Pants have pockets?
No, they are faux pockets :(
But wait, they are real pockets, but are SEWN CLOSED! WTF!
But wait! I have a seam ripper!
Hooray real pockets again!
wallacepolsom

pixel skylines
Cosmic Funnies

if i look back, i am lost
Game of Thrones Daily
"I'm Dorothy Gale from Kansas"
ojovivo

★
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Fai_Ryy

@theartofmadeline

titsay
macklin celebrini has autism
Monterey Bay Aquarium
YOU ARE THE REASON
will byers stan first human second
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Noah Kahan
The Stonewall Inn
Sweet Seals For You, Always
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@knittynerdy
Pants have pockets?
No, they are faux pockets :(
But wait, they are real pockets, but are SEWN CLOSED! WTF!
But wait! I have a seam ripper!
Hooray real pockets again!
god damn this is a QUILT ('late day shadows' by nancy messier)
THIS IS A QUILT?!?!?!?
I crocheted a series of hyperbolic planes and strung them up into a garland. Each module is one more round than the one before, and each round has twice the stitches as the round before.
I made eight iterations; the largest one took an entire skein of cotton yarn. I really liked how this shows the change in curvature as cross section of the plane expands.
it's a well-known fact in the textile crafting community that "making objects from textiles" is an entirely separate hobby from "having a collection of materials to make things with."
crafters often refer to this collection as a "stash" or a "hoard."
it's normal to have, but sometimes comes with a certain awkwardness.
the problem is that it takes a very long time to make things from textiles - and it is extremely quick, fun and easy to get more materials.
Presents, impulse purchases, leftovers from other projects, things you bought FULLY intending to make something that you changed your mind about...
Another problem is that you genuinely DO have a plan for the materials! your intentions and desires are THERE!
and admitting that it isn't going to happen - or that your mind has changed, or you're no longer able to do them - can be really painful!
it's incredibly hard to say: "we are not the people who can do these things. we are not the people who WILL do these things."
but sometimes you need to.
it's a natural part of life. it might feel painful to let go of things that you really want to use, but won't. But clearing them out - and the attached guilt and shame - will make room for a lot more things in your life. Room for things you'll use. Room for the projects you'll do.
Room and space - not for hanging on to the shades of the ambitions and intentions and people you aren't - not being held for lives you don't have - but room and space for who you are today, and who you'll be tomorrow, and for the things you'll do.
Room and space to grow.
i didnt know the flash was on
captivated by his colours. how is he doing this
the jimmy summer palette has dropped
Quick what are you doing RIGHT now (besides scrolling Tumblr)
Learn how to create this stingray Amigurumi with this free stingray crochet pattern. This is an easy almost NO SEW crochet pattern, great fo
Quick what are you doing RIGHT now (besides scrolling Tumblr)
Learn how to create this stingray Amigurumi with this free stingray crochet pattern. This is an easy almost NO SEW crochet pattern, great fo
'Unraveling AI's 'Knitting Bullshit'
AI-generated podcasts are multiplying with zero oversight and the world of knitting has been caught in the crossfire. Kate Davies has written a must-read piece on this new scourge.
I Crocheted Neil Banging Out The Tunes
rat pattern from ComplicatedKnots
piano freehanded
I Crocheted Neil Banging Out The Tunes
rat pattern from ComplicatedKnots
piano freehanded
My friend requested a My Neighbor Totoro quilt for her baby. It’s my first finished quilt ever and I’m super proud of it! Took me 120+ hours to finish it. I hope that baby enjoys tummy time and spitting up on it!
Honoring Margaret Wise Brown’s 1947 bedtime story Goodnight Moon, artists Emilie Odeile & Ken Chapin used nearly 152 miles of yarn to create the iconic Great Green Room scene and bring the book's characters to life.
Read about it: 👉 https://tinyurl.com/yvc2x8tz 🌝
Oh this would be a lovely afghan. Crochet squares? Entrelac?
birth of venus
this is in excel btw. and this image is exactly half green and half pink. and for each shade of green there is an equal number of "opposite" pink pixels. and this represents a major leap forward in excel macro use by me
the origin of this concept was, oh, what if you were trying to recreate an image as a tapestry? and you had, say, 24 colors of yarn? and you wanted the image to have equal amounts of each color of yarn? how would you effectively use the yarn you had to create the image? you'd have to look at all the colors of the original image, then look at your yarn colors, and find some consistent method for choosing what original colors are replaced with what yarn colors. but then it turns out there's a lot of different rules you could imagine or follow, which produce different-looking images. and you can end up with something like this:
which is cool. and it would be cool to say, find a granny square cardigan pattern with 24 squares, knit these squares, make a sick cardigan. but then i realized i don't know how to knit or anything. and once you accept that there isn't really a clear "application" and this concept lives on a screen, you open yourself up to more possibilities. a la birth of venus.
step 1: python script that looks at the original image and generates an excel spreadsheet the same dimensions (793 x 1322 pixels = 793 x 1322 cells), and each cell is populated with the hex code of the color that appears in that pixel of the original image
step 2: excel macro to generate list of every unique hex code that appears in the excel spreadsheet.
step 3: excel macro to calculate the R, G, B values of each of those hex codes.
step 4: excel macro to fill each cell with the color of that hex code (not necessary, i just like to do it).
step 5: I add in Saturation (the difference between the largest and smallest RGB value) and Lightness (average of all RGB values).
step 6: pick a color palette. i always find myself gravitating towards groovy seventies palettes with warm reds and oranges, so i decided not to do that this time. i looked on coolors and found a color palette that was all dark greens that were similar to each other. there were only like four colors or something in this palette. and to make it truly different from the other project, there should be a small gradient. so i determined the smallest possible change between colors and used an excel macro to color it. i was going to stop here and do the entire image in shades of green (inspired by that guy on tiktok that paints using only one color) but then. idk. i realized the "opposite" of each color was an equally subtly changing pink. so i imagined that the end of this process would be an "abstract" image, with subtle variations of pink and green, that would end up suggesting birth of venus.
so all told, i had 502 unique replacement colors, 251 of which are green, 251 of which are pink. (793 x 1322) / 502 = either 2088 or 2089 of each color.
step 7: find some method for finding the difference between the original colors of the image and my new color palette. I use a method of comparing, R, G, B, S and L:
((abs(R1 - R2) + abs(G1 - G2) + abs(B1 - B2)) / 3) + abs(S1 - S2) + abs(L1 - L2)
and you come up with something like this. on the left, those are colors that appear in the original image. across the top, those greens are the colors i'm replacing it with. in blue, that's the number of each new color i have to work with (it's just blue for contrast). and in the center, this pink area, that's a giant spreadsheet with the "objective" difference between each original color and each replacement color. it's pink because i have some conditional formatting applied, ignore that part.
and in this situation, you have some choices to make. in the original image up there, i used a schema prioritizing light and dark--i.e., i looked at the darkest color (pure black) that appeared in the original image, then found the closest replacement color (i.e., the replacement color with the smallest number). then did the same with the lightest color. then the next darkest, next lightest.
but i'm going to do it slightly differently this time. and i don't know how this image will come out looking.
if you look at the "first" green, closest to the left, and sort by smallest to largest:
you can see that these colors on the left are closest to the "first" green i've decided to work with. that might seem odd. i mean, #7F9800--> #00a94f are pretty close, but #A95400 is red. but that's just a difference in hue. really, #A95400 and #00a94f are very similar in lightness and saturation.
and this also calculates the number of times that color actually appears in the original image. that first specific green, #7F9800, only appears twice. but some colors, like actual black #000000, appear something like 46,000 times. and if you add all the numbers in the "frequency" column, it should exactly equal the sum of each replacement color (2088 ish x 502).
step 8: excel macro again. this one is complicated. basically it sorts that first "green" column (column E in my spreadsheet) from smallest to largest. then it adds each cell in the "frequency" column until it reaches or surpasses the blue cell above column E, which for this particular color is 2089. it copies those "original image" colors and their respective frequencies over to another sheet. for the color that surpassed 2089, it splits in two. then it deletes that column E. Then it makes sure "frequency" and "replacement color sum" still total. then it runs again on the new column E, until the whole spreadsheet is used up. and it generates something like:
[color from original image] [number of times that color appears] [replacement color, filled in]
and there's approximately 8000 lines of that.
i have the replacement colors in the order above. starting with vivid green, slowing transitioning to dark green, switching abruptly to bright pink, slowly transitioning to pale pink.
step 9: another excel macro. this one looks at original image broken down into hex codes, then looks at the generated list and replaces each [original] color with the replacement color, that exact number of times.
end result of these macros, following different "rules" of assigning replacement colors to original colors, is this:
which looks different, obviously. but it is the exact replacement colors, and same number of each replacement color, as the original up there.
at maximum efficiency, it took about 20 minutes to complete step 8 and 9. i have a vision of creating a series of these, each time "starting" with the next replacement color, and then making a gif of it. idk how to make gifs though
Having lamented the difficult piss diva that is indigo, let me wax rhapsodic about a natural dye that I keep seeing it claimed is difficult but if you live somewhere with hard water thanks to limestone bedrock is an absolute dream. Namely, madder.
All this except the gray far right is from one dye bath with four ounces of chopped dried madder root and my regular ass tap water. I just kept adding fiber as long as it kept giving color. Look at her. I love her.
Madder dyes best in alkaline baths with some calcium in there. For me this is just how water comes out of the well.
Madder has such an affinity for calcium that it is a known thing that animals fed on madder leaves and exhausted madder root....perfectly safe for the animals btw....dyes their bones red over time.
Like, you can look it up. If you feed a cow on madder for a bit and then slaughter it, the bones will be red.
Nature is fuck wild
What made them all be different shades? Previous dying, or the materials of what you were dying? I would have guessed different amounts of dye except you said they were all in the same dye bath
and how did you get green?
So the orange far left was the result of a process that gives clearer madder reds; pour boiling water over the roots, let it sit for 2 minutes, strain out the madder root. This will extract some of the more orange pigments, and the subsequent dye bath from simmering the roots in a fresh batch of water will be a truer red. You can dye nice pumpkin oranges with the orange liquid extracted this way.
The bright red was the first into the dye bath; all other shades were from the exhaust bath, put in until there was basically no more color.
The green was when it was almost totally exhausted and giving yellowy tones, and I plopped some gray wool in there. Yellow dye on gray wool often reads to our eyes as green, because of the bluish tones in many grays.
The burgandy to the right of the bright cherry red was also in the first dye pot with the bright reds, but on the same gray wool.