Cafe at The Portland art museum has Rothko no. 5 cakes. Something intellectually meaty about seeing the painting in person, and then eating a cake copy. The complete experience. Full spectrum.

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Cafe at The Portland art museum has Rothko no. 5 cakes. Something intellectually meaty about seeing the painting in person, and then eating a cake copy. The complete experience. Full spectrum.
Tbh I think the "but data centers are important infrastructure, not just AI" talking point misses that like
Ok so roads are important infrastructure. A lot of stuff that's important happens on roads. Now, let's imagine that quadrillionaire Matt Stench has decided that the next big tech innovation is the Wide Car. It's a car that takes up six lanes despite seating only one passenger.
The Wide Car is supposed to be the future, and everyone's going to be driving Wide Cars, even though nobody who makes Wide Cars is turning a profit. Employers are offering Wide Cars as an employee benefit, and getting "nah." Some employers are going as far as demanding their employees drive Wide Cars, and the result is that people take time out of their workdays to get in the mandatory gas usage for their Wide Car before driving home in a regular car.
In spite of the fact that the Wide Car is clearly set to fail, there's an enormous push to expand to twelve-lane roads to accommodate a bunch of Wide Cars that simply will not materialize. This is not an organic response to demand, but a speculative investment that amplifies the existing issues with road development for no good reason.
That is the problem.
Oh and the road infrastructure project is buying up resources other people could have used for literally anything else. With money they promise they'll be making from Wide Car sales any day now.
Okay so what I'm getting from the notes is that when you try to transplant some techbro nonsense into an offline equivalent, you have to be careful to avoid simply inventing something the Americans are already doing in real life
The most hilarious thing about She-ra and the Princesses of Power is this: it’s a sophisticated and critically-acclaimed 2010s cartoon, with characters who have complex, multi-dimensional relationships and well-developed personalities with interesting character arcs… and they’re all saddled with these ridiculously on-the-nose 1980s toy commercial cartoon names. So there’s the snow princess Frosta and the mermaid princess Mermista; the archer is named Bow and the sorceress is named Castaspella. The leader of the Horde is Hordak, and Catra is a cat. It’s like a version of Avatar where everything’s the same except Katara, Sokka, and Zuko are named Waterella, Boomer, and Hotman.
nah, Boomer’s that guy with the tattoo. Katara and Sokka would be, like, Glacia and Tundro (‘cuz it’s cold where they’re from, you dig?) and Zuko would be Flameheart. also Ozai would be some shit like Dragonheart (they’re similar 'cuz they’re father and son, right? but dragons are evil, as we all know)
and Iroh would be Firoh
Something that I get chills about is the fact that the oldest story told made by the oldest civilization opens with "In those days, in those distant days, in those ancient nights."
This confirms that there is a civilization older than the Sumerians that we have yet to find
Some people get existential dread from this
Me? I think it's fucking awesome it shows just how much of this world we have yet to discover and that is just fascinating
@makaeru peer review cos this made me check when the Sumerians happened and I forget how recent history is for every other continent. 7000 - 8000 years ago just isn't that long when you're in Australia, and the amount of detailed history we have access to here is wonderful and should be recognised more internationally
Source (non Aboriginal)
And a quote I picked out from a longer interview with an Aboriginal local elder about the area where he touched on the history
Source (the rest of the interview is really interesting and all transcribed, have a look if you're curious)
This is part of my Ancient Civilizations class that I teach, which does a whole week about Australia and the Torres Strait Islands because I was sick of never seeing them represented in USAmerican history contexts. With the help of @micewithknives and @acearchaeologist I've learned so many incredible things about Australia's past and it's been incredibly rewarding to share them with students.
My favorite fact about Aboriginal oral history is the fact that we pretty recently discovered that the Aboriginal myth of the 7 Sisters, an origin story for the Pleiades star cluster, accurately reflects a point TEN THOUSAND YEARS AGO when two stars in the constellation got close enough together to no longer be distinguishable by the naked eye.
The story? 6 sisters running from something that took their 7th sister.
as a gilgar gunditj woman, i was not expecting to see my culture on my dash.
thank you for spreading our words and treating our culture with respect.
the thing I heard about Aboriginal folks that fucks me up the most is that apparently they just, like... know where the cardinal directions are at all times. and not like some "magical natives" racist horseshit, no like this is a skill that they actively teach and cultivate and practice and they can keep track of which way they're pointing even when they're in buildings with no fucking landmarks
and meanwhile here's my dumb ass, in my forties and I still do the Never Eat Shredded Wheat thing with my eyes to remember which way east and west go (no trouble remembering which ways north and south go 'cuz I grew up in the south and Not Being Confused For A Fucking Yankee is culturally significant 'round here)
ppl who don’t make an effort to listen to their partner(s) abt their interests bc they “don’t like it” scare me
exactly. it’s not about whether you like it or understand it. it’s about sharing their joy and learning about who they are.
Real and true
Me, tears streaming down my face, sobbing, as I stare at the stars: it’s just so beautiful
The medieval peasant I went back in time to give a bag of Doritos to, concerned: what terrible and powerful sorcerers they must have in your age, to be able to veil the vault of heaven itself from view, as you say
Me, sniffling: I didn’t realize, I can’t, it’s so much, I, I… are the chips good, at least?
Medieval peasant, trying to make me feel better: they’re… magical, strange traveler
This hit 10k in A DAY
Y’all ok?
CUT MY LEAF INTO PIECES
AND THEN WE DRAG AND SORT
FERMENTATION
AND SEEDING
CAN’T EAT A FUNGUS IF I’M NOT FUNGUS BREEDING
THIS IS MY INSECT FORTE
‘CAUSE I’M USING MY BITE
CHEWING THIS SLIME
WISH THE PROCESS DIDN’T TAKE SO MUCH TIME
USING MY BITE
CHEWING THIS SLIME
TOOK ME MONTHS TO COME UP WITH THIS RHYME
THE TASTE IS ALRIGHT
THE SCENERY’S SUBLIME
I’M RUNNING UP A VINE
The original post gets lots of attention (which is great) but it makes me sad how many people miss out on the whole thing.
So here it is 🤓🐜
The original post has been making the rounds again, so I thought I’d put this at the top of my posts for anyone who checks out my blog after seeing the original. 😁🐜
RIP Charlie Kirk
so happy and free
this is going to be a silly reblog but i have kind of a fixation on animal qualia and the idea of an animal's umwelt, so i ended up wondering whether pudding was actually "enjoying" this.
which meant i went and read about snail brains.
here's the bad news, at least by human standards:
snails do not have anything like a centralized brain. their nervous system is made up of small clusters of neurons (ganglia) that mostly handle very local tasks. they don't have a cortex, they don't build big integrated models of the world, and they almost certainly don't experience things like appreciation, anticipation, or savoring.
pudding is not looking at the sky and thinking it's beautiful.
snail eyes are basically light sensors - they can tell bright from dark, but not form images. snail "taste" is done through chemoreceptors on their tentacles and around their mouth. those receptors don't produce flavor the way ours do; they just detect chemical compounds and sort them into "approach," "ignore," or "avoid."
so there's no evidence that snails enjoy food, or wind, or views, the way mammals do.
and that does sound kind of sad. but then i thought that maybe we are asking the wrong question.
snails do have valence. they detect aversive things (like salt or dryness) and withdraw from them. they detect non-aversive or beneficial conditions (like moisture) and stay extended. when pudding is stretched out like this, it means his nervous system is basically saying "this is safe; nothing is wrong."
if we define pleasure not as our human experience of dopamine and reward chemicals but instead as "the absence of aversion" - a state where the organism is open to its environment instead of defending itself - then this does count as something positive, even if it's extremely nothing like human enjoyment.
pudding isn't appreciating the wind. but his body is registering humidity, safety, and the ability to keep functioning, and that matters to him in the only way his nervous system can make things matter. he does not think "this is great, this is awesome, i love the weather", because he doesn't think in the way we do at all, but the neurological action in his ganglion tell his body that he is safe, that the moisture is an acceptable level, that it's not too dry or windy, and that there's nothing imminently threatening.
i think a lot of the sadness comes from assuming that a good life has to look like ours: full of enjoyment, meaning, and aesthetic experience. but a snail isn't missing those things. its world just isn't built to include them.
snails don't have a sense of flavor. they don't even have tastebuds. this seems like a gimme, right? but again that might be asking the wrong question about what "taste" is. biologically speaking, it's chemoreception. we taste sweet because it indicates high value, high calorie sugar molecules. we taste salty for salt, umami for proteins. so in what way does pudding's chemoreceptors differ from ours instrumentally? we can say "by our human perspective, pudding can't experience "preference" or "savoring" or "anticipation of delicious food"", but from pudding's perspective we have radically overengineered ourselves for the task at hand. pudding can tell what's salty, what's high value, what has the chemicals he needs. the functional outcome is that he can discriminate food souces based on their composition. is that not taste?
so maybe the point isn't "this is sad because he can't enjoy it," but "this is a reminder that minds come in radically different shapes, and value doesn't have to be rich to be real."
All Star but it’s in a minor key so it makes you question life and realize the years start comin and they don’t stop comin
aka, the theme song to Shrek 9: Shrek’s Third Divorce
FEATURING THE AMAZING @allicatttx
i need a full version of this pls
Sis voice tho!
i was NOT expecting to love this as much as i do
THIS GAVE ME SO MANY CHILLS OMFG
Is it too late to make this the intro to The Magnus Protocol? Goddam…
We salute an absolute icon 🫡
this blog supports punching fascists
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This is so important though: "You're gonna get in trouble for that" reveals so much. He was planning on nobody doing anything, not because nobody stands up to him, or nobody objecting to what he says. He expects good people to be goody-two-shoes rules followers, and he expects the rules to protect him no matter what he does.
Important lesson to learn from this standing up to fascists means getting into good trouble. Get into trouble if it's worth it. Fascists will never expect it.
We salute an absolute icon 🫡
this blog supports punching fascists
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New Secret Knots comic: "1881".
My friend sent me this with a "this made me think of you."
I feel so seen.
Here's something from Margaret Killjoy. Not cropped to annoy those of you that loved cropped screengrabs. Also not cropped because I have better things to do and found all of this on Facebook, where someone other industrious soul copied it from Bluesky. If you haven't listened to Margaret Killjoy's podcast, Cool People Who Did Cool Stuff, I recommend it.
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