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"It's easy to say "violence is never the answer" if you've never had to fight for your life"
Poster by Vincentrose Art
🍖 How to Build a Culture Without Just Inventing Spices and Necklaces
(a worldbuilding roast. with love.)
So. You’re building a fantasy world, and you’ve just invented: → Three types of ceremonial jewelry → A spice that tastes like cinnamon if it were bitter and cursed → A holiday where everyone wears gold and screams at dawn
Cute. But that’s not culture. That’s aesthetics.
And if your worldbuilding is all outfits, dances, and spice blends with vaguely mystical names, your story’s probably going to feel like a cosplay convention held inside a Pinterest board.
Here’s how to fix that—aka: how to build a real, functioning culture that shapes your story, not just its vibes.
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🔗 Culture Is Built on Power, Not Just Style
Ask yourself: → Who’s in charge, and why? → Who has land? Who doesn’t? → What’s considered taboo, sacred, or punishable by death?
Culture is shaped by who gets to make the rules and who gets crushed by them. That’s where things like religion, family structure, class divisions, gender roles, and social expectations actually come from.
Start there. Not at the embroidery.
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2.🪓 Culture Comes From Conflict
Did this society evolve peacefully? Was it colonized? Did it colonize? Was it rebuilt after a war? Is it still in one?
→ What was destroyed and mythologized? → What do the survivors still whisper about? → What do children get taught in school that’s… suspiciously sanitized?
No culture is neutral. Every tradition has a history, and that history should taste like blood, loss, or propaganda.
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3.🧠 Belief Systems > Customs Lists
Sure, rituals and holidays are cool. But what do people believe about: → Death? → Love? → Time? → The natural world? → Justice?
Example: A society that believes time is cyclical vs. one that sees time as linear will approach everything—from prison sentences to grief—completely differently.
You don’t need to invent 80 gods. You need to know what those gods mean to the people who pray to them.
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4.🫀 Culture Controls Behavior (Quietly)
Culture shows up in: → What people apologize for → What insults cut deepest → What people are embarrassed about → What’s praised publicly vs. what’s hidden privately
For instance: → A culture obsessed with stoicism won’t say “I love you.” They’ll say “Have you eaten?” → A culture built on legacy might prioritize ancestor veneration, archival writing, name inheritance.
This stuff? Way more immersive than giving everyone matching earrings.
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5. 🏠 Culture = Daily Life, Not Just Festivals
Sure, your MC might attend a funeral where people paint their faces blue. But what about: → Breakfast routines? → How people greet each other on the street? → Who cooks, and who eats first? → What’s considered “clean” or “proper”? → How is parenting handled? Divorce?
Culture is what happens between plot points. It should shape your character’s assumptions, language, fears, and habits—whether or not a festival is going on.
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6. 💬 Let Your Characters Disagree With Their Own Culture
A culture isn’t a monolith.
Even in deeply traditional societies, people: → Rebel → Question → Break rules → Misinterpret laws → Mock sacred things → Act hypocritically → Weaponize or resist what’s expected
Let your characters wrestle with the culture around them. That’s where realism (and tension) lives.
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7.🧼 Beware the “Pretty = Good” Trap
Worldbuilding gets boring fast when: → The protagonist’s homeland is beautiful and pure → The enemy’s culture is dark and “barbaric” → Every detail just reinforces who the reader should like
You can—and should—challenge the aesthetic hierarchy. → Let ugly things be beloved. → Let beautiful things be corrupt. → Let your MC romanticize their culture and then get disillusioned by it later.
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📍 TL;DR (but like, spicy): → Culture is not food and jewelry. → Culture is power, fear, memory, contradiction. → Stop inventing spices until you know who starved last winter. → Let your world feel lived in, not curated.
The best cultural worldbuilding doesn’t look like a list. It feels like a system. A pressure. A presence your characters can’t escape—even if they try.
Now go. Build something real. (You can add spices later.)
—rin t. // writing advice for worldbuilders with rage and range // thewriteadviceforwriters
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u two ruined my life i love u
The Murderbot Dairies Colouring Pages!
Life is super stressful right now and I started colouring some silly fun colouring books. I wanted one for TMBD, so I decided to draw some!
2 pages per book, for all 8 books so that's 16 drawings! I'm proud of myself.
I am giving you here a variety of MBs, inspired by the countless designs in the community, as well as various levels of colouring details.
I hope you enjoy??
If you colour any, show me???
All drawn in CSP with the Pigma and Mycron brushes (with the occasional other brush for funsies). They should all be postcard ratios, and if you want the 100% rez files for printing or whatever, here they are: https://www.dropbox.com/scl/fi/2446ac4563s2psb20d7fj/TMBD_Colouring-2026_ByLunarBlade.rar?rlkey=nt7fh8w4brap7kcqob24gbhum&st=gmrvdjx0&dl=0
Be good to each other and enjoy! :D
MB: My hair was 2cm longer and I'd changed the colour and texture
Me: bleached wolfcut, gottit
MB: Nana gave me a patterned wrap
Me: full cowboy outfit let's goooooooooo
this network sure can effect!
I threw together a little rec list for fans of Murderbot :)
This is aimed at fans of the novellas and the TV show and I tried to capture various different elements of the story and characters.
Text of slides below the cut
Reading The Murderbot Diaries and The Apothecary Diaries back to back was... an experience.
The first 1-2 pages of All Systems Red, inspired by @nothingiswrongwithyourarmrests's post about how tmbd should have been adapted into a graphic novel.
Version where every tab is readable below the cut, because I spent way too much time on those things for no one to be able to see them
After reading Platform Decay I was suddenly struck with the intense urge to draw Murderbot in a grandma sweater just having The Worst™ time.
We do really need to consider this from Farai's POV though.
Your wife is a wonderful, caring planetary leader and scientist <3
She goes on what's meant to be a mundane planetary survey expedition
this turns into a corporate death trap she and her team just barely escape with their lives
after the death trap she gets kidnapped by the corporation that made the death trap due to them not wanting to pay damages
again. she and her team miraculously escape with their lives
after what easily had to be 6+ months she finally arrives home
Your wife is traumatized, unwilling to talk about or address this trauma, and now has a co-dependent relationship with a rogue SecUnit
You and the family are really trying not to hold the 'rogue SecUnit' thing against the Rogue SecUnit. Not its fault. But it is sarcastic and glares a lot and is non-social and has installed literal spydrones everywhere. It's willing to kill anyone who hurts your wife or her extended family. This is, to put it bluntly, a bit of an Adjustment for everyone.
Your wife decides to retire from being a planetary leader. One one hand, you think it's a good idea for her to take the time to focus on her mental health and be with her loved ones. On the other hand, it's concerning all of this has made her give up one of her passions.
One of your older children is going on her first off-planetary survey. This is good, obviously :) It's just. you are all still stressing from the trauma of your last family member's planetary survey.
It's fine. It's going to be fine. Your brother-in-law is going to be with her, and a bunch of your wife's long-standing colleagues, and-- you have complex feelings about this-- the SecUnit. it will be fine.
It is not fine.
The SecUnit and your brother-in-law and your daughter have all been kidnapped by a mysterious force for mysterious reasons.
Now your wife-- who is meant to be on indefinite mental health leave-- is off to save them.
You and your third partner want to go with her. You want to. But you have no skills for this, and family at home you need to care for. So you stay on the sidelines, waiting, waiting, waiting.
THEY'RE OKAY EVERYONE IS OKAY
thank fuck. phew. okay. now they're going to come home and--
what do you meant they're not coming home
what do you mean your child has decided to go to university off world at the school that kidnapped her
what do you mean your wife, instead of retiring, has decided to become some sort of anti-corporate activist
Yeah okay. This is not a conversation to have over the feed with a 2+ month time delay. You need to have an in-person conversation. You'll make a family trip of it; Nana and Sofia will come with. This is a good, normal, family visit
you all get kidnapped
Fugitive telemetry might just be my favorite book from the series so far.
Amazing fluff
Amazing story
Amazing how It just isn't hiding its social commentary at all.
The struggles MB has with its identity and the discriminatory issues that exist everywhere even in safe spaces, especially for the people that fall between the cracks.
How even though preservation is supposed to be about acceptance, people still act in a way that occasionally reminds me of a black kid talking to a cop. It can't say certain things because fundamentally you're still deemed a threat and if not now then don't put that thought in their head because they'll certainly believe there's a later. ("You wanna tell us where you'd hide a body?" "No way, Or else you'd find where I hid all my bodies lol" "....") (Funny if a human said it bc a Human is not deemed a walking talking weapon)
Also conforming for the comfortable, bots minimizing themselves for humans to feel safer despite being programmed to function that way by humans.
MB having to be loud about what it is or else it would be forced into a box (like with the too human/bot name picking, it would be pushed one way or the other)
The whole deal with infantilization of those without as much respect or rights in society and how it's labeled as acceptance and a positive thing as if it's not just enforcing their position in society with extra steps.
The loss of rights and horrors of living under a totalitarianism or a corporatocracy. The generational slave labor got a whole chunk of this book, and also it's apparently not common knowledge?
Just amazing all around. I'm glad Indah's relationship with it developed, glad it's being trusted more and that it will be called back in case of something "really weird".
Peak
I’ve never drawn so fast in my LIFE
Spoiler-free drawing/meme shitpost based on Platform Decay (and my first time trying my hand at Three!)
Network Effect, Martha Wells
Its my birthday, and ive realized ive not posted art in SO LONG, but ive never stopped drawing
so ive made myself a little birthday/new year goal, to suck it up, and just post stuff
so expect a very diverse amount of fanart and sketches in the coming weeks
starting with MURDERBOT, a series im obsessed with, new book in the series is out this month, Message me if you want to yell about it.
Indah's treatment of both SecUnit and the refugee Humans at the end of Fugitive Telemetry was the masterstroke of writing that showed what IS good about Preservation's establishment, actually. That Indah was able to hold compassion and understanding for both extremely traumatized parties, both the prickly consultant she's been butting heads with all book and the ungrateful strangers who shot it in the back, and balance their needs without letting either hurt the other further, shows what Preservation is GOOD at. Reparative justice, harm reduction, compassion and healing and the difficult logistics thereof.
She is dead serious when she offers for Murderbot to press charges against the humans who shot it. She also won't let the refugees be threatened or intimidated by that same legal action by her own officers. She makes sure everyone knows the rights and protections they're due. She says, No, we will not be charging Human One, "because I understand she’s experienced extreme trauma and because the consultant refused to make a complaint," because she understands due process is necessary for justice, and because she understands that what she doesn't understand comes from trauma—on both sides. She says, Are you going to help us find the real killer, "Or is this just how your whole group treats people who get hurt trying to help you?" because yes, she does understand where Murderbot's coming from better now, and because she has to speak up—she cannot simply accept the humans fear this SecUnit, despite its own resignation, not when her job is to restore and repair the society that holds both victims. And when she keeps Murderbot and the refugees from coming face to face with each other, it's not only for the humans' sake, it's for Murderbot's sake too. An unmediated, charged possible confrontation would harm both parties and serve no one. Her words and actions reflect her sincere beliefs in compassion and justice, and those of Preservation's.
And in the end when Murderbot has given up on its "less murdery," minimum force, life-prioritizing, "that was a SecUnit plan" aspirations to non-violent purpose and gone to kill Balin or be killed by it, it's Preservation's bot community that intervenes and de-escalates the situation without further harm or violence. After Human One, it sends a message to the reader: that despite the trauma and injustices the world brings to its doorstep, despite the missteps its people make in the process, Preservation is still ready to respond with strength, compassion, justice, mercy, and its belief in the sanctity of all life. It shows us, not better people, but people borne of a better society, and asks us what we could be if we could make our future better, too.