An Obligatory Blog Title Goes Here

[luna-azzurra]

Character Talents & Skills

˙⋆✮ Painting, drawing, sketching

˙⋆✮ Sculpting, pottery, ceramics

˙⋆✮ Photography, videography

˙⋆✮ Creative writing, poetry

˙⋆✮ Calligraphy, hand lettering

˙⋆✮ Graphic design, digital art

˙⋆✮ Fashion design, sewing

˙⋆✮ Jewelry making

˙⋆✮ Graffiti art, street art

˙⋆✮ Animation, illustration

˙⋆✮ Playing piano, guitar, violin, drums, etc.

˙⋆✮ Singing (opera, jazz, rock, etc.)

˙⋆✮ Composing music

˙⋆✮ Perfect pitch

˙⋆✮ Beatboxing

˙⋆✮ DJing, music production

˙⋆✮ Whistling complex melodies

˙⋆✮ Playing multiple instruments

˙⋆✮ Martial arts (karate, judo, taekwondo, etc.)

˙⋆✮ Parkour, free running

˙⋆✮ Gymnastics, acrobatics

˙⋆✮ Dancing (ballet, hip-hop, ballroom, etc.)

˙⋆✮ Rock climbing, bouldering

˙⋆✮ Swimming, diving

˙⋆✮ Archery, marksmanship

˙⋆✮ Fencing, sword fighting

˙⋆✮ Horseback riding

˙⋆✮ Skateboarding, surfing

˙⋆✮ Multiple languages (polyglot)

˙⋆✮ Mathematics, calculus, statistics

˙⋆✮ Coding, programming

˙⋆✮ Chess, strategy games

˙⋆✮ Speed reading, photographic memory

˙⋆✮ Puzzle solving, riddles

˙⋆✮ Debate, rhetoric

˙⋆✮ Research, investigation

˙⋆✮ Cryptography, code-breaking

˙⋆✮ Historical knowledge

˙⋆✮ Cooking, baking

˙⋆✮ Mechanics, car repair

˙⋆✮ Carpentry, woodworking

˙⋆✮ Gardening, botany

˙⋆✮ First aid, medical knowledge

˙⋆✮ Lock picking

˙⋆✮ Survival skills, wilderness navigation

˙⋆✮ Sewing, knitting, embroidery

˙⋆✮ Pickpocketing, sleight of hand

˙⋆✮ Animal training

[ariesrin]

20 ways characters can show sadness without saying it

Habits change: suddenly no energy or motivation to do so.

Rereading old texts from someone that used to be special.

They let their hot drinks go cold beside them.

They apologize for things that aren’t their fault.

They linger after everyone else has already left.

They keep checking the door wishing that anyone will walk through.

They sit in parked cars for a long time before going inside.

Avoiding eye contact; gaze never lingers for long. Staring at the floor, instead of at people.

Rubbing the back of their necks or holding one arm with the other. Closed body language & posture shrinks.

They take deep breaths like they’re steadying themselves.

Hesitation before letting go of a hug.

Movements feel slower than usual.

Trembling fingers and limbs and shaky breath.

Sitting on the shower floor, contemplating.

Voice cracks when they speak & hesitate before responding to simple questions.

Avoidance and deflection when speaking such as “It doesn’t matter now” / “Don’t worry about it” / “I just need some sleep.”

Lingering in doorways instead of entering or lingering at the edge of the group.

Sleeping with noise or lights on to avoid feeling alone. Or as a distraction.

Fixating on small, meaningless tasks to keep busy.

A smile when being spoken to, but it fades when the other person looks away.

[ariesrin]

Alternatives to 'said'

When character is angry:

Snapped

Spat

Snarled

Hissed

Barked

...or sad:

Choked

Mumbled

Managed

Croaked

Murmured

...or if they're feeling nervous:

Stammered

Babbled

Rambled

Muttered

Squeaked

...and even when flirting:

Coaxed

Purred

Teased

Hummed

Crooned

[mckitterick]

V.E. Schwab's advice for creating memorable characters - works for both protagonists and villains

source post: X

[dduane]

This is really good advice.

It also ties neatly into the simplest version of the formula for getting people emotionally engaged with your characters: or how to build the moment in which your character starts moving from their initial state to the state in which they'll start changing their own lives.

First, you figure out the one important thing the character believes that they're wrong about. There's usually a core misperception that they haven't examined. Once they're forced to engage with it, it'll start to change everything about their perception of the world they're inhabiting and/or the people in it.

Then, as V.E. says, you identify the character's great desire and their great fear: the thing that character wants more than anything, and the thing or situation that terrifies them, and that they'll go to any lengths to avoid.

And having identified these two objects or situations, you build a situation in which the two forces will be in close, direct opposition to one another... then drop the character down in between them, and squeeze. Those two opposing forces become the jaws of a vise... and you crank the vise more and more tightly closed until the character has no choice but to acknowledge those opposing forces, and start (even in a small way) to deal with the pressure being exerted and push their way through.

This does not have to be, initially, a great climactic moment. In fact, it works better if it's not. It's more effective if your character has a brief low-intensity brush with these conditions-in-conflict early on. That way, when your big resolution scene comes along about two-thirds or three-quarters of the way along through the story arc, you'll have set up a resonance between that earlier hint or intimation of what's to come, and the really big blowoff. Your readers will recognize the resonance—the throb of tension between the two occurrences, like the vibration of a plucked string—and will find satisfaction both in the true resolution having been partially telegraphed earlier, and in how it's now being experienced and resolved in full.

This approach also allows you to set up more minor resonances between the realization of the conflict and its final resolution. These can serve to bind the structure of the work more closely together: to make it look (and be) less like a series of loosely strung-together plot events, and more like a unified whole, in which ripples of story business flow backwards and forwards, interpenetrating and influencing one another, and hinting at the big one to come.

But none of this can happen until the paired and opposing what-do-they-most-desire, what-do-they-most-fear axes have been defined. So that's a subject it's smart to spend some while thinking about (and for all your characters, not just the major ones), to be sure you're getting it right.

It's not unusual to get the wrong answers, or merely superficial ones, while you're still working out what's actually going on with the characters. So take your time. Eventually you'll find a set of answers that feel unquestionably right... and you can then nail those down in your notes and get on with making the kind of "good trouble" for your characters that will see them made complete.

[theunfortunate-author]

my daily affirmation as an author

[imastoryteller]

20 Compelling Positive-Negative Trait Pairs

Here are 20 positive and negative trait pairs that can create compelling character dynamics in storytelling:

1. Bravery - Recklessness: A character is courageous in the face of danger but often takes unnecessary risks.

2. Intelligence - Arrogance: A character is exceptionally smart but looks down on others.

3. Compassion - Naivety: A character is deeply caring but easily deceived due to their trusting nature.

4. Determination - Stubbornness: A character is persistent in their goals but unwilling to adapt or compromise.

5. Charisma - Manipulativeness: A character is charming and persuasive but often uses these traits to exploit others.

6. Resourcefulness - Opportunism: A character is adept at finding solutions but is also quick to exploit situations for personal gain.

7. Loyalty - Blind Obedience: A character is fiercely loyal but follows orders without question, even when they're wrong.

8. Optimism - Denial: A character remains hopeful in difficult times but often ignores harsh realities.

9. Humor - Inappropriateness: A character lightens the mood with jokes but often crosses the line with their humor.

10. Generosity - Lack of Boundaries: A character is giving and selfless but often neglects their own needs and well-being.

11. Patience - Passivity: A character is calm and tolerant but sometimes fails to take action when needed.

12. Wisdom - Cynicism: A character has deep understanding and insight but is often pessimistic about the world.

13. Confidence - Overconfidence: A character believes in their abilities but sometimes underestimates challenges.

14. Honesty - Bluntness: A character is truthful and straightforward but often insensitive in their delivery.

15. Self-discipline - Rigidity: A character maintains strong control over their actions but is inflexible and resistant to change.

16. Adventurousness - Impulsiveness: A character loves exploring and trying new things but often acts without thinking.

17. Empathy - Overwhelm: A character deeply understands and feels others' emotions but can become overwhelmed by them.

18. Ambition - Ruthlessness: A character is driven to achieve great things but willing to do anything, even unethical, to succeed.

19. Resilience - Emotional Detachment: A character can endure hardships without breaking but often seems emotionally distant.

20. Strategic - Calculative: A character excels at planning and foresight but can be cold and overly pragmatic in their decisions.

These pairs create complex, multi-dimensional characters that can drive rich, dynamic storytelling.

---

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[skeletomez]

[wordsnstuff]

Resources For Writing Sketchy Topics

Medicine

A Study In Physical Injury

Comas

Medical Facts And Tips For Your Writing Needs

Broken Bones

Burns

Unconsciousness & Head Trauma

Blood Loss

Stab Wounds

Pain & Shock

All About Mechanical Injuries (Injuries Caused By Violence)

Writing Specific Characters

Portraying a kleptomaniac.

Playing a character with cancer.

How to portray a power driven character.

Playing the manipulative character.

Portraying a character with borderline personality disorder.

Playing a character with Orthorexia Nervosa.

Writing a character who lost someone important.

Playing the bullies.

Portraying the drug dealer.

Playing a rebellious character.

How to portray a sociopath.

How to write characters with PTSD.

Playing characters with memory loss.

Playing a pyromaniac.

How to write a mute character.

How to write a character with an OCD.

How to play a stoner.

Playing a character with an eating disorder.

Portraying a character who is anti-social.

Portraying a character who is depressed.

How to portray someone with dyslexia.

How to portray a character with bipolar disorder.

Portraying a character with severe depression.

How to play a serial killer.

Writing insane characters.

Playing a character under the influence of marijuana.

Tips on writing a drug addict.

How to write a character with HPD.

Writing a character with Nymphomania.

Writing a character with schizophrenia.

Writing a character with Dissociative Identity Disorder.

Writing a character with depression.

Writing a character who suffers from night terrors.

Writing a character with paranoid personality disorder.

How to play a victim of rape.

How to play a mentally ill/insane character.

Writing a character who self-harms.

Writing a character who is high on amphetamines.

How to play the stalker.

How to portray a character high on cocaine.

Playing a character with ADHD.

How to play a sexual assault victim.

Writing a compulsive gambler.

Playing a character who is faking a disorder.

Playing a prisoner.

Portraying an emotionally detached character.

How to play a character with social anxiety.

Portraying a character who is high.

Portraying characters who have secrets.

Portraying a recovering alcoholic.

Portraying a sex addict.

How to play someone creepy.

Portraying sexually/emotionally abused characters.

Playing a character under the influence of drugs.

Playing a character who struggles with Bulimia.

Illegal Activity

Examining Mob Mentality

How Street Gangs Work

Domestic Abuse

Torture

Assault

Murder

Terrorism

Internet Fraud

Cyberwarfare

Computer Viruses

Corporate Crime

Political Corruption

Drug Trafficking

Human Trafficking

Sex Trafficking

Illegal Immigration

Contemporary Slavery 

Black Market Prices & Profits

AK-47 prices on the black market

Bribes

Computer Hackers and Online Fraud

Contract Killing

Exotic Animals

Fake Diplomas

Fake ID Cards, Passports and Other Identity Documents

Human Smuggling Fees

Human Traffickers Prices

Kidney and Organ Trafficking Prices

Prostitution Prices

Cocaine Prices

Ecstasy Pills Prices

Heroin Prices

Marijuana Prices

Meth Prices

Earnings From Illegal Jobs

Countries In Order Of Largest To Smallest Risk

Forensics

arson

Asphyxia

Blood Analysis

Book Review

Cause & Manner of Death

Chemistry/Physics

Computers/Cell Phones/Electronics

Cool & Odd-Mostly Odd

Corpse Identification

Corpse Location

Crime and Science Radio

crime lab

Crime Scene

Cults and Religions

DNA

Document Examination

Fingerprints/Patterned Evidence

Firearms Analysis

Forensic Anthropology

Forensic Art

Forensic Dentistry

Forensic History

Forensic Psychiatry

General Forensics

Guest Blogger

High Tech Forensics

Interesting Cases

Interesting Places

Interviews

Medical History

Medical Issues

Misc

Multiple Murderers

On This Day

Poisons & Drugs

Police Procedure

Q&A

serial killers

Space Program

Stupid Criminals

Theft

Time of Death

Toxicology

Trauma

[sillyedboy-deactivated20180115]

Come join the “I’m on a government watch list after researching for my RP character” club!

[tenderwatches]

sometimes you need dialogue tags and don't want to use the same four

[stories-by-hails]

For anyone who needs this

[writing-prompt-s]

!!!!

[wildsurvival]

[bear--hearted]

This is a beautiful graphic but it doesn’t explain the pros and cons of each fire type.

The Swedish torch is good for an efficient and contained fire, it’s controlled and good for cooking over and produces less light and heat than other fires. It can be difficult to keep going once you burn through the original log

The teepee is your traditional campfire. Good for heat and light not great for cooking, burns through fuel fairly quickly

The star fire is one of the slowest burning and not well protected but provides an even heat good for slow cooking and is excellent if you have limited fuel and need the protection a fire can provide

The lean to is a compact and efficient fire that evolves into a dense and hot bed of coals. The structure creates a good source of air flow which can help damp wood burn. A slightly better cooking fire that isn’t as bright. It also provides protection from wind on one side

The platform fire is incredibly hot and will create a very thick bed of coals but it doesn’t have a lot of air flow and is a little harder to get started.

The log cabin is big and bright and has lots of air flow which again is good for damp logs. You can also use this structure to start a smaller fire in the middle while drying out bigger logs. This fire will crumble into a messier bed of coals that don’t produce particularly even heat for cooking.

The modified leanto is excellent if you need it to perform multiple functions. The side with more fuel will burn bright and hot and the side with less fuel will burn less hot but more evenly and controlled, this gives you different cooking options.

[rinitachan]

reblogging for writing purposes. the exact reason will come soon enough.

[writers-potion]

how do you write a liar?

How to Write Liars Believably

Language

The motive of every goal is the make the lie seem plausible while taking blame off the speaker, so liars will often project what they say to a third party: "Katie said that..."

Referring to third parties as "they" rather than he or she

In the case of a deliberate lie prepped beforehand, there will be an overuse of specific names (rather than pronouns) as the speaker tries to get the details right.

Overuse of non-committal words like "something may have happened"

Masking or obscuring facts like "to the best of my knowledge" and “it is extremely unlikely," etc.

Avoiding answers to specific, pressing questions

Voice

There's isn't a set tone/speed/style of speaking, but your character's speech patten will differ from his normal one.

People tend to speak faster when they're nervous and are not used to lying.

Body Language

Covering their mouth

Constantly touching their nose

fidgeting, squirming or breaking eye contact

turning away, blinking faster, or clutching a comfort object like a cushion as they speak

nostril flaring, rapid shallow breathing or slow deep breaths, lip biting, contracting, sitting on your hands, or drumming your fingers. 

Highly-trained liars have mastered the art of compensation by freezing their bodies and looking at you straight in the eye.

Trained liars can also be experts in the art of looking relaxed. They sit back, put their feet up on the table and hands behind their head.

For deliberate lies, the character may even carefully control his body language, as though his is actually putting on a show

The Four Types of Liars

Deceitful: those who lie to others about facts

2. Delusional: those who lie to themselves about facts

3. Duplicitious: those who lie to others about their values

Lying about values can be even more corrosive to relationships than lying about facts. 

4. Demoralized: those who lie to themselves about their values

Additional Notes

Genuine smiles or laughs are hard to fake

Exaggerations of words (that would normally not be emphasized) or exaggerated body language

Many savvy detectives ask suspects to tell the story in reverse or non-linear fashion to expose a lie. They often ask unexpected, or seemingly irrelevant questions to throw suspects off track. 

[wordfather]

writers be like; anyone gonna write this story? and then not wait for an answer. and then not write it either

[bruciemilf]

Did I daydream this, or was there a website for writers with like. A ridiculous quantity of descriptive aid. Like I remember clicking on " inside a cinema " or something like that. Then, BAM. Here's a list of smell and sounds. I can't remember it for the life of me, but if someone else can, help a bitch out <3

[bruciemilf]

I FOUND IT BITCHES

[dramono]

This is going to save me so much trouble in the future.

[lyonnerileyauthor]

[kyathereaper]

when i say i love writing, i mean that i love imagining the scenes that i think would be dramatic and wishing that someone else could write them.

[browniefox]

We don’t talk enough about how fanfiction writers love to give character large amounts of non-specific paperwork they hate doing

[streamofsalmon]

say more pls

[browniefox]

Yeah sure why not.

So most stories take place when Events are Happening, and this means that no matter what kind of job the characters have, they’re probably not too focused on them. Fanfics, on the other hand, often show the down time. Which means that the writer has to figure out what the hell these characters do in their jobs. Unless the characters have a job the author understands or knows well, the author is often at a loss for what to have the character doing.

So they sit them at a desk and give them paperwork. What is the paperwork for? Rarely specified. It is Paper Work for the characters Important Adult Job they have and they need to read or sign it or something. And there’s always a line about how Character Hates Paperwork. Doesn’t matter if Character is a Mafia Boss or a General or a Diplomat, here they are in an office trying to get out of Doing Paperwork.

There’s also a sense of, like, humor and mundanity that comes with it. Like the examples above, it always particularly stands out to me when a dangerous individual is griping about some paper they need to sign or something. The less you can picture Character doing paperwork, all the better to force it upon them. If Character is saddled with Paperwork, they’re usually now concerned about the physical damages their motley crew causes, because damage = More Paperwork.

Anyway I just think it’s fun or funny, Sephiroth doing paper work and Sawada Tsunayoshi doing paper work and this just in, Tony Stark is doing paperwork. Sorry, Phoenix Wright can’t play right now. Yeah, it’s paperwork.

[elumish]

A very non-exhaustive list of actual paperwork they could be completing/reviewing/approving, in no particular order:

Timesheets

Expense reports

Requisition requests

Budget justifications

Payroll

Performance evaluations

Incident reports

After action reviews / post-mortem analyses

Incident Action Plans

Contracts

Contract proposals / grant applications

Reports / briefings

[redwingedwhump]

Your Royalty or Nobles in your feudal society should be doing this constantly unless you want to show how they're losing the kingdom and about to be usurped or overthrown.

petitions, speech-writing, complaints, requests, assignations, disputes, judiciary forms, declarations that need signing off on, matters requiring the Royal seal, matters requiring a royal endorsement, pardons, judgments, invitations, rebuttals, census data, crop yields projected or actual, livestock records, water rights, Sumptuary laws, taxes taxes taxes...

[val-ritz]

solid point there!

even when the royalty look like they're just fucking off to have fun, they're doing Socially Mandated Fuck-Off and Have Fun Time

Tournaments? Gotta show you're manly and virile through sport, or the nobles will supplant you. Feasts? Gotta show you're wealthy through conspicuous consumption, or the nobles will supplant you. Patronizing the arts? Gotta show you're cultured and erudite, or the nobles will laugh at you behind your back and probably supplant you.

[delicatefury]

Lawyer here. Here’s some more mundane/modern ones for you:

Invoices.

Intake sheets (information about new clients. The one for my firm is 13 pages and requires an hour long meeting. Then you have to do something with the info gathered)

Data entry for invoices and intake sheets.

Billing. (More involved than timesheets because you’re justifying to clients why you’re getting paid so much).

Form letters.

Taxes. Including 1099s for any contracted work.

Bank statements/accounting spreadsheets. Gotta track how expenses are trending.

Insurance documents.

General messages. Lots of office still use a paper system for missed calls and “important” stuff because it just works better than emails and chats for some people.

Memos. Big enough office to have at least one attorney on payroll? You’re getting memos about every legal question and concern and contract. It’s how we’re trained to communicate in formal settings.

[letslipthehounds]

And if you want to get into modern military, the forms are numbered, and people will refer to them by either their actual name, or the number. (Have you filled out the 4187 for this? Yes, I filled out the personnel action form.)

The military has so many forms.

[leebrontide]

If you want to add a rage level, there’s the Regular Paperwork and then the special hell of Fuckup Paperwork.

Cause there’s the invoice, and the follow up invoice and the we are about to have a problem follow-up invoice.

There’s the incident report and then the I swear I yelled at that worker about this don’t be mad at me if they do it again second warning documentation

The requisition form and the it has been six months now get me the fucking thing or you’re gonna hear from Cindy escalations form.

Paperwork has layers and protocols and backups.

[wafflewarrior111]

So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really not—but honestly this is it man.

I'm going to try it.

[missroserose]

I love the lawyer metaphor, because whenever I see “John knew that...” in prose writing I immediately think “how?  How does he know it?”  Interrogate your witnesses.  Cross-examine them.  Make them explain their reasoning.  It pays dividends.

[heck-in-a-handbasket]

All of this, but also feels/felt. My editor has forbidden me from using those and it’s forced me to stretch my skills.

[ineedthesons]

This is your "show not tell" advice explained!