You bad peppo

Yes... I'm talking to you my so called "friend" If by some miracle you stumbled upon my side blog, I hope you have fun. i reblog cool stuff me thinks, sometimes even tag if i have the time. drink water and be kind to yourself 💙

[shrugsinchinese]

Dude, your glasses

[turtle-brownie]

I love the way you render! 😭💕 How do you pick your colors?

I remember like, years ago watching this video by Keinan Lafferty (I think) on youtube, and used the 'banana method' or whatever he called it in that, which is essentially making a curved 'banana' shape on your colour picker

essentially, the idea is, using your base colour (or, mid tone), you progressively shift the colour lighter and more de-saturated for your lighter tones, and inversely shift progressively darker and more de-saturated from your mid-tone for your shadows.

You can see in my colour-picked example here that it is not a perfect semi-circle, but it was generally the basis for how I'd pick colours, and then would tweak them from there.

How I'd tweak the colours usually is with the help of overlaying gradient maps. I'd also tweak colours in especially shadows, where I'd intentionally use a slightly lighter grey for the illusion of 'cooler' tones in shadows, and darker more saturated tones along the edges where the shadow meets the light.

I've more recently started trying out using triadic colour schemes, where I pretty much jump to the opposite side of the colour wheel for my shadows and light.

This image on twitter sort of sparked my inspiration to experiment more with that (image is linked to the original post) but I am still trying to get the hang of it still 🥲

[yyyyddmmsupremacy-deactivated20]

one person's "ugghh this trope is so overdone" is another person's "oooooohohohohohohohoho"

[pineappical]

thinking about statues of Grace being built all around Erid years after his passing so he can continue to watch over Eridians as they sleep

[cabinette]

[nekoning]

the use of AI lately has made me feel so hopeless, i translated pages of an unfinished fanzine of mine so i can remember why i love art...i hope it can resonate with anyone feeling the same way

[khaire-traveler]

My silly addition that I hope brings a smile to OP's face. Art is a beautiful thing in every single form, and even my silly finger-drawn art deserves to be shared. I hope that people are inspired to keep drawing, regardless of their perceived "skill". Do makes you happy, y'all! Spread the humanity. 🧡

[wholesomepostarchive]

5/25/2026

[cheap-slaw]

Learn to walk again

[wafflewarrior111]

So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really not—but honestly this is it man.

I'm going to try it.

[missroserose]

I love the lawyer metaphor, because whenever I see “John knew that...” in prose writing I immediately think “how?  How does he know it?”  Interrogate your witnesses.  Cross-examine them.  Make them explain their reasoning.  It pays dividends.

[heck-in-a-handbasket]

All of this, but also feels/felt. My editor has forbidden me from using those and it’s forced me to stretch my skills.

[ineedthesons]

This is your "show not tell" advice explained!

[tarysande]

Editor here.

First, let me preface this with something very important: you can treat all of this advice as SECOND-DRAFT ADVICE. It is so much easier to rewrite this kind of stuff once you have words on the page. Telling yourself the first draft is totally appropriate and acceptable.

What we’re talking about here are FILTER WORDS (and to some degree verbs of being). Yes, “thought” words are included. But so are “heard, saw, looked, tasted, smelled” etc.—most words having to do with the senses.

This isn’t black and white advice; sometimes you’ll use these words and that’s okay. They’re not WRONG. They’re just weaker. And they’re weaker because they create distance between the reader and the experience of the character.*

If you want your reader to feel like they’re experiencing the story right alongside the character, you want to cut down on filter words.

*This is particularly important with first person and close third POVs. The reader always knows whose eyes they’re seeing through and thoughts they’re privy to. So you don’t need to tell them “I saw X.” Or “I heard X.” Or “I thought Y.” You can just jump into the action/observation as it’s happening.

This is also where you want to pay attention to verbs of being.

“It was rainy.” Versus: “The rain pounded against the roof.” Or “The rain howled like an injured animal.” Or “The rain tapped against the window like an anxious lover.” All of these are inviting the reader deeper into the experience of the story by using stronger verbs and similes. And, at the same time, they stir feelings (instead of TELLING feelings). And feelings keep your reader engaged. Engaged readers keep turning pages; engaged readers become FANS.

[the-haiku-bot]

This is also where

you want to pay attention

to verbs of being.

Beep boop! I look for accidental haiku posts. Sometimes I mess up.

[defilerwyrm]

The most valuable advice that Author Ex gave me through the years that we wrote together was this: the problem with all these filter words is that they create distance in the POV.

That means that when you read a line like

John saw that the curtains were open.

It immediately takes you OUT of the character's perspective and instead tells you what they experience as a secondhand observation.

You don't have to get fancy or purple with how you rephrase things like this. Not everything needs a ton of breathing room.

You wanna know what's perfectly impactful while keeping a tight POV?

The curtains were open.

Simple as that.

[songlin]

This was one of my all time most powerful writing lessons! This mindset shift makes you a stronger writer immediately in a way that just keeps getting easier and better for you.

[elumish]

The take I always have on advice like this is that "John saw that the curtains were open." and "The curtains were open." are sentences that are telling you two different pieces of information.

Some of this, yes, is about POV distance--but some of it is also about the information being conveyed by the sentence. If you are using a sentence like "John saw that the windows were open" it should be because the information you are seeking to convey is that John saw it.

Maybe this matters because the next time John looks back they are closed, and so he's doubting what he saw. Maybe it matters because he later has to recount information about the room he was in, and it's notable that he specifically saw that the windows were open. The fact and method of his observation is part of the point of the sentence, rather than simply the observation itself.

When we are using sense verbs, it should be because part of the point is the sense. Same with "thought", "felt", etc.: "Mary thought that Susan looked a little thin" is telling us a different piece of information than "Susan looked a little thin."

Contrarily, at least in my opinion, simple telling phrasing like "It was rainy" can sometimes bring us more into a character's head than something showing like "The rain howled like an injured animal." I have read books when a relatively plain-spoken/plain-thinking character suddenly starts having elaborate descriptions of things like scenery or weather, and it is abundantly clear that the author wanted to spruce up their writing and avoid "telling." The problem is that it drags me as the reader out of the character's head and shows me where all of the strings are. I'm suddenly thinking about how the author is worried about being yelled at for "telling" instead of just reading the story.

Your writing, down to the sentence structure and word choice level, should be about what you are trying to accomplish. Is the point to tell us that the window was open, or is it to tell us that John saw that the window was open?

[tieflingkisser]

[lesbianslimefriend]

here's where to find it on windows 10

[the-tiny-dragons-tea-room]

Ugh, it was in mine. It's off now.

[the-tiny-dragons-tea-room]

IT GETS WORSE

I had to turn this off, but it's something that allows Windows and anyone using your device to generate text/images.

LOBOTOMIZE YOUR MACHINES

[marougus-the-dragon]

AI is a freacking plague, I share this for any windows user.

[estro-boi]

we gotta get back to torrent distribution, i just watched someone eat eight grand in bandwidth charges because they ran a direct-download piracy site with local file hosting through cloudflare. torrents were invented literally for this exact reason

[estro-boi]

torrents work like this

i have a file or folder on my pc that i want to share with other people. let's call it gayshit.mp3

unfortunately gayshit.mp3 is 750mb and im not paying for discord nitro so i need another way to send it

i put it into qbittorrent and it makes a torrent file. this is essentially a very small file that points to gayshit.mp3 so other computers can find it. kinda like a treasure map

i send this tiny file to my friend, who loads it into qbittorrent. their computer takes a moment to find mine over the vast expanse of cyberspace and then (as long as my pc is running and the file is still where it should be), it gets copied from my hard drive to theirs

this is the cool part: if somebody else loads that tiny file, they can download it from both of us. if i'm offline but my friend is on, the third person can still get it. this also means that if two people have separate halves of the file, they can download the other half from each other. as long as some combination of people have the pieces between them, they can all have the whole thing.

crucially this does not require a server!!! you can just upload the file to a few people and as long as they keep it, it's still accessible. as long as somebody, somewhere is still connected, it's available forever. the only way it goes away is if everybody disconnects from it.

please learn to torrent

[seekingstars]

HOW’S THAT HOUSE THAT RAISED YOU? - Lev St. Valentine

[kathaynesart]

Why do Leo and Jacksepticeye both pose the same way when searching for hidden passages?

[therealjacksepticeye]

He’s my favourite turtle that’s why!

[sentimentalslut]

what people dont get about divorces is the Whole Thing About Dogs

[sentimentalslut]

i have written custody plans for labrador retrievers more complex than i have for children. i went to four years of undergrad, three years of law school, and sat for the bar exam to write up custody exchange provisions for dogs with hyphonated last names

[sentimentalslut]

my clients are paying $295 an hour for me to go to court and litigate who makes veterinary decisions for Chuckles the Goldfish and theres literally nothing i can do to stop them

[sentimentalslut]

framing these tags and hanging them up in my office to remind me that it can always be worse

[hellenhighwater]

Well those are allllmost done

[codebreakerblue]

question. why do you have 7 featureless grey monoliths in your driveway

[hellenhighwater]

There's eight actually but the last one is still in the garage

[jackfromthefairytale]

question. why do you have eight featureless grey monoliths

[hellenhighwater]

They're actually a really dark purple

[fishofthewoods]

question. why do you have seven featureless really dark purple monoliths in your driveway and an eighth in the garage

[hellenhighwater]

Some of them do have features though. There's holes and hinges and stuff, so I can put secrets in em

[nobodywasneverhere]

question. why do you have 8 really dark purple occasionally featureful monoliths

[hellenhighwater]

The heart wants what the heart wants

[fred-the-dinosaur]

this reads like a muppet sketch

[fred-the-dinosaur]

see? See!??!

[hellenhighwater]

You're not wrong

[hellenhighwater]

This post is less than six months old.

[worldheritagepostorganization]

World Heritage Post

[etherea]

your dating service

Date with Mona. Date Fee: 99¢ Customer Comments: “It looked like it would be a fun day, but as it turns out… (Person in 50s)”

[transfagrified-in-the-void]

Here is a free pdf of the players handbook

Here is a free pdf of xanathars guide to everything

Here is a free pdf to monsters manual

Here is a free pdf to tashas cauldron of everything

Here is a free pdf to dungeon master’s guide

Here is a free pdf to volo’s guide to monsters

Here is a free pdf of mordenkainen’s tomb of foes

For all your dnd purposes

[zxiqky-wicky]

Reblogging for other dnd nerds

[demon-rum]

>^>

[jacobtheloofah]

also here is a whole website that not only has a shit ton of adventures and such but lets you search for any item or npc or whatever and see their stats and info at your fingertips

[batmanisagatewaydrug]

and here is the same version of the above website except it uses the 5e rules as they existed prior to the 2024 relaunch, which is what you’d prefer

[everythings-a-feather]

I got hit by the most intense mental image upon seeing this post

Ok bye

[keyblack-hl]

do you ever just

“no that’s not dramatic and cheesy enough”

“getting warmer”

“t HERE IT IS”

[discoskater79]

i love this but i dont know how to do this

hoW

[yokoboo]

For those wondering about HOW to do this, here’s a short explanation according to me:

Drawing A to Drawing B: -the most obvious change is the exaggeration of the line of motion in the character.  

In Drawing B the line of motion is much more pronounced, creating more drama and movement to the whole composition

-The arms are open wider, showing more confidence and exuberance in the character, exaggerating their emotions so they can be more clearly read without having to look to the face for emotional cues.

-the legs are wider apart, adding to the aforementioned confidence but also giving the character a solid foundation, visually speaking.

-The head is tilted back and overlapped by the chest, adding a touch of dynamic perspective to the drawing.

Drawing B to Drawing C:  -Most obvious change is to zoom in on the character.  Character framing is just as important as what the character is doing.  Zooming in can help infensify emotions.  this shot is ALL about this character and what they’re feeling. -Because of the zooming in, the arms/hands would have gotten lost, so instead of making the canvas wider, the artist has elected to rotate the character slightly, bringing a dynamic angle to things and more intensity to the close shot. -While the character is more upright in this shot compared to Drawing B, in Drawing C the chest still slightly overlaps the neck, preserving the feeling of being slightly below the character (putting them in a position of power relative to the viewer), which helps maintain confidence and power in the character. -the chest is exaggerated to carry the majority of the body’s line of action so even though you cannot see the legs, our brains are able to fill in the gap and envision that line of action. -The cropping/framing of the character allows for a more interesting composition/negative shapes created by the positive (character) on the negative (background), creating more visual interest as well as a circular motion to the composition through the arms, across the face to the negative space for the eyes to rest in before dropping to the hand in the background and back through the composition again.

[keyblack-hl]

DID YOU DISSECT MY DRAWING TO FIND OUT WHY IT WORKS??  I LOVE YOU.  I LOVE YOU.  THANK YOU SO MUCH