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joan
Joan of Arc by jinglin Xu
a handful of men that god loves in the old testament are "good." others are "regal," or "holy." the rest, though, receive no testament, no religious qualities. he only likes them, though the reasons for his likings vary—"good-looking," "resting in the foot of a fig tree," "non-receptive;" god feels for men that are their father's child, that are violent like no other, that are crummy tax collectors, forlorn fishers, lords of flocks, killers that never linger. there's a type, here, if you look closely
joan of arc
heaven's preying gaze by comacheese, posted with artist's permission
Les saintes femmes au tombeau (also known as The Holy Women at the Tomb and The Three Marys at the Tomb) (1890) William Adolphe Bouguereau (French, 1825 – 1905), oil on canvas, 259 cm (101.9 in) x 161 cm (63.3 in), Royal Museum of Fine Arts Antwerp
He has risen yayy
Today, all creation rejoices. Heaven declares it, the earth is renewed, and even the depths of Hades tremble for:
“Christ is Risen!”
“Truly, He is Risen!”
josh?
where’s the body of christ?
Can artists STOP dressing up like religious figures just to be provocative? They are disrespecting all christians and yes, I am referring to Chappell Roan singing dressed up as a nun or Joan of Arc.
Stop it. Nuns and Joan d'Arc aren't your LGBT+ icons. They are religious women the first and a beloved saint the second.
Joan of Arc was literally killed for her cross-gender presentation. She was accused of blaspheming by wearing men's clothes and was offered the chance to live if she renounced wearing men's clothing. But she said "for nothing in the world will I swear not to arm myself and put on a man's dress." Only under torture did she desist, but returned to men's clothes again.
Joan of Arc chose to die rather than return to a gender performance that wasn't right for her. Yes she IS our LGBT+ icon and she is the martyr of every queer person put down, hurt, and killed by the church. The church's co-opting of the French peasant and folk heroine cannot stand above her reality. The story of Joan of Arc belongs to the people even more than it belongs to the church that killed her and then posthumously presents her in the garments she refused, even to the point of death.
As for nuns, there have been many lesbian nuns. Sor Juana Inez immediately comes to mind. More importantly, you don't control how the people your institutions have grievously harmed respond to that harm.
Signed, a practicing, faithful, queer Christian and current seminarian.
She was wearing men's clothes for comfort in battle, not because she was genderfluid or trans.
Also, claiming that the Catholic Church and not the English killed her is so wrong, even historically speaking, she was not killed because she was considered an eretic, she was killed because the English wanted to execute her at all cost!
The men's clothes was not the motivation, they had to find a ridicolous one because she was very devoted and they couldn't condemn her at first. She accept to wear female clothes to continue attend Mass, she asked to have back men's clothes because she was molested by the guards, not because she actually wanted to wear men clothes or feel different than her actual gender. Then, she was accused and condemned.
Thank you, I am familiar with this argument, and I was hoping you would try this with me. Let's talk history.
1. It's an entirely modern convention to consider being trans an identity. From a theory standpoint, trans identity is created when someone transgresses gender norms. The words that Joan used for herself don't change the fact that she and I share the fundamental experience of transgressing gender boundaries. I have every right as a trans person to celebrate the people who lived the way I do, even with different language. No one who hates trans people hates us for our identity; they hate us for our behavior. Likewise, Joan was not executed for any unknowable "identity" but for her cross-gender behavior.
2. Joan's motivations for wearing men's clothing are unknown. She never spoke of her motivation herself (Hotchkiss). Although witnesses arrested that she endured guards attempting to assault her, there is no unified witness on why she returned to men's clothing or even if she did that herself or if guards forced her to. (Guards forcing her to wear men's clothing does not negate my point, I'll get there in a second.) The assertion that she wore men's clothes to protect against sexual assault is nonsensical, as scholars have pointed out that men's clothes don't afford a lot of protection when you're shackled in a jail cell (Hotchkiss, Schibanoff). Personally, I don't know what people who perpetuate this myth think men were wearing at the time that was assault-proof. She was in a tunic, doublet and breeches. Furthermore, if men's clothing made women so impervious to rape, why didn't ALL women crossdress in the middle ages? Analyses of Joan's crossdressing that treat it as a minor detail rather than central to who she was fail to deal with the fact that very few women crossdressed! Joan initially wore men's clothing to fight in battle. Why she wears men's clothing outside of battle she never comments on, except that it was her call. She only desisted under torture. Accepting women's clothes in order to go to mass after being tortured doesn't indicate that wearing men's clothes was not personally important to her but the exact opposite. After she returned to wearing men's clothes, which triggered her execution, she told the judge that she never intended to swear off men's clothing! (Warner). Joan herself never stated that it was to avoid assault; this is extrapolated from witnesses who described guards assaulting her. Only recent scholarship has dealt meaningfully with Joan's cross-gender behavior. The Catholic church, on the other hand, has a vested interest in myths like "she wore men's clothes to avoid rape." The Church must dismiss Joan's crossdressing as inconsequential in order to both canonize her and denigrate trans people simultaneously. But it is not a serious historical argument.
3. Historically, Joan was killed by the church, not by "the English king." Joan suffered a military defeat and was captured by Burgundians allied with the English. Charles VII of France did not attempt to ransom her, which is a significant betrayal, because the ransom of knights was so rote and standardized that there were set prices for it. The Burgundians sold her to Henry V, the English king, who did not kill her, but handed her over to Bishop Cauchon in France. She was then charged with heresy and tried in an ecclesiastical court in France, under the supervision of Cauchon, for heresy. 131 clergy members presided over her trial and execution. Five articles of accusation against her in the trial were related to cross-dressing. You're right that there was a political angle to Joan's death-- Charles VII had no more use for a peasant after he was crowned king, so he didn't ransom her, and everyone involved in her execution, although French, was pro-English. However, it was very much the church that killed her. Why do it through the church? If Henry V wanted to kill her "at all cost" why didn't he simply execute her as a prisoner of war, as he did to the prisoners of war at the Battle of Agincourt just 15 years earlier? (Hollinshed)
4. Because Joan's execution was explicitly punishment for transgressing gender boundaries. It was both misogynistic and queerphobic violence carried out by church authority. This would never have been carried out against a male knight. The trial was rife with hatred of Joan's cross-gender behavior. Even her execution was an act of humiliation specifically for crossdressing. After her men's clothes were burned away and she was presumed dead, they extinguished the flames to display her naked body and posthumously humiliate her for her cross-dressing (Warner). You cannot separate Joan's cross-gender behavior from her betrayal and execution. Doing so is historically and intellectually dishonest. Given that Joan only desisted under torture, said she never intended to recant wearing men's clothes, and chose to die rather than stop, the only reasonable assumption is that wearing men's clothes was important to Joan. Not as a defense, since it is a completely inadequate defense, but for some reason particular to her internal experience. The only reason she herself gave was that it was God's call. Joan spent nearly 500 years as a folk hero before she was canonized in 1920 and, I would argue, co-opted by the Catholic church. You do not own her image or her history. You cannot erase that she was executed for cross-gender (what we would now call transgender behavior). You cannot claim her for the church at the exclusion of generations of queer people that she inspired. You cannot ask us not to see ourselves in her. You do not own her and you do not own queer responses to repressive institutions. Hotchkiss, Valerie R. (2000). Clothes Make the Man: Female Cross Dressing in Medieval Europe Schibanoff, Susan (1996). "True Lies: Transvestism and Idolatry in the Trial of Joan of Arc" Warner, Marina. (1981). The Trial of Joan of Arc. Raphael Holinshed, Chronicles of England, Scotland and Ireland.
Yesterday was Pentecost. Our advocate the Holy Ghost is out haunting the streets. She is anointing the heads of her apostles and they are speaking in tongues of righteous rage, of Love that refuses to look away, of compassion and protection. Christ is in the crowd, overturning tables and driving out agents of greed and evil. The young are having visions of what will happen if power is left unchecked and the old are dreaming dreams of justice.
Herb Lotz - Richard and Charles (from the Men Kissing series) (1994)
Saint John the Beloved and Jesus Christ discuss the nature of God. An excerpt from Dayspring by Anthony Oliveira, a collection of prose and poetry exploring the relationship between Jesus of Nazareth and his most beloved disciple.
Jesus is queer: Poor, homeless, and dark, With a smile and a bleeding heart. Mary is his Mother: Poverty Queen of Refugees 'Cross both river and sea Joseph is his father - And also the One enthroned above: They both shower him with their love. Our Most Holy Boy - Our Suffering Slave - Our Black Lamb of God - On the Cross of the States.
Christ in America (For Langston Hughes)
Sacred Heart of Jesus & Immaculate Heart of Mary (A Diptych) by me!!! [commission]