@dexdefyingstunts
Do you not knit
To turn yarn into cloth
To organize your mind
And let yourself listen
To remove a little bit of entropy from the world
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blake kathryn
cherry valley forever
occasionally subtle
Not today Justin
Interview Vampire Daily
RMH

bliss lane

Jar Jar Binks Fan Club
"I'm Dorothy Gale from Kansas"
I'd rather be in outer space 🛸

Game Changer & Make Some Noise
Show & Tell
noise dept.
Claire Keane
tumblr dot com
let's talk about Bridgerton tea, my ask is open
almost home
Cookie Run:Kingdom Official!
🪼

seen from Chile

seen from T1

seen from Mexico
seen from Brazil
seen from Bolivia

seen from India
seen from Indonesia

seen from United States
seen from Vietnam
seen from United States

seen from Russia
seen from United Kingdom
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seen from Jamaica
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seen from Colombia
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seen from Maldives

seen from Panama
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@thepeacefulavenger
@dexdefyingstunts
Do you not knit
To turn yarn into cloth
To organize your mind
And let yourself listen
To remove a little bit of entropy from the world
"it's ok to show (x) in fiction as long as the bad guy gets punished!" the bad guy doesn't have to get punished. in fact the bad guy can win altogether. the bad guy can entirely get away with it. hope this helps
and this part might make some people's head explode but: characters can be written to forgive things you personally wouldn't ever forgive. not everything is written as what you'd perceive to be the right choice. not everything is a self-insert & protagonists don't have to be relatable.
movie called technically blonde where she goes to trade school instead
No but you don't understand. Rocking up to Welding class with 100% barbie pink tools is such a POWER MOVE.
"Jeremy, I'd really like my orbital sander back ^_^"
"... didn't know it was yours..."
(Legit excited, no sarcasm) "Someone ELSE has the original Box 20-Volt Brushless Cordless Detail Sander with Dust Management?!?!?!?!"
"...no..."
Teacher walking up like "Miss Woods, is that a nail file"
(Elle, blasting compressed air to get rid of the nail file sand)
"Actually, its an emery board. But yes! :D It's a finer grit than what we have, and I've always found these easier to handle"
"...Ok, fair enough."
Elle making friends with the 6 year old daughter of one of her classmates. (Child care ain't cheap, I get it. Bring your kid to class)
Elle learning how to drive a forklift/motorcycle/semi-truck
Elle giving an impromptu lecture in the break room about what gifts to give their wives/girlfriends/mothers
Fucking laser cut "bless this mess" sign on her locker (I lied. It would totally be live, laugh, laser)
Elle's car breaks down and 20+ dudes coming out to show her how to fix it. (And realizing her mechanic is ripping her off)
Every single guy in the building filled with instant despair when she gets with one of the butch lesbians in the program.
Gimme plzzz
Proposal: She takes her car to a mechanic and it's beat for beat like the original movie scene at the dress shop, where the mechanic *tries* to rip her off and she nods along and then eviscerates her with precise technical details.
The rest of Elle's class now shun that mechanics' shop and tell everyone else to as well, so that place ends up going out of businesss, which allows someone else in the class to open up a sparkling pink and perfectly trustworthy shop of his own.
Take my gay cats, Tumblr!
This is part 1, the next part will be gender identity centered :)
"There's no platonic explanation for this" <-you need to be nicer to your friends. Right now
#STOP SAYING 'PLATONIC' WHEN YOU MEAN 'CASUAL'#RELATIONSHIPS CAN BE PLATONIC AND ABSOLUTELY DERANGED
The party is hired by a noble to remove a major haunting at his manor which is bad enough he has moved to his summer home until it is resolved.
The party discovers the noble is actually a vampire and the ghosts are all of his victims, who have resolved to make his unlife an unliving hell as much as possible. Mostly by knocking over cups of “wine”.
I need you to know I had to read this twice because the first time I read unlife as unalive and almost deleted the ask
so many misguided metaphors around violence and desire. if the open maw of a panting beast fills you with the want to be devoured, that does not make you prey. while the rabbit trembles in fear, its deepest desire is to run. evolution demands it. in fact, the desire to be eaten does not make you any small animal at all.
it makes you a fruit.
You might be a cordycep
I think we should figure out what age we’re living in now so we can say how it’s collapsing to each other
Our age of plastics is collapsing
Our age of information is collapsing! *remembers generative AI, nods to self* our age of information is collapsing.
What kind of Millennial™️ are you?
Avocado toast millennial
I am bird watcher now.
I ran a marathon for fun?
Yes, I am currently working on five fiber art projects…
Other millennial stereotype that I will write in the tags.
I am unfortunately not part of the greatest generation aka here for the result
Please share!
im late to the party but essek and caleb in their projekt funball fits!!
watching the documentary on the OceanGate Titan disaster and it's striking how Stockton Rush wanted to emulate Elon Musk and in many ways he did, identifying weight as the core constraint of submarine operations (lifting and hauling the sub around as being the primary expense) and basing the entire concept around making it as light as possible, but then he overrode every engineer who told him in explicit terms that it was going to pancake, and it pancaked.
also quite reminiscent of Richard Branson's space experiments, which did at least have Burt Rutan as a designer, but the same breed of dickhead CEO at the head.
goddamn the Titan had acoustic monitoring sensors and you can literally hear the carbon fiber in the hull cracking louder and louder as they descend on test dives, but the CEO was angry that they were even bothering to monitor it and refused to accept that it was dangerous, and he wasn't just risking other people, he was on the damn thing himself! he was just that deep in denial and unwilling to accept reality.
DISCLAIMER: intense yap session from someone PUTTING THINGS INTO LAYMEN’S TERMS to make it easier for everyone to understand 🙂↕️
As someone who’s Obsessed™️ with this tragically yet sadly predictable story, we’d like to take a moment and yap about how crazy insane the Real Time Acoustic Monitoring System for Carbon Fiber for a DEEP SEA PRESSURE VEHICLE is.
First of all. The fact that Stockton Rush decided to make a DEEP SEA PRESSURE VESSEL out of carbon fiber, a material that is famous for its tensile (pulling) strength NOT pressure (push). Pressure. Which is very much in the DEEP SEA. Where the VEHICLE is going (if we remember correctly, the pressure in the ocean increases by 10 atmospheres of pressure- ie 1 atmosphere of pressure being what the atmospheric pressure is at sea level -for every 10 meters you descend. Space, on the other hand, is between 1 and 0 atmospheres of pressure). The ocean wants to squish you into biological paste so, so, so, so, so very badly.
Everyone and their mother are telling Stockton Rush that using carbon fiber is a Shitass Bad Idea. Not only does logically it make no sense to use (again, good with PULLING not BEING PUSHED, which is what pressure is) but it just hasn’t been tested the way other materials, such as titanium, have been. We know what the failure point of titanium is. We know when Catastrophic Failure happens in titanium. We know how many cycles of fatigue/stress titanium can withstand before Catastrophic Failure happens. When know how titanium behaves Before That Happens.
Carbon fiber?? We don’t know those things about carbon fiber, when it comes to DEEP SEA PRESSURE FATIGUE/STRESS. It’s a material used for PULLING not PUSHING. So it hasn’t even been tested for DEEP SEA PRESSURE. Because it’s not meant for deep sea pressure. And we’re about to show you how very Not meant for DEEP SEA PRESSURE that carbon fiber is.
Here’s a generic chat that gives you an idea of what we mean when we say Titanium Is Predictable. This chart isn’t about titanium specifically, but we can pretend it is. You can look at the colors and understand what the chart is telling you. We can see the curve and what’s a Warning and what’s Bad. The red is Bad. You don’t want to be in the red. The curve of the chart shows that you have time to predict the red before it goes to red.
Here’s an actual chart of titanium under stress, along with a steel and aluminum. Ough wow!! Look at those curves!! You don’t have to know exactly what you’re looking at to see and understand that the curves happen before the lines “flatline”. There’s a predictability before the lines of the chart “go flat”. This means you can understand the integrity of the titanium you’re using, and whether or not it’s safe to use, whether it can be worked on, or if it needs to be retired altogether.
Now let’s look at carbon fiber.
There’s no curve. Carbon fibers works, until suddenly it doesn’t. There’s no prediction for catastrophic failure- it just happens.
AND STOCKTON RUSH IS USING THIS MATERIAL IN AN APPLICATION IT SPECIFICALLY DOESNT WORK WITH (pushing- NOT pulling).
Well. The thing about Stockton Rush is that he’s going to Do What He Wants. So he’s going to build his vessel out of expired carbon fiber. Because it’s cheaper to transport and manufacture (remember, he planned on having a whole fleet of these things). He wanted to spend as little money as possible while making back as much profit as possible.
And Stockton Rush, with his background in aviation (imagine. for a moment. if a NASCAR driver decided to make a commercial airplane, and only used his knowledge of racing cars to do it. because that’s essentially what’s happening here) decided to use a Real Time Acoustic Monitoring System. Because carbon fiber is made up is a bunch of threads of carbon “braided” (for lack of better term) together, when the UNPREDICTABLE- WE ALL SEE THAT CHART. WHERES THE CURVE RUSH- catastrophic failure happens, the threads “snap” apart as they break. So his thinking process is, the Real Time Acoustic Monitoring System would be able to “predict” when the carbon fiber was going to fail catastrophically.
For shits and giggles, here’s applications acoustic monitoring systems are used for:
Please note that DEEP SEA PRESSURE VEHICLES are not on there. Damn near the rest of this IS in planes, however.
And. C’mon. COME ON!!!!! LOOK at that chart!!!! Does it look like predicting the catastrophic failure of the carbon fiber is even going to matter?!? WHEN YOURE AT THE BOTTOM OF THE GOD DAMNED OCEAN?!? Catastrophic failure at the depths the Titanic is at means IMPLOSION. The Real Time Monitoring System is a fart in the wind. It’s Safety Theater (<- you will hear that a LOT when you watch documentaries and the investigation).
Except.
✨ EXCEPT ✨
It actually fucking worked.
The Real Time Monitoring System actually DID work and actually DID predict the catastrophic failure of the carbon fiber before the catastrophic failure even happened.
And this is HUGE.
This is GROUND BREAKING.
This is the INNOVATION that Stockton Rush has had a hard on for since day one.
Except they’re loosing money. And as OP said, Stockton Rush was upset that the carbon fiber had the audacity to snap, crackle and pop at all.
He was so mad in fact that, as we found out during the US Coast Guards’ investigation, Stockton specifically had the graphs plotted for each dive in such a way so that the RTMS’ alert to the carbon fiber’s lack of structural integrity wasn’t readily obvious (instead of the graph showing the curves of stress fatigue, they were plotted to show depth with time).
Anyways. The fact that his crack pipe idea of using an acoustic monitoring system to predict a famously unpredictable material in an application it’s very much NOT used for and it actually WORKED is phenomenal. Unfortunately, Stockton Rush didn’t set out to find a way to make carbon fiber a viable material for deep sea pressure vessels, he set out to be “big swinging dick” like Elon Musk and Jeff Bezos. So he didn’t care, and how he’s dead because of his own hubris.
@voidofteeth our Boat Explodey buddy 🥫💥
thank you for writing this in old school tumblr “buckle up fuckos and learn you a thing” diction, it is indeed incredible that the man invented a clever warning system that accurately told him his idea sucked and then ignored it, scroll of truth style
⚠︎ ! your body has kept the score.
⚠︎ ! hospital ⚠︎ !
Once you've learned the spot the historical signposts, it's interesting how many "generically medieval" fantasy settings manage to miss the actual medieval period on both ends. They've got the Roman Empire rubbing shoulders with the German Renaissance, skipping directly from the year 500 to the year 1500 with nothing in between!
(The one consistent exception is, of course, the obligatory Vikings-with-the-serial-numbers-filed-off culture, who legitimately are medieval, but nobody they interact with is, so you've effectively got Vikings with time-travelling boats raiding both Roman-occupied England and Renaissance Italy.)
"Oh, they skip the actual middle ages because it's too Christian" listen. If fantasy authors are willing to hold their noses and elide the explicitly Christian dimensions of both the latter Roman Empire and the fucking Reformation, they can deal with Christianity in the middle ages just fine.
@snuggly-eve
Okay, let me try to take a stab at it:
Firstly, one thing I'd want to quickly go over as reference is what it actually means to say that a "stock fantasy setting" is more rooted in the late middle ages/renaissance than in earlier periods. Generally, the traits of these settings that are characteristic of this time are:
Aesthetics generally. Like, castles in a "stock fantasy setting" are usually these big ornamented things covered in towers and turrets (consider, say, Neuschwanstein Castle, which was itself an early modern nostalgia piece rather than a genuine Renaissance fortress), while armor leans more towards full heavy plate (like these 16th-17th century pieces, for instance). These are all classically late styles.
Likewise, your classic fantasy merchant city -- you know, your Ankh-Morporks, your Lankhmars, that sort of thing, with tangled crime-filled alleys, probably a network of scummy canals, a huge bustling port, a guild of thieves, all of it ruled over by dynastic merchants in fine brocade and velvet and heavy jewels -- that's very heavily inspired by the merchant cities of the Italian Renaissance like Venice or Genoa, or North Sea merchant cities like Amsterdam around that time or a little later, or, frankly, even early modern London.
Also, generally, urbanization. Roman civilization was very urban. Renaissance-era European civilization was very urban also, especially in places like Italy, the North Sea, and other areas rich in commerce. In fantasy, too, the notion that cities are major centers of life and politics remains -- merchant cities bustling with commerce, capital cities with the king's fancy castle, fortified cities with huge bloody walls, these are all recurring archetypes. Crack open, say, a D&D setting sourcebook, and that assumption that major cities or city-states are major focuses of culture and economy while rural areas are clearly in their orbits is fairly evident, I think.
Also, in my experience, medieval fantasy monarchies tend to be fairly centralized affairs, with powerful monarchic kings, the royal seat in the capital or the king's castle as the bustling focus of governance, and a tendency for the edicts from the king's person and the intrigues of court to be the driving focuses of political life. Also, a lot of intrigues in a classically corrupt court. This tracks fairly well for the late period, historically, where European kings put a lot of effort into centralizing and strengthening their authority, some more successfully (the Iberian kingdoms at the end of the Reconquista), some less so (Charles I of England). Absolute monarchy was less of a factor in earlier medieval Europe, which operate chiefly under a network of looser, less centralized feudal ties.
By contrast, what would these things equivalents in the earlier Middle Ages be like?
Castle-wise, the really early periods were the time of the motte-and-bailey, aka wooden palisades on top of earthen mounds. Later, you'd tend to see squatter, more fortified constructions for defensive purposes (take the Krak des Chevaliers as an example). Even well into the later middle ages, though, a typical rural keep or castle was often a fortified house or manor more than what we'd picture as a castle today.
Armor was usually dominated by chainmail, scale armor, and non-face-covering helmets (a knight of the Carolongian Empire, for example, might have worn something like a scale or mail shirt and a helm with earguards or a noseguard, but certainly not the "classic" knightly set of plate you usually see in fiction). In terms of helmet styles, for instance, compare this 11th-century nasal helm or these illustrations of 12th-century styles with later forms such as the classic "bucket helm" that was popular during and after the Crusades period. Helmets with more articulated shapes and visors came later. What's called a close or closed helm, for instance, like these ones, was mostly a 16th-17th century style, although antecedent forms were already common in the 15th. Even the barbute with its distinctive T- or Y-shaped visor slit was a distinctly Renaissance Italian thing.
(Like, as a practical example in terms of helmets, this reminded me of a passage in the first Dunk & Egg story where Duncan buys a great helm/bucket helmet, and it's described as coming across as a goofy-looking and antiquated choice when other knights all use visored and often very ornate close helmets. And this makes sense! Westeros is very explicitly based on England during the Wars of the Roses period, in the 15th century, by which point medieval armor and helmet styles had gone out of use and most armored troops wore jointed plate armor and visored helms.)
Religiously, monasteries were often the center of religious life and, for rural communities, often more important than distant bishopric seats. They were also centers of, among other things, record-keeping, writing, and brewing.
Cities. The middle ages proper were a very rural time -- cities existed, and exerted political and economic influence, but took a significant dip in both size and importance for a time. For a good few centuries the center of life for most people was the manorial system, where you had a local knight or lordling living in a fortified house or a small keep and providing protection to a town or two around this in exchange for material support. Self-sustaining religious communities like monasteries were also important. All of these, for a long time, would have basically self-supporting.
(Well, alright, that's also an oversimplification. In rural France-England-Germany, that'd be about right, sure. In northern Italy and in Flanders-Saxony, though, you start to see... not urbanization as such, but, let's say, townization early on in the system of the medieval communes, where farming and trading towns left isolated by the collapse of Roman-era state systems formed confederations for mutual defense. So the main form of urban culture in this timeframe isn't really centralized around a single big city but more along the lines of fifty towns who formed a loose alliance because they're afraid of bandits and robber knights.)
Government. Centralized states and nations weren't... really things for a long time. Feudal governance was based much more strictly on the notion of personal debts and obligation between rulers and those who administered portions of land for them. A feudal noble had obligations towards his king, but he also had a tremendous amount of freedom in running his own affairs and could have gone for the majority of his life without every showing up in the vicinity of his lord's castle -- the idea of, like, the royal court as the focus and center of political life wouldn't really crystallize for some time, and this degree of independence meant that negotiation and re-negotiation (read:testing how much you could ignore the king or going into outright revolt) were very common.
Also, the notion of national identity -- of saying "I am French, I am English, I am Italian" -- also didn't really exist (I'd recommend Liah Greenfield's Nationalism: Five Roads to Modernity for a discussion of how this mode of thinking about group-and-land identity formed in the 16th-17th centuries). Before then, concepts of identity were either strictly local ("I am from this village"), based on loyalty systems ("I am from a village defended by Knight Whatshisname, who gives his tithe to Lord Whatshisface, who gives his tithe to King Whatshisproblem"), or based on religion ("I am Christian", "I am Jewish", "I am Muslim").
So, broadly, there weren't really "countries" the way that we think of them today, with clearly delineated cultures and borders and directed from a central capital. The most granular political units were the rural manorial keep and the free town, which gave their fealty to a larger lord or a grouping of peers, and the span and size of a kingdom or an empire was determined in large part by how many of these tiny units or groupings of tiny units you could claim tithe-right and allegiance from. And that's feudalism!
Event-wise, the Big Things in the medieval period proper were the Crusades, a series of primarily religion-motivated wars (or, well, religion-land-and-luchre-motivated wars, granted) and the Black Death. It really cannot be overemphasized how the terror of being struck by this mysterious dying dominated medieval thought for large spans of time.
One book I read recently which I'd recommend for a having a good look at how medieval people thought and lived might be Michael Flynn's Eifelheim... with the caveat that it's also a science fiction novel about first contact with aliens, but the medieval side of things is really well-researched and -written.
When truth leaves us, when we let it slip away, when it is ripped from our hands, we become vulnerable to the appetite of whatever monster screams the loudest.
Andor Welcome to the Rebellion | 2.09
all books should be written by deeply damaged autistic perverts
@pangur-and-grim ?
YOU DON'T NEED TO TAG ME ON THIS, I WROTE THE POST
I think one of the gentlest things in the world is when a friend just gets your weird little brain. like you say half a sentence and they finish it. you reference something incredibly niche from seven years ago and they’re already nodding. they understand your strange vocabulary for emotions that don’t have real words yet. it’s being seen and known and still loved. maybe especially because you’re known. god. what a gift.
it's healthy for academics to have professional feuds. enrichment activity
Holy shit. "The demese ef the Ne'enderthels: Wes lengege a fecter?" published in the Science magazine
short but sweet