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#extradirty

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Lint Roller? I Barely Know Her
Xuebing Du

Andulka
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h
Not today Justin
"I'm Dorothy Gale from Kansas"
Keni
Cosimo Galluzzi
Claire Keane
Aqua Utopia|海の底で記憶を紡ぐ
YOU ARE THE REASON
Today's Document
occasionally subtle
The Stonewall Inn

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@oeblaze
GBBO: “A s’more is basically just an Italian merengue sandwiched between two ganache-covered digestives”
Americans:
in case anyone in wondering, this is Paul Hollywood's idea of a s'more
You know what, their absolute inability to grasp Mexican foods makes more sense every day
Nodding my head in support of the Americans despite having no clue what a s’more is.
Okay, American immigrant to the UK here to explain all the mistakes from Paul Hollywood happening here: there is one fundamentally American ingredient required to make a s'more correctly but which is basically not available anywhere at all in the UK, and that is graham crackers. A plain digestive biscuit close-ish, but still a very different beast.
From Wikipedia: A graham cracker is a sweet flavored cracker made with graham flour.
The next ingredient (which is also extremely traditionally American but slightly more variable) is typically Hershey's chocolate, but you could probably swap this out in the UK with any plain chocolate bar.
Last ingredient is big marshmallows, the kind you do the chubby bunny challenge with, like the size of your thumb and twice as thick.
A proper s'more, the most traditional possible variety, involves to graham cracker squares, two slab segments of Hershey's chocolate, and one to two marshmallows depending on your preference for filling and gooeyness. You put a slab of chocolate on one of the graham cracker squares. Your marshmallows should be toasted, usually over a campfire but if you're doing them at home over a gas stove burner is fine, but the fire part is critical. You can toast them to whatever degree you like, some people like them nice and golden brown but still kind of firm in the middle, me personally? I want that bitch to CATCH ON FIRE, I want it gooey and sticky as hell in the middle, crispy and burnt on the outside. Slap that motherfucker on your graham cracker and chocolate square, top with the other one so your marshmallow and chocolate are sandwiched together by graham cracker on the outside. You do this with your freshly toasted marshmallow because ideally it will be hot enough to start to melt the chocolate so it sticks to the marshmallow and the graham cracker and, combined with the gooey marshmallow, it keeps the whole thing together, and for that reason some people will let them sit for a hot second to let the melting process happen (especially if like me you have chocolate on BOTH graham cracker squares, not just one, because you're a sugar fiend), but if you are a young child you do not have that degree of patience and you eat that shit immediately, unmelted chocolate and all. Consume your summer camp delight like a tiny club sandwich, get gooey sticky marshmallow and chocolate all over your hands, and enjoy.
Important note: this is a kids treat. It is a traditional summer camping trip dessert. It should be something any ten year old with adult supervision and access to the ingredients can make (and make a mess of). They're called s'mores because kids always "want s'more". If you are using a blowtorch, chocolate biscuits, and merengue, you are so far beyond the bounds of s'more-hood that you have thoroughly lost the plot. If you offered Paul Hollywood's concoction to an American child and called it a s'more, they'd tell you flat out that not only is it not a s'more, it looks dumb and you didn't do it right because it's not gooey.
the point is the mess. the point is getting to make a food, at age seven, whose two basic food groups are 'sugar' and 'fire'. the other point is that this food item is so crumbly, chaotic, sticky, on fire, and prone to being dropped (outside, in the dark, while you are surrounded by other children who are also sticky and on fire) that your supervisors cannot accurately monitor how many smores you personally have consumed. the point is also that you may get away with a smore that is five blocks of chocolate and two marshmallows if you move fast and let nothing stop you.
if you haven't accidentally yet unrepentantly eaten a chunk of twigs or dirt or a bug that got enmeshed in the creative process around smore number 3st, you are too old to have any legitimate input into what makes a smore.
There's 2 other points that I think are important.
The first is that you don't pull the marshmallow off the roasting stick and somehow put it on the chocolate. Your staging area will look something like this, with the graham crackers and chocolate already set out (though not usually on the fire like this, for us it was always someone's lap or a picnic table or something)
And when your marshmallow has reached appropriate roasting perfection, you use the graham crackers to slide it off the stick.
and ideally, as a CHILD you are using a literal stick. Like you walked around and spent time looking for The Perfect Stick off the ground while the adults set up the fire. It has to be thin enough the marshmallow will fit, sturdy enough that it won't bow, long enough that you won't burn yourself roasting your marshmallow. And preferably doesn't have a lot of bark that's sloughing off, OR so much bar sloughing off you can peel it all back and get to the clean stick under it. If you're smart, you might stick the tip into the fire first to "wash" it/burn off anything that was still lingering, but. well, most kids don't.
When you bite in, the marshmallow and chocolate SHOULD ooze out all over you. If you don't kinda look like this eating it, you've probably done it wrong:
The description of the marshmallows as being either brown on the outside but still firm on the inside or fully melted but burned on the outside is missing the true art: fully molten in the middle, without the black burns. Not to say OP is wrong for preferring the burn! But there is a technique for perfection and it goes like this:
You find a spot, not above all the logs where everyone sticks their marshmallows by default, but at the heart of the fire. Ideally between a couple logs already glowing gold. Something like here:
Below the leaping flame. Near the logs. There's probably only one or two spots good enough for this on any given fire, but that's okay because everyone else is up above. They will get their marshmallows faster. They will be either firm or burned or both. That's not your goal.
Rotate the marshmallow slowly. Ideally come in at an angle so the part closest to the flame is the side, not the tip. The spot closest to the fire is the spot that turns a crispy golden brown, and you want that everywhere, on the tip and around the circle.
You keep going, slowly turning, for several minutes. Several people will rotate in and out of the higher sections, getting their fast delight. Eventually, your marshmallow will start sagging badly, risking falling. Maybe it does fall and got start over. But eventually it will be golden brown all over, and so liquid it no longer clings to the stick. It is ready, finally.
You say "who hasn't gotten one yet?" And deposit it onto their waiting graham crackers and chocolate. You've made an excellent marshmallow. It isn't for you. Get another while you're over by the bags and go back to the heart of the fire.
That's your evening. One, slow, perfect marshmallow at a time, given to whomever still wants s'more. You're making art for children to stuff into their mouths cheerfully. You're watching the movement of the fire and the heat of the logs, like you would if you were maintaining it — maybe you would be, maybe you were the one who built it — but right now that's not the goal. Let someone else put more logs on, while you take only the one stick and find the best spot for it to live.
You will, eventually, finish a marshmallow and find that nobody moves to accept it. Maybe they're all eating right now, or maybe they've gone through so many they're hesitating. Eat your masterpiece then. Enjoy it, the hardest and most perfect result from a fun and beautiful moment. Go back in for another, until you've run out of marshmallows and the fire is too low or until even you are done with s'mores, until you have made enough.
"We don't want a gooey mess" pfft even the artistry studied at the feet of my father is inherently a gooey mess. That's the whole point!
Every word of every addition to this post is both 100% true and Pulitzer Prize winning writing.
it really is quite bad for your military to have an image of itself as a warrior class. what you really want is for your soldiers to think of themselves as boring professionals who will fill out a report form if someone gets a little too warrior ethos out there
"Growing Around Grief"
Lois Tonkin, 1996
saying this as a lesbian who loves women's boobs--sexually, even! but i don't think that we as a society should consider breasts inherently female or inherently sexual. a flat chest should not be seen as the "default" for gender neutrality but instead just one way a person can present. boobs should be normal. anyone of any gender can have boobs
BATMAN & ROBIN (dir. Joel Schumacher, 1997)
It is possible that somewhere off the coast of Newfoundland there is an iceberg shaped like a giant dick.
IT'S REAL
AND THE PHOTOGRAPHER COMES FROM DILDO, NEWFOUNDLAND
ITS REAL
Mr. Pretty from Dildo, Newfoundland photographed a Giant Penis Shaped Iceberg
IN CONCEPTION BAY
one thing you need to know about 2014. is that what does the fox say was playing pretty much everywhere you went. and everybody was just relieved it wasn't blurred lines
I canot stress enough that those were the only 2 songs in 2014
Do you have any pointers on how to feel more confident drawing anatomy without as much need for a reference? I feel weird that I have to rely so much on my references to get decent bodies. I also really struggle to do faces, hair, heads, anything above the neck really lol
Oh yeah for sure, think Life Drawing is exactly what you need. I specifically mean drawing nude models in-person rather than photos. There is something about using your actual eyes to look at a 3D form which is a radically greater learning experience than studying photos, where the camera lens and frame have already made a lot of decisions without you realising.
For a few years I was going every week to a cheap life drawing class a local uni ran, and my ability to draw without reference grew so much and so fast as well. I suggest go to life drawing, use cheap paper and pencil of charcoal, and draw with the feeling of the actual drawings being disposable, they don’t matter, the value happens between ur eye and your hand and it’s hard to explain just how useful it it.
And if u can’t find life drawing sessions or they’re too expensive, gesture drawing on the bus, or in a park, or other public places is very useful too. Trying to capture aspects of ppl in motion is a great exercise, and I’m realising it’s been a while since I did that, damn
never forget what they took from us.
Alright, everyone in the comments is like "it was closed because of pirating and don't you dare list alternatives because loose lips sink ships"
This is completly false. Rabbit shut down because they had no business model, were making no money whatsoever, and went bankrupt. What Rabbit did (host and stream remote-control virtual machines) is not inherently illegal by any means.
Hyperbeam is the exact same thing and I've been using it for years for perfectly legal activities -- you can display maps for d&d games, have youtube watch parties, play tag-team neopets, whatever you like. It has full access to the internet, so could someone do illegal things? Probably. But you could also do illegal things with your normal web browser. Not my problem.
Unlike Rabbit, Hyperbeam has a side-hustle (main-hustle?) offering more advanced virtual machines to businesses and schools, so they do actually make money and should stick around longer.
Now go experience the world wide web with your friends.
The "B" is *not* for "buses"
Via mastodon(aka the fediverse)
This Busphobia has gone too far.
woke up today and realized that tumblr entirely killed fuck ya life bing bong so here ya go again
one of the funniest tiktoks written
Elijah Wood was really generous with how many reaction gifs he gave us
truly where would we be without
The long-lost remains of King Alfred the Great have been found buried under a car park, investigators claim.
Alfred died in 899, and his bones were repeatedly moved. He was buried in Winchester Cathedral until 1110, when his remains were moved to Winchester's Hyde Abbey, where they were interred before the high altar between the bodies of his wife and son. The abbey was demolished after the dissolution of the monasteries in 1539, and the place was left in ruins. In 1866, during construction of a workhouse on the site, the English antiquarian John Mellor excavated the area, found what he thought were Alfred's bones and had them reburied at nearby St. Bartholemew’s Church. But in 2013, when archaeologists exhumed and carbon-dated the bones from St. Bartholomew’s churchyard, they proved to date from over 200 years after Alfred’s death - sparking Graham's interest and search. He said: "Whoever’s bones they were, they weren’t Alfred’s. So, I decided to discover what happened to them. "The quest has taken me 13 years.”
shut up they did not find another goddamn king under another goddamn car park