rb to give it up for laura hall and linda taylor
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$LAYYYTER
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2025 on Tumblr: Trends That Defined the Year

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Aqua Utopia|海の底で記憶を紡ぐ
Lint Roller? I Barely Know Her
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Stranger Things
Not today Justin
d e v o n
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Today's Document
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@selfyourlove
rb to give it up for laura hall and linda taylor
all lunch breaks should be paid im serious. im not even enjoying this im literally just making sure i dont pass out or something. this is part of The Job as far as im concerned
Hes the dad that stepped up
STAR WARS: Episode III – Revenge of the Sith (2005) dir. George Lucas
#grandma it’s me anastasia
@cacchieressa speaking truth
so sad that phantom of the opera finally closed. i know that some people thought it was fucked up how they would always drop the chandelier on the audience, killing 7-10 random showgoers every performance, but i personally think it was one of andrew lloyd webers more bold and interesting artistic choices, really pushing the boundaries of how musical theatre can engage the audience
sorry but I so don't care that venom might not be in the mcu cause where the fuck would he and eddie even fit in the mcu? there's no chaotic sexy energy in the mcu i'm so sorry like the mcu's idea of sex is two dry pumps on a beach with ppl so pretty they might as well be ai generated the horniest thing they've done in their films is had steve rogers in a boob shirt and then they finished his story by becoming joe biden Venom would eat some cop's skull and the avengers would literally shit themselves they'd be like "OMG EDDIE YOU CAN'T GO AROUND EATING COPS" and Eddie would be like "I didn't that was my husband" and then John Watson would show up and be like "I'm an ally so I totally understand but also we don't allow the eating of law enforcement here" and Venom would try to eat John Watson while eddie calls the avengers neolibs in his head like THEY DON'T FIT IN THE MCU
"cinema is dying how can we save it" if you have eddie and the symbiote fuck NASTY in venom 3 you will make 10 billion dollars
tracy chapman fast car save me. save me fast car by tracy chapman
it's not that I need a quiet day or a day off exactly; it's that I need a pocket of time that exists entirely outside of linear time as we know it that would allow me to get things done without time passing in the real world, and frankly, I don't think that's too much to ask.
“Fuck you and the horse you rode in on” Okay it’s fine to hate me or whatever but you do understand the horse is not a part of this right. Like he’s only here because I got on his back and steered him here. I treat him exceptionally well but if he saw anything slightly strange he would run into the woods and forget about me forever. Take it back.
A Beginner's Guide to Making Podfic by EmilianaDarling
So you’ve listened to a few podfics. They’re something new and different, an exciting way to experience fandom. They’re engaging, and exciting, and you’re really getting a taste for them!
But you can’t help thinking to yourself: “God, this fic would make such a good podfic!” or “why is there so little of this for me to listen to?” Or, best of all: “I think this is something I could maybe do.”
Although some fandoms are absolutely teeming with wonderful, beautifully-made podfics, others can be quite bare when it comes to the amount of these gorgeous audio gems that are available. For anyone who’s ever been curious about how to go about the process of making podfic, here is a little beginner’s guide.
Feel free to reblog and share!
What is podfic?
Podfics are audio recordings of fanfiction that have been read out loud, recorded, and made available for download for other fans to listen to. It can be all lengths, all ratings, all fandoms.
Where can I find them?
All over fandom! For specific archives, however, the Audiofic Archive and Amplificathon are wonderful places to start. Search by tags, find a fandom/pairing/genre that suits your fancy, and download away!
What do I need to start making podfics?
There’s a general rule of three regarding what you need in order to make podfic:
a quiet place to record
a microphone
a computer with sound-editing software
1. A Quiet Place:
You’ll be shocked at how much noise gets picked up by that tiny little mic. In order to record, make sure that you have a quiet space to yourself for a good chunk of time. I personally find that a smaller area - like a bedroom, or even a closet - works better in terms of getting good tone. Make sure you have the space to yourself, without any loud roommates or honking traffic noises outside. The quieter the space, the better the recording.
2. A Microphone:
Mics are a bit more complicated. Some people record quite happily with the microphone that comes ready-built into their computer, and others begin this way and then branch out into a separate microphone later on. Others even use their cell phones! This is totally fine, although I personally admit that I find the quality of my recording infinitely better and more listenable with a separate mic.
It’s possible to buy a perfectly serviceable recording mic for $30-40. (When I started recording, I took a gamble and went out and bought one right at the beginning.) Some people use headset mics and others use standing mics. Personally, I prefer the latter because it allows you to construct and use a homemade pop screen. These can help remove syllabants and plosives from your speech, and they’re a fun little project once you’ve decided you enjoy making audio recordings.
3. Software:
The two main types of editing software that I see used vary depending on your type of computer. Generally speaking, PC users use Audacity while Mac users use Garage Band. Although Macs come with Garageband already, PC users must download Audacity along with the LAME MP3 Encoder. As a PC user myself, I’ll be describing Audacity. I’ve included a tutorial for Garageband at the bottom of the guide.
Audacity is a fairly intuitive program, although there are loads of video guides out there for the technologically-impaired. It really is as simple as downloading the program, plugging in your mic, and starting to record. I suggest downloading it and playing around for a little while! (An awesome tip for Audacity is that when you stop recording and want to start again, hitting Shift + the big red record button will allow you to continue on the same audio track!) It looks more intimidating than it is, I promise. The Podfic Tutorial by pakara has some wonderful images of Audacity to help you along, and Podfic_Tips is another great place to go looking for more information.
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How do I choose a fic?
Go for something that really captivates you! Recording podfic is a long, drawn-out process, and there’s nothing worse than spending ages on something that you only kinda like. Keep in mind that, depending on the speed at which you speak, 10,000 words is roughly equivalent to one hour of edited podfic. For your first podfic, it’s usually advisable to start with something fairly short. Perhaps something between 2,500-7,500 words or so!
However, you do need permission to record something that you didn’t write, so be prepared to send a message to the author politely asking whether or not you can record their fic. If they say yes, play it safe and keep their message or a screenshot of it stored somewhere just in case. If they say no, let out a disappointed sigh and look elsewhere. Make sure to let each author know what podfic is, just in case they aren’t aware: it’s best that everyone’s on the same page right from the beginning.
If you’ve written something yourself, sometimes it’s nice to start with that because the writing style should be similar to your speaking style. Or maybe ask a friend if you’re too shy to ask a stranger at first.
If the fic you choose has sexy bits in it, don’t worry! It's embarrassing for all of us to record explicit scenes at first, but you do get used to it. After a while, those scenes become the same as any other scene!
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I’m ready to start. What now?
Get yourself ready. I’m guessing you’ve read the fic at least once if you decided you liked it enough to record it, but give it a skim through. Get your head around the mood, the pacing, any tricky words you might have a hard time with. Have a glass of water nearby if your throat gets dry. (Coughing doesn’t help, and just dries you out more!)
And get started! When I record a fic, I begin by stating a phrase much along this line. “[Title] by [Author], read by [Your Name]”, and I finish the recording with “The End”. :3 It makes it easy to follow!
There are many different techniques for when you’re recording, and none of them are bad. Some people record the whole thing through and edit out mistakes later, others fix mistakes as they go. It’s a personal preference! Some people find it easy to hear when they’ve made a mistake; others need to listen to the recording to spot the error. Don’t worry about not knowing which kind you are at first: that’s why you’ve chosen a shorter fic to record for your first time. It’s usually best, if you make a mistake, to repeat the line that you messed up immediately so that you have a solid recording of it on record.
(I do have a super awesome method that has quite literally saved me HOURS of editing time. I call it the clapping method: every single time you make a mistake, clap loudly, and then repeat the line. When you’ve finished the audiotrack, tada! Every mistake is marked with a large spike of audio, and you don’t even have to listen to the whole thing in order to see where your errors are. :3 However, some people find this method confusing the first time around. Do your first podfic however you like, but I do suggest giving this method a try at least once.)
Some people have a podfic beta that they send their completed files off to once they’re done, which is awesome!
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What about technique?
Everyone has a different approach to podfic, and that’s a-okay. In general, try to speak at a pace at which your reader can understand you. (Listen to this recording of Stephen Fry reading Harry Potter if you want a simple example of a nice reading pace, although obviously depending on the mood you’ll vary your speed.) Clarity and enunciation are important, as well! You’ll soon become very aware of the way you speak, and things you have to watch out for. Spacing is a wonderful creature, too. Remember to give your listeners time for the words to sink in.
Also, look up the pronounciations of words you don’t know, and make sure you pronounce the characters’ names correctly! (Otherwise that could be embarrassing later.)
For me, the most important thing is to perform. It’s a one-person performance, in many ways, and things like tone, inflection, and mood all go such a long way to create an interesting and captivating listening experience! Try to get engaged with your story, and not to speak in a monotone. I also personally like to distinguish my character voices from one another, but not everyone likes to do that. Have fun with it!!
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I feel awkward about my accent
Don’t! Just remember that everybody has an accent. No matter what your accent is like, a great podfic is a great podfic! Even if your accent doesn’t match up to the fandom you’re recording in (an Australian accent and recording Supernatural, a Canadian accent and recording Doctor Who, etc), don’t worry! People will love to listen to it anyways: the recorder’s voice melds into a seamless story after the first few minutes, I promise.
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I’m done recording! Now how do I edit?
Editing is, without a doubt, the most tedious part of making podfic. But don’t lose focus! Everyone edits differently: some people listen through the entire file multiple times and edit and re-record as necessary, others use things like the clapping method to quickly edit without having to listen to the file again. Some methods take more time than others, and it’s best to find the one that works best for you. This is another reason why choosing a shorter story is recommended for your first podfic!
If you’re recording a multi-chapter fic, I recommend recording and editing one chapter at a time before moving onto the next, just to keep things lively. There are loads of wonderful editing tips to be found at podfic_tips, too, if you need any help.
Not everyone chooses to add music to the beginning and the end of the recording, but I find that it makes for a wonderful segue in and out of your performance. Find a good song and import it into Audacity/GarageBand, making sure to adjust it so it’s at a comparable volume to the recording itself. I usually put about 35-50 seconds of the song at the beginning and then fade out, and the whole song fading in at the end. Again, though, you can finagle this however you want or choose not to at all.
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It’s done!! How do I share it?
Export the file into Mp3. Garage Band can do this inherently, but you’ll need to download the LAME MP3 Encoder to do it with Audacity. Once you have the completed Mp3, back it up somewhere just to be safe! Then go create an account with uploaders such as Mediafire and begin to upload the file to the internet! (Keep in mind that some countries block the use of some of these programs, so it’s usually best to use at least two.)
When the file is on the internet, now all you have to do is post it! Definitely post it at Amplificathon, as well as at AO3, in your fandom/pairing communities, and on tumblr. And voila! You have created your very first podfic! :D It’s an incredible feeling of creation, staring at your mp3 library or listening to the story and knowing that you made it happen. That people all over the world will download your podfic and listen to you tell them a story, maybe over and over again.
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This guide is very much for beginners, and once you start recording you’ll probably have more questions as you start to become more confident. Feel free to ask questions at Podfic_Tips, or even to ask questions of your favourite podfic recorder if you feel comfortable! Those of us you love podfic? We LOVE podfic with all of our hearts; it’s always a wonderful thing to help people create more of it.
Good luck!
Other Podfic Guides:
Podfic Tutorial
by
pakara
(Audacity)
Garage Band Tutorial
by
lunchymunchy
Podfic_Tips
It just kills me when writers create franchises where like 95% of the speaking roles are male, then get morally offended that all of the popular ships are gay. It’s like, what did they expect?
#friendly reminder that I once put my statistics degree to good use and did some calculations about ship ratios#and yes considering the gender ratios of characters#the prevalence of gay ships is completely predictable (via sarahtonin42)
I feel this is something that does often get overlooked in slash shipping, especially in articles that try to ‘explain’ the phenomena. No matter the show, movie or book, people are going to ship. When everyone is a dude and the well written relationships are all dudes, of course we’re gonna go for romance among the dudes because we have no other options.
Totally.
A lot of analyses propose that the overwhelming predominance of male/male ships over female/female and female/male ships in fandom reflects an unhealthy fetishisation of male homosexuality and a deep-seated self-hatred on the part of women in fandom. While it’s true that many fandoms certainly have issues gender-wise, that sort of analysis willfully overlooks a rather more obvious culprit.
Suppose, for the sake of argument, that we have a hypothetical media franchise with twelve recurring speaking roles, nine of which are male and three of which are female.
(Note that this is actually a bit better than average representaton-wise - female representation in popular media franchises is typicaly well below the 25% contemplated here.)
Assuming that any character can be shipped with any other without regard for age, gender, social position or prior relationship - and for simplicity excluding cloning, time travel and other “selfcest”-enabling scenarios - this yields the following (non-polyamorous) possibilities:
Possible F/F ships: 3 Possible F/M ships: 27 Possible M/M ships: 36
TOTAL POSSIBLE SHIPS: 66
Thus, assuming - again, for the sake of simplicity - that every possible ship is about equally likely to appeal to any given fan, we’d reasonably expect about (36/66) = 55% of all shipping-related media to feature M/M pairings. No particular prejudice in favour of male characters and/or against female characters is necessary for us to get there.
The point is this: before we can conclude that representation in shipping is being skewed by fan prejudice, we have to ask how skewed it would be even in the absence of any particular prejudice on the part of the fans. Or, to put it another way, we have to ask ourselves: are we criticising women in fandom - and let’s be honest here, this type of criticism is almost exclusively directed at women - for creating a representation problem, or are we merely criticising them for failing to correct an existing one?
YES YES YES HOLY SHIT YES FUCKING THANK YOU!
Also food for thought: the obvious correction to a lack of non-male representation in a story is to add more non-males. Female Original Characters are often decried as self-insertion or Mary Sues, particular if romance or sex is a primary focus.
I really appreciate when tumblr commentary is of the quality I might see at an academic conference. No joke.
This doesn’t even account for the disparity in the amount of screen time/dialogue male characters to get in comparison to female characters, and how much time other characters spend talking about male characters even when they aren’t onscreen. This all leads to male characters ending up more fully developed, and more nuanced than female characters. The more an audience feels like they know a character, the more likely an audience is to care about a character. More network television writers are men. Male writers tend to understand men better than women, statistically speaking. Female characters are more likely to be written by men who don’t understand women vary well.
But it’s easier to blame the collateral damage than solve the root problem.
Yay, mathy arguments. :)
This is certainly one large factor in the amount of M/M slash out there, and the first reason that occurred to me when I first got into fandom (I don’t think it’s the sole reason, but I think it’s a bigger one than some people in the Why So Much Slash debate give our credit for). And nice point about adding female OCs.
In some of my shipping-related stats, I found that shows with more major female characters lead to more femslash (also more het). (e.g. femslash in female-heavy media; femslash deep dive) I’ve never actually tried to do an analysis to pin down how much of fandom’s M/M preference is explained by the predominance of male characters in the source media, but I’m periodically tempted to try to do so.
All great points. Another thing I notice is that many shows are built around the idea that the team or the partner is the most important thing in the universe. Watch any buddy cop show, and half of the episodes have a character on a date that is inevitably interrupted because The Job comes first… except “The Job” actually means “My Partner”.
When it’s a male-female buddy show, all of the failed relationships are usually, canonically, because the leads belong together. (Look at early Bones: she dates that guy who is his old friend and clearly a stand-in for him. They break up because *coughcoughhandwave*. That stuff happens constantly.) Male-male buddy shows write the central relationship the exact same way except that they expect us to read it as platonic.
Long before it becomes canon, the potential ship of Mulder/Scully or Booth/Bones or whatever lead male/female couple consumes the fandom. It’s not about the genders involved. Rizzoli/Isles was like this too.
If canon tells us that no other relationship has ever measured up to this one, why should we keep them apart? Don’t like slash of your shows, prissy writers? Then stop writing all of your leads locked in epic One True Love romance novel relationships with their same-sex coworkers. Give them warm, funny, interesting love interests, not cardboard cutouts…
And then we will ship an OT3.
I’m going to bring up (invent?) the concept of subjectification.
As in, people gravitate to the characters given the most depth, complexity, and satisfying interactions for their shipping needs, because those characters are most human, and we want the realest characters to play with.
In a lot of media, the most depth gets handed to male characters.
And, oftentimes, even when the screentime and depth and interactions are granted equally well to female characters, there can be a level of, for lack of a better word, dis-authenticity to those female characters: they are pared down, washed out, or otherwise made slightly less themselves than they could be, in the interest of making them decorative, or likeable, or “good,” or keeping them from upstaging or emasculating their male companions, or just that the writer whose job it is to write them doesn’t know how to write women the way they write men.
And you get the characterization equivalent of that comparison chart where so many animated female characters have the same facial features because the animators and designers are so worried about not letting them be ugly.
When you have a group that’s allowed to be themselves, warts and all, and another group that has to be decorative at all costs, the impression given on some level is that the decorative quality is making up for a shortcoming. That they wouldn’t be enough in their own right.
And sometimes that cost is authenticity. The interesting, striking, awe-inspiring, bold and glorious unapologetic selfhood that draws the viewer most particularly to those characters who are unapologetic in their particular existence, standing clear of the generic and bland and unchallenging “safe” appearances.
It is authenticity, not beauty, which powers subjectification. The love for a character, not because they are perfect, but because they are them.
They can be pretty, sure. They can be sweet. But being pretty and sweet is not a replacement, and too many female characters have been written by writers who think it is, while the interest—in appearance, in personality, in interactions, in plot development—goes to the men.
And when that happens, well. Surprise, surprise, that’s where the shipping goes.
Yeah I don’t really ship but I do write a fair amount of fanfic, and in most franchises working with the female characters is a chore.
You have to do so much of the work yourself, because the canon left them unfinished, with huge gaps or unexplored contradictions that you have to somehow resolve. Every female character you decide to integrate into your fanwork in some major role constitutes an undertaking in her own right as you patch together an understanding of her sufficient to model a consistent set of reactions and priorities &c.
The dudes just get handed to you. Even the ones whose canon is a mess have properly developed character cores.
That you don’t have to unearth and piece together like some sort of volunteer archeologist coming up with theories way more complex than the available artifacts truly support.