the shit out of them, then tell the police and press "oh no I don't need any reward I am already wealthy" and leave.
Mr what's-his-name did not have a secret identity. He was the millionaire talking cat mayor. (Bipedal talking animals were normal in this world and, so far as I remember, full human citizens.) What's-his-name was his legal surname, which caused endless debate between my brother and I re: his wife's name, which my brother listed as "Mrs what's-her-name" and I insisted should be "Mrs what's-his-name" unless she kept her maiden name and it was coincidentally appropriate. (She did not.)
I don't remember if either of these wealthy cats ever had first names.
That sounds amazing.
It was incredibly repetitive actually
i am trying to make some pants. many people #online are losing their gourd over how easy this pattern is and i'm contrarianfully a little peeved about the assumption of serger ownership, 3/8th topstitching that fails to enclose 1/2" turned over raw edges, general expected minor failure cases of a pattern you buy on etsy
BUT i got it all cut out from leftovers without buying any new fabric so that's my win
cedar pants, label by inside voices labels
not done yet but
hehehe
It's Pants
Build notes under the cut
little guy missed his jump
he vexes me
Chin-ups are part of his routine
recently when im tempted to say 'i'm gonna kill myself' i try to correct it into saying "im gonna walk into the river and become a trout" or some other form of that. this is my new thing
btw this has graduated into me just saying "the trout population will be affected" and then not elaborating
this post has genuinely helped me so i used it as inspiration for today’s hand lettering practice
Depictions of the Beast pre-Disney are so funny to me because illustrations range from Curious George...
...to a giant rat...
...to a warthog with rizz...
...to some sort of scaly gremlin creature...
...to a kindly gentle bear.
Disney really perfected this aspect of the fairy tale.
Find more info, and credits of all of the paintings/illustrations here:
Bruh don't even get me STARTED on depictions of him in theatre. Here are two of my favorites! The Disney Broadway costumes in my humble opinion are solidly meh. A little dated, but still fun. I figured I'd drop puppets here instead.
"Beauty and the Beast" (Chichester Featival Theater, 2017, Puppet Designer: Nick Barnes)
"Beauty and the Beast" (Synetic Theatre, 2023, Puppet Designer: Zana Gankhuyag)
And an honorable mention to the 2022 Beast Puppet from the Disney 30th anniversary celebration production bc it is a cool puppet, I just think he looks wayy too goofy and tbh feels too much like Nick Barnes' design.
La belle et la Bete dir. Jean Cocteau 1946
I do know that there is another version from czechia? Sorry my brain can't find it right now. Where the beast is more bird like
Here's Your Answer Right Here. ;)
The Czechoslovakia Adaptation is called, "Panna a Netvor" (aka "Virgin & the Monster").
Technically The Most Aesthetically "Beauty and the Beast" version right after "La Belle Et La Bete".
Co-signing both of these tags from @girl-mercury:
adding some other pre-disney beasts I think are cool
john d batten (1904)
eleanor vere boyle (1875)
warwick goble (1913)
w heath robinson (1921)
Adding two more of my favorites.
Mahlon and Kinuko Craft (2016). After Disney but who cares with these details so rich you just want to crawl into the painting and never come out again.
Hilary Knight (1990). Just bareeelllllyyyyy before Disney though it's possible this was influenced by preproduction promo stuff? Regardless, one of the coolest and most dramatic Beasts I've ever seen. The thigh-high boots! The phoenix feather cape with the head clasp! He may not have opposable thumbs anymore but dammit you've gotta have style!
Once you've learned the spot the historical signposts, it's interesting how many "generically medieval" fantasy settings manage to miss the actual medieval period on both ends. They've got the Roman Empire rubbing shoulders with the German Renaissance, skipping directly from the year 500 to the year 1500 with nothing in between!
(The one consistent exception is, of course, the obligatory Vikings-with-the-serial-numbers-filed-off culture, who legitimately are medieval, but nobody they interact with is, so you've effectively got Vikings with time-travelling boats raiding both Roman-occupied England and Renaissance Italy.)
"Oh, they skip the actual middle ages because it's too Christian" listen. If fantasy authors are willing to hold their noses and elide the explicitly Christian dimensions of both the latter Roman Empire and the fucking Reformation, they can deal with Christianity in the middle ages just fine.
@snuggly-eve
Okay, let me try to take a stab at it:
Firstly, one thing I'd want to quickly go over as reference is what it actually means to say that a "stock fantasy setting" is more rooted in the late middle ages/renaissance than in earlier periods. Generally, the traits of these settings that are characteristic of this time are:
Aesthetics generally. Like, castles in a "stock fantasy setting" are usually these big ornamented things covered in towers and turrets (consider, say, Neuschwanstein Castle, which was itself an early modern nostalgia piece rather than a genuine Renaissance fortress), while armor leans more towards full heavy plate (like these 16th-17th century pieces, for instance). These are all classically late styles.
Likewise, your classic fantasy merchant city -- you know, your Ankh-Morporks, your Lankhmars, that sort of thing, with tangled crime-filled alleys, probably a network of scummy canals, a huge bustling port, a guild of thieves, all of it ruled over by dynastic merchants in fine brocade and velvet and heavy jewels -- that's very heavily inspired by the merchant cities of the Italian Renaissance like Venice or Genoa, or North Sea merchant cities like Amsterdam around that time or a little later, or, frankly, even early modern London.
Also, generally, urbanization. Roman civilization was very urban. Renaissance-era European civilization was very urban also, especially in places like Italy, the North Sea, and other areas rich in commerce. In fantasy, too, the notion that cities are major centers of life and politics remains -- merchant cities bustling with commerce, capital cities with the king's fancy castle, fortified cities with huge bloody walls, these are all recurring archetypes. Crack open, say, a D&D setting sourcebook, and that assumption that major cities or city-states are major focuses of culture and economy while rural areas are clearly in their orbits is fairly evident, I think.
Also, in my experience, medieval fantasy monarchies tend to be fairly centralized affairs, with powerful monarchic kings, the royal seat in the capital or the king's castle as the bustling focus of governance, and a tendency for the edicts from the king's person and the intrigues of court to be the driving focuses of political life. Also, a lot of intrigues in a classically corrupt court. This tracks fairly well for the late period, historically, where European kings put a lot of effort into centralizing and strengthening their authority, some more successfully (the Iberian kingdoms at the end of the Reconquista), some less so (Charles I of England). Absolute monarchy was less of a factor in earlier medieval Europe, which operate chiefly under a network of looser, less centralized feudal ties.
By contrast, what would these things equivalents in the earlier Middle Ages be like?
Castle-wise, the really early periods were the time of the motte-and-bailey, aka wooden palisades on top of earthen mounds. Later, you'd tend to see squatter, more fortified constructions for defensive purposes (take the Krak des Chevaliers as an example). Even well into the later middle ages, though, a typical rural keep or castle was often a fortified house or manor more than what we'd picture as a castle today.
Armor was usually dominated by chainmail, scale armor, and non-face-covering helmets (a knight of the Carolongian Empire, for example, might have worn something like a scale or mail shirt and a helm with earguards or a noseguard, but certainly not the "classic" knightly set of plate you usually see in fiction). In terms of helmet styles, for instance, compare this 11th-century nasal helm or these illustrations of 12th-century styles with later forms such as the classic "bucket helm" that was popular during and after the Crusades period. Helmets with more articulated shapes and visors came later. What's called a close or closed helm, for instance, like these ones, was mostly a 16th-17th century style, although antecedent forms were already common in the 15th. Even the barbute with its distinctive T- or Y-shaped visor slit was a distinctly Renaissance Italian thing.
(Like, as a practical example in terms of helmets, this reminded me of a passage in the first Dunk & Egg story where Duncan buys a great helm/bucket helmet, and it's described as coming across as a goofy-looking and antiquated choice when other knights all use visored and often very ornate close helmets. And this makes sense! Westeros is very explicitly based on England during the Wars of the Roses period, in the 15th century, by which point medieval armor and helmet styles had gone out of use and most armored troops wore jointed plate armor and visored helms.)
Religiously, monasteries were often the center of religious life and, for rural communities, often more important than distant bishopric seats. They were also centers of, among other things, record-keeping, writing, and brewing.
Cities. The middle ages proper were a very rural time -- cities existed, and exerted political and economic influence, but took a significant dip in both size and importance for a time. For a good few centuries the center of life for most people was the manorial system, where you had a local knight or lordling living in a fortified house or a small keep and providing protection to a town or two around this in exchange for material support. Self-sustaining religious communities like monasteries were also important. All of these, for a long time, would have basically self-supporting.
(Well, alright, that's also an oversimplification. In rural France-England-Germany, that'd be about right, sure. In northern Italy and in Flanders-Saxony, though, you start to see... not urbanization as such, but, let's say, townization early on in the system of the medieval communes, where farming and trading towns left isolated by the collapse of Roman-era state systems formed confederations for mutual defense. So the main form of urban culture in this timeframe isn't really centralized around a single big city but more along the lines of fifty towns who formed a loose alliance because they're afraid of bandits and robber knights.)
Government. Centralized states and nations weren't... really things for a long time. Feudal governance was based much more strictly on the notion of personal debts and obligation between rulers and those who administered portions of land for them. A feudal noble had obligations towards his king, but he also had a tremendous amount of freedom in running his own affairs and could have gone for the majority of his life without every showing up in the vicinity of his lord's castle -- the idea of, like, the royal court as the focus and center of political life wouldn't really crystallize for some time, and this degree of independence meant that negotiation and re-negotiation (read:testing how much you could ignore the king or going into outright revolt) were very common.
Also, the notion of national identity -- of saying "I am French, I am English, I am Italian" -- also didn't really exist (I'd recommend Liah Greenfield's Nationalism: Five Roads to Modernity for a discussion of how this mode of thinking about group-and-land identity formed in the 16th-17th centuries). Before then, concepts of identity were either strictly local ("I am from this village"), based on loyalty systems ("I am from a village defended by Knight Whatshisname, who gives his tithe to Lord Whatshisface, who gives his tithe to King Whatshisproblem"), or based on religion ("I am Christian", "I am Jewish", "I am Muslim").
So, broadly, there weren't really "countries" the way that we think of them today, with clearly delineated cultures and borders and directed from a central capital. The most granular political units were the rural manorial keep and the free town, which gave their fealty to a larger lord or a grouping of peers, and the span and size of a kingdom or an empire was determined in large part by how many of these tiny units or groupings of tiny units you could claim tithe-right and allegiance from. And that's feudalism!
Event-wise, the Big Things in the medieval period proper were the Crusades, a series of primarily religion-motivated wars (or, well, religion-land-and-luchre-motivated wars, granted) and the Black Death. It really cannot be overemphasized how the terror of being struck by this mysterious dying dominated medieval thought for large spans of time.
One book I read recently which I'd recommend for a having a good look at how medieval people thought and lived might be Michael Flynn's Eifelheim... with the caveat that it's also a science fiction novel about first contact with aliens, but the medieval side of things is really well-researched and -written.
“but nona loved the blue sphere as much as she loved everything else. she, and nobody else, could hear it sing.”
man sometimes friendship really is just "I saw this and knew it would give you psychic damage. please respond with agony" and then they do. and it's great
thankful to this velvet mite that decided to hunker down on a dinky little patch of moss because at least it makes for a more interesting looking photo than the vast majority of my other velvet mites, who are often found just wandering around in a daze under rocks i've flipped
(November 9th, 2025)
Do you know how hard it is to live with a cat that has the intelligence level of literally like a 3 year old but the pure chaos of a high ranking demon?
He’s learned to open the lazy Susan and won’t stop clawing open the flour and rolling in it like a little chinchilla
Criminal charges
Hey hey hey HEY
He’s been CRAWLING INTO THE BOTTOM CABINETS to TEAR OPEN THE INSTANT POTATOES and EAT BAGS AND BAGS OF THEM I’m livid but also impressed.
Do you have anything with that kind of texture that he can safely play with? This sounds like an understimulation issue.
He’s not playing with it
He’s eating it.
I can tell because the bags are nearly empty except for a few small clumps.
I knew he loves mashed potatoes. I just didn’t know the extent he’d go to to get them.
We had him tested and in the course of that vet visit he stole
6 tips
3 of the ear light cover things
Our other cats collar
the ear bud of the vets stethoscope 
several hearts
a plastic glove
the vet techs hair tie
Also yeah he’s fine he just likes to steal
Not guilty by reason of deficiency of other people’s stuff
This is his ledge
His ledge is taller then my husband who is 6’2”
I am 5’5”
I have to get the step ladder out once a week and see what Orange Sherbert has taken to his ledge for safe keeping. It’s usually the remote.
Narratively speaking, ending this saga with the reveal that his name is Orange Sherbert was a masterstroke.
... how many hearts are in the vet office
He just stole mine <3
OP: How to create floating Chinese shufa/calligraphy (cr夏末)
Added more details
Let's Rename the Birds!!! (pt. 15)
As you may already know... ornithological authorities (such as the AOS and ABA) in North America have decided, for a variety of reasons, to rename all of the birds that have been named after people.
Some examples: Lewis's Woodpecker, Smith's Longspur, MacGillivray's Warbler...
I thought it would be fun for us to come up with some ideas for new common names here on Tumblr.
Here are some criteria for re-naming that might appeal to ornithologists and birdwatchers:
Habitat and geographical range
Physical characteristics
Call/song characteristics
Behavior
PLEASE MAKE YOUR NAMING SUGGESTIONS IN THE COMMENTS, REBLOG, OR TAGS.
We'll take the best ideas, and put them in a poll by the end of the week! (I and an esteemed panel of ornithological tumblererrsssres will make the decisions).
WEEK 15 - Forster's Tern
Forster's Tern (Sterna forsteri), adult in breeding plumage, family Laridae, order Charadriiformes
Conservation Status: Least Concern
Breeds/nests in various spots along freshwater lakes in the northern U.S. and southern Canada, as well as areas of the Gulf Coast and NE Atlantic Coast, and small areas of the California coast.
Overwinters along the West and Pacific coasts of the US, Mexico, Central America and the Caribbean, as well as inland in Mexico, Central America, and the SE U.S.
Occurs as an occasional vagrant in far western Europe.
Mainly breeds in colonies on bare ground in and next to marshes near open water, both fresh and saltwater marshes.
Heavily associated with marshes and other estuaries.
Feeds mostly on fish, which it catches from diving on from up high, but also feeds on insects and other invertebrates. Their dive does not usually include the stopping hover of other plunge diving terns.
This Small-medium sized tern grows to 33–36 cm (13–14 in) long with a 78–80 cm (31–31 in) wingspan and a weight ranging from 130 to 190 g (4.6-6.7 oz).
Similar in appearance to the Common Tern (and Arctic Tern), the Forster's has slight coloration differences on the wings and tail, and has longer bill and legs than the other 2.
The Forster's is easier to tell apart from other terns in winter plumage, because of the distinctive black mask.
Both parents care for the chicks. Males sitting on the nest mostly in the day, and the mother mostly at night. Both feed chicks.
As with other tern species that nest in colonies, this species is known to angrily mob humans and other animals that enter their colonies, swooping, pecking, and defecating on intruders... (I know this from personal experience).
Adult Forster's Tern in non-breeding plumage at Bolsa Chica Conservancy in Huntington Beach, California, USA
photograph by Kevin Cole
NJ, USA - Photograph by Jonathan Irons
Michigan, USA - photograph by Andrew Simon
TIME TO VOTE!!!
We had so much input for this one, that we couldn’t possibly include all the great suggestions, but thanks to you all for your input.
Okay, you made your suggestions, and our esteemed panel of judges has weighed in:
@greycatbird, @passerinethehallway; @proton-wobbler, and I!!!
What should we rename the Forster's Tern?
Marsh Tern
Estuarine Tern
Masked Tern
Black -masked Tern
Impatient Tern
Bolting Tern
Long-billed Tern
Bandit Tern
It looks like nobody broke 30% so let's have a runoff election…
I'm gonna take a little creative control, and exclude one that I don't actually care for that much.
What should we rename the Forster's Tern?
Bandit tern
Masked tern
Marsh tern