falsettos

all them pronouns - werekoyote on AO3 :))

[wannabecoyote]

i love you. im glad you exist

[ninanation]

Come to think of it, it really is insane that my entire country is burning alive and literally no one in the rest of the world cares. Thousands of Indians are dying every day from the heat, it's 45+ degrees in multiple areas, the government couldn't give two fucks, we're getting severe warnings and red alerts, and not a soul outside of South Asia is speaking about it because why would you ever care about brown people

[ninanation]

please keep talking about how Becky from Maryland doesn't like the rising gas prices. It's clearly the more pressing issue.

[alexa-santi-author]

For the Americans like me, 45 degrees Celsius is about 115 degrees Fahrenheit. India is not normally that hot.

[neko-mancy]

just saw a "only one bed" fic with the major character death warning

[dontbreakthechain]

#i guess that's one way to solve that problem

[idabbleincrazy]

“This bed ain’t big enough for the both of us.”

[thechekhov]

if you think about it, every time we tranquilize animals to transport them safely to another place, we are the sleep paralysis demon

[thebristolboard]

“The Militarization of the Police Department – Deadly Farce,” an original painting by Richard Williams from “The 20 Dumbest People, Events, and Things of 2014″ in Mad magazine #531, published by DC Comics, February 2015.

[spaceraptor]

Here’s the original, for comparison. And here’s a bit more about the artist and why he created the piece above for MAD Magazine.

[pennamerequired]

Richard Williams on Norman Rockwell:

“For most people, he was the painter of ‘America,’” he added. “But even he said his vision was what he wanted ‘America’ to be. It was a mythical ‘America,’ a place where all people were decent, honest and full of good will. His work was full of gentle humor that made you feel a little better; even if you knew it wasn’t really true… you just wished it was. My parody of Rockwell’s painting simply says, ‘That myth is dead.’”

[1-420-666-6969]

I think it’s relevant to add that even Norman Rockwell chose to leave his cushy job at the Saturday Evening Post because he wanted to make artwork that was more radical. The Post had rules that wouldn’t allow him to do artwork depicting black people as anything other than servants. The job paid really well and that was a huge reason he continued on. But he wanted change that and so he moved to Look magazine.

A lot of people know about the very first piece he did when he left the post which was the The Problem We All Live With which depicts Ruby Bridges walking to school under federal protection.

But I don’t think enough people know about Murder in Mississippi which depicts three real civil rights activists who were murdered by the Ku Klux Klan and sherriffs. The magazine ran the sketch instead of the finished piece because they felt it had a more striking statement to accompany the article. Norman Rockwell would finish that version after publication which is here

Rockwell’s legacy is sanitized because he decided to maintain his job at the Post for so long despite his frustrations with not being able to express himself. The civil rights movement was just his final straw to change what he could with the little time he had left. Look magazine received a lot of hate for Rockwell painting these as well.

Another favorite piece of mine is The Right to Know which depicts an integrated populace questioning their government. In 1968, the year of Vietnam and the year the Fair Housing Act only just got signed in months prior:

But I think it’s important to include the caption Rockwell originally wrote for the piece as well. I think it represents how a 74 year old Rockwell felt about the America he believed in and the people in it:

We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch us more closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too.

[batboyblog]

I’d just like to briefly say even Rockwell’s seemingly feel good Americana pieces are often more political than people today realize for example

likely the most famous picture of a Thanksgiving dinner ever painted and you see it all the time.

What you may not know is its actual title

“Freedom From Want” it’s a part of a series of 4, including this now famous meme

“Freedom of Speech” These paintings were illustrations of FDR’s “Four Freedoms” speech where The President laid out a vision that would become what the Allies were fighting for in WWII universal human rights that became a part of the UN charter.

So this homey American Thanksgiving scene was also a bold statement that no one in the world should go hungry

Rockwell’s work was very political, he used that Americana small town America vibe of his work to make what he was saying feel very close to the viewers he was trying to reach and also his optimism of the human spirt but for sure not blind to the need to build a better world.

[monster1994]

happy june everybody i hope you get fucked and/or sucked this month

[kazokuhouou]

what if we don't wanna be?

[monster1994]

then i hope for peace

[gummy-worms-in-my-brain]

my grub #mygrub

[gummy-worms-in-my-brain]

my glorpgrub #glorpgrub

[sonoftheria]

✴︎ BETRAYED STRAYS ✴︎

[insert-witty-user-name-here]

[jetix]

Ghost Fungus (Omphalotus nidiformis), 2021

[sharkfiinn]

loser duo

[adamsmasher]

WE WERE ON JEOPARDY!!!!!!!!!!

[rouge-the-bat]

thank you for coming to my this #mythis

[clownlores]

Angels are everywhere we made them

[greenfinchg-illustration]

Mermay 2025 - cosmic

[thememedaddy]

[chucktaylorupset]

(via hornedchick)

Kurt Vonnegut wrote: “When I was 15, I spent a month working on an archeological dig. I was talking to one of the archeologists one day during our lunch break and he asked those kinds of “getting to know you” questions you ask young people: Do you play sports? What’s your favorite subject? And I told him, no I don’t play any sports. I do theater, I’m in choir, I play the violin and piano, I used to take art classes.

And he went WOW. That’s amazing! And I said, “Oh no, but I’m not any good at ANY of them.”

And he said something then that I will never forget and which absolutely blew my mind because no one had ever said anything like it to me before: “I don’t think being good at things is the point of doing them. I think you’ve got all these wonderful experiences with different skills, and that all teaches you things and makes you an interesting person, no matter how well you do them.”

And that honestly changed my life. Because I went from a failure, someone who hadn’t been talented enough at anything to excel, to someone who did things because I enjoyed them. I had been raised in such an achievement-oriented environment, so inundated with the myth of Talent, that I thought it was only worth doing things if you could “Win” at them.

[montereybayaquarium]

We're otter this world🌈🦦🌎

The Monterey Bay Aquarium PROUDly presents “Otter This World,” performed by Monét X Change with special guest Trinity the Tuck.

This collaboration is a celebration of sea otters, healthy kelp forests, and the magic that comes to life when drag queens channel their ocean inspiration.

It’s also a beautiful reminder of the importance of community, pride, and the power of showing up as yourself. Because the ocean needs you, exactly as you are.

Watch, reblog, and stay otter this world with us. 🌈🦦🌎

[nikoisme]

afraid