weighted blanket's not enough i need to be compressed by a hydraulic press
this website gets me

if i look back, i am lost

JVL

gracie abrams
we're not kids anymore.

#extradirty

Love Begins
trying on a metaphor
Keni

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bliss lane
Today's Document

tannertan36
I'd rather be in outer space 🛸
wallacepolsom
Cosimo Galluzzi
noise dept.
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tumblr dot com
let's talk about Bridgerton tea, my ask is open
Sade Olutola

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@asphyxia778
weighted blanket's not enough i need to be compressed by a hydraulic press
this website gets me
Okay idk how to describe it, but for like 30 issues, the way Dick’s cape was drawn was unfathomable levels of peak.
Maybe I’m just seeing things, but it feels so CLOTH-Y, and now all the other depictions of it look like stiff cardboard by comparison. It had texture. It had sauce. It felt like a fabric, or a textile, or a something.
I could not agree more, Rich Buckler drew Robins cape with a drape and sense of weight and reality to it which few have equalled.
I keep trying to like red wine like a grown-up but like … it’s rotten grapes, guys. You can drink things that don’t taste like rotten grapes. Why
Okay I don’t know when this post is from (I came across it stalking multiple blogs). But in case this might help, here is a brief science/wine lesson.
To start off, some facts:
-White wine is made from sweet pulp inside of the grape (minus the seeds).
-Red wine is made from both the skin and the grape (and the seeds and stems…sometimes? Can’t remember).
-Tannin is the substance found in red wines, coffee, dark chocolate. Tannins are responsible for the bitter taste in those foods.
-Tannins are found in the skin of the grape, as well as the seeds and the stems. Therefore, most red wines will have tannins, versus most whites will not have tannins.
-Red wines vary in level of tannins, depending on variety of grape, climate, and fermentation process. Pinot noir tends to be very low tannin. Shiraz/Syrah, choice of poison for our beloved brunette surgeon, is very heavy on the tannins.
-Some white wines (most commonly Chardonnay) are aged in oak barrels instead of metal containers. Oak barrels have tannins, which seeps into the wine during the fermentation process. That’s why Chardonnays tend to be “drier” aka it has tannins.
-White wines like Sauvingnon Blancs are usually fermented in steel barrels (aka no tannins. Aka usually very fruity and light and sweet).
Your ability to taste tannins is genetic.
There is a genetic marker determining whether your taste cells are sensitive to tannins.
Basically two people can drink the exact same wine and have wildly different reactions because: 1. Person A can’t taste tannins, so they taste the actual wine flavor. 2. Person B can taste tannins, and that tends to overpower ALL the other flavors in the wine. Basically all they taste is tannins and none of the wine.
I am super tannin sensitive, so if I drink a wine like Cabernet Sauvignon (very tannin heavy, aka “very dry”, it tastes like bitter ethanol alcohol to me, whereas my best friend can’t taste tannins so the same wine is maybe a little bitter but they can actually taste the grape and different flavors. To her, a wine like Sauv Blanc is too sweet, tastes like sugar water. But to me it tastes good.
So unless it’s the taste of the alcohol or all wines you hate, chances are you might hate the taste of red wine, especially the heavier red wines, because taste the tannin overpowers everything else. And all you taste is bitter bitter ethanol bitter more ethanol.Â
More tannin info: -Tannins bind to fat.
-This is why tannin heavy wines are recommended with fatty foods (Shiraz and steak). Whenever you eat food with high fat content, the fat builds up on your tongue. A sip of red wine will bind with the fat on your tongue and clear it away. That’s why the sip of wine between bites of fat heavy foods is considered a palate cleanser.
-By that logic, this is why white wines are recommended with low fat foods, like fish. Salmon is fattier than most fish, which is why Chardonnay (tannin heavy white wine) or Pinot Noir (low tannin red wine) is recommended with salmon.
-People who are sensitive to tannins can drink tannin heavy red wines with fatty food and generally the wine won’t taste gross. The fat on your tongue (from that steak) will bind with the tannin and neutralize the tannin taste. Aka the only time I ever drink Cabernet Sauvignon or Shiraz is with a steak or heavy, creamy pasta. Aka never bc I don’t often eat either.
-The reason dairy helps coffee taste better is because the fat in milk/creams binds with the tannins in coffee and neutralizes the bitter taste. This is why people who can’t taste tannins can generally drink coffee black without milk (sugar is a different story). It’s also why almond milk in coffee is the worst idea (almond milk is already bitter and has no fat).
More wine facts: -90% of the “aromas” of wine are marketing BS
-You know the labels that say like “cherry with a hint of blackberry?” There’s no real way to infuse cherry or blackberry into grape wine without screwing with the fermentation process. It’s all created by the wine marketing industry to sell you win. Sometimes if you smell cherry before you drink the wine, you might taste it in the wine (because majority of flavor comes from smell). Or if you think there is cherry flavor in the wine, your brain can trick your taste buds into tasting it.
-The only true flavors found in real grape wine are grapes (obviously), oak/earthy flavor (the barrels), vanilla (barrels, oak sticks), tannins. (There are a few others but can’t remember. I think maybe cinnamon?).
-People’s perception of wine often affect how good it tastes to them. Social psychology studies show that people will rate the exact same wine differently if they’re told the wines are different in price. (They rated the more expensive wine as tastier).
tl;dr Whether you can taste tannins is genetic. Exact same wines taste different for different people depending on your genetic makeup. If you’re sensitive to tannins, red wines won’t taste like anything other than bitter alcohol. Genetics/tannins are why people generally have preferences for red or whites.
this is extremely informative and i have learned a thing about myself, which is that i CLEARLY inherited the tannin-tasting genes from my teatotaling mother and not from my dad who subsists entirely on espresso and cabernet sauvignon.
I suddenly understand why my goddad can drink black coffee and those wretched tasting dry wines and think they taste good.
Black tea also has tannins, so if you - like me - need to drink it with cream and don’t brew it nearly as long as tea aficionados say in scandalized tones you ought to, because otherwise it’s too bitter, you uh. might be sensitive to tannins.
I think that dark roast coffee has more tannins than light roast; I know for certain it requires a good deal more cream/milk to balance out the bitter/burnt taste.
@thatbitchfae
Ooh, did not know that
the only jason resurrection story i accept is superboy prime punching a hole in the universe wherein jason is forced to wake up and then dig himself out of his own grave because its both funny (universe punch) and tragic (grave crawl) and I think thats the kind of life jason should be living
Phenomenon is a great word. It means "Thingy" but when you don't want to sound stupid
"Thingy (possibly happening?)" Vs. "Thingy (possibly dude?)"
Anomaly is another great one: "thingy (???)"
Assortment of whimsy window grates
minor thing: sua wasn't able to become an idol for a variety of different reasons (physical capacity, skill, drive, etc), but one of them i never see discussed is that she is fundamentally not made for idol life - the reason she dies first in alnst is also commentary on this. it's her mental fragility that has more implications for her character.
being an idol necessarily consists of the performance of a desired image to the audience. mizi is individually suited to this (unknown, her image shifts to suit the viewer's desire of her as extension of the lack of consideration for her interiority), but sua demonstrates an unwillingness to perform this happy idol image outside her relationship with mizi. and even when she does act through this idealised romance, unlike mizi, who lives within the fantasy, she is unable to immerse herself in it, only being able to obtain joy vicariously through mizi. (the image above: only mizi has light in her eyes - becoming an idol is initially her dream to claim a fraction of independence for herself.)
sua positions herself as secondary and supplemental to mizi, like a manager & her star in the spotlight. from this role she finds her purpose. she supports mizi, corrects what is unbefitting of an idol, and expects dependency for her labour of responsibility. sua is dependent on mizi for meaning and emotion, while mizi is dependent on her for more physical comforts (shelter, support). sua can't live without mizi, but mizi can eventually live without her if she wished to. this is why sua is so desperate for mizi, and to ensure an eternity together at any cost.
refusing independence due to her self deprecation, sua enmeshes herself with mizi. she traps herself in their union - she has nothing outside of it, and so naturally takes the sacrifice against existential threat for the two of them when it comes to it, if she can help it. this is what dictates her direction for both r1 in zomst and alnst, and this dependence on mizi for identity is what stops her from succeeding idolhood.
one thing i wanna say though is data centers being built in rural areas is environmental racism + classism so when i see ppl bitching about locals bitching about data centers im like oh it’s literally because it’s not your backyard being demolished and your air not being polluted and your waterways not being ran dry and your soundscapes not being raised to unhealthy decibels ….
really specific trope i like that i feel like can only be explained in a diagram
The wine incident. Revenge on @nerdylizard5
Gold-tinged slave-king with the eyes of a cornered animal. Scene from part 12 of For His Kingdom
I love this beyond words it’s beautiful and painful and incredible and the anatomy and the anguish MY BEAUTIFUL SWEET MAN 🥰🥰🥰
I still can’t stop staring at it…. The points of the collar scraping his neck… the curve of his chest… augh and the ANGUISH, his beautiful muscles, the way his hands are just so expressive…..
I miss when ads were a single click and then they’re gone. Now every ad has a minimum of three phases where you watch a video, exit the still frame of fake gameplay, and then exit the app download. That doesn’t even touch on the ones that forcibly take you to another app after opening a tab in safari without you ever touching the screen.
I hate advertising. I hate that you can’t do anything without companies jumping down your throat with mostly bullshit ads. I hate that billboards exist. I hate that every company unanimously decided to make their ads longer and longer. I hate that ad blockers try to charge you money and there are in app purchases to remove ads. I hate that my attention has become commodified. I hate that there’s nothing I can do about it.
let's all have a fun time looking up new words when we encounter them to see what they mean before incorporating them into our vocabularies
my little cousin confidently declared that mother nature had a counterpart named daddy electric and i feel like this concept needs to be explored
Daddy Electric and Mother Nature sounds like a cute 70s act
“my father is a boy and my mother is a girl so i’m mixed” is the funniest possible response to someone asking your gender and it came from 6’5 Viking footballer and notable weird little guy Erling Haaland on a Snapchat
comedians can only dream of writing something this funny
codependency so crazy that the layout frames the two of you as one person
"beggar taking advantage of you" vs "pet you keep around the house"
the two times in the comic mizi reject's sua's bid to help her:
first, mizi asks to stay in sua's home and offers to pay sua back for everything by getting a part time job. sua replies that mizi doesn't have to pay her anything, because just knowing mizi is relying on sua and that sua is helping mizi is enough for sua. in reaction, we get the first screenshot.
second, in response to mizi calling herself a beggar, sua says that mizi does not know herself ("why would you say that? you really don't know yourself at all"), insists that mizi is a kind person who hates herself but still tries to be understanding of others, and then says that mizi is being too hard on herself. in reaction, we get the second screenshot.
initial observations: it's interesting that, in mizi's first rejection of sua's offered unconditional help (first screenshot), mizi's vitriol is directed mostly inwards: she calls sua a pushover, but the main focus of her disgust seems to be aimed at herself, as she calls herself a "beggar tak[ing] advantage of [sua]." but in the second screenshot, mizi seems more unhappy with sua as she denies being a "pet" for sua to keep "around the house" (thereby implying that this is how sua is viewing her).
in the first screenshot, mizi's disgust is directed mainly at herself because she is repulsed simultaneously by her own weakness and her exploitation of others; she is a "beggar" with no money for rent and she's "taking advantage" of sua the pushover. if sua had agreed to let mizi pay her back, then mizi would feel more in control of the situation, as delayed payment for housing is an ordinary phenomenon - however, by saying that mizi doesn't have to pay anything, sua takes this sense of control away, and instead makes it so that the sole factor allowing mizi housing is sua "really lik[ing]" mizi. as mizi is someone who copes with being powerless by trying to feel in control and (in alnst) develops a guilt complex about being someone who manipulates others into dying for her, being in this sort of position - simultaneously weak + powerless + reliant on someone's love for her, and taking advantage of someone else's love without giving anything back - would naturally be disgusting for mizi, and would result in her describing herself this way.
then, in the second screenshot, mizi directs irritation at sua on top of the previous disgust at herself. hearing sua reject mizi's self-hating view of herself leads mizi to feel that sua letting mizi stay at her house for free would be the equivalent of sua having "some pet [she] keeps around the house." "pet" is an interesting metaphor to choose (given all of alnst) because it implies at once love as the source of survival (the owner takes care of the pet because the owner loves the pet and finds the pet cute/endearing) and a deeply unequal power dynamic. "pet" is a fitting metaphor because, in alnst, mizi is taken in by and provided for by shine on the sole grounds that shine finds her endearing and so loves her - a similarity, perhaps, to sua saying that she's willing to shelter mizi for free because she loves mizi.
sua said she loved mizi, and then described an idealized image of mizi. thus, since mizi's "i'm not a pet" comment was specifically in reaction to sua giving this idealized image, this implies that (just as in alnst) mizi feels stifled and crushed by sua's rosy vision of her. perhaps mizi uses the pet metaphor because, just as a pet must remain endearing and lovable to ensure its continued survival in its owner's home, sua's words ("you don't know yourself + you're actually kind and warm + you hate yourself") and the situation lead mizi to also feel that, if she were to accept sua's offer of free shelter, mizi would have to keep performing and living up to the rosy, idealized image sua has of her forever - kept around and given shelter purely because sua loves this image of her.
the line "fine. then you can just hit me" then adds to this, because it implies that mizi has made a connection between [sua's offer of free shelter + sua's words] and [the domestic abuse mizi is facing]. if mizi grew up facing domestic abuse, then she probably views being hit as a price she pays for the shelter and food her mother gives her. so, by saying "then you can just hit me," mizi is (from her pov) laying bare the transactional nature of this offer, offering a different exchange more familiar to her (violence for shelter, as opposed to the performance of a rosy image for shelter discussed above that she felt sua wanted), and making obvious the uneven power dynamic that would result from mizi accepting sua's offer.
(now, i think it would be reasonable to conclude that mizi's reading of the situation is heavily informed by trauma and self-hatred, especially the "then you can just hit me" comment. i do also think it's reasonable to conclude that sua's description of mizi - a kind, warm person who hates herself but still seeks to understand others, who is being too harsh on herself - is largely correct, and mizi's rejection of this description is also fueled by trauma and self-hatred. however, certain sua comments (eg. "just knowing that you're relying on me is enough" + "you really don't know yourself at all") do imply that the uneven power dynamic exists from sua's point of view as well.)