
#extradirty

roma★

shark vs the universe
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The Bowery Presents
EXPECTATIONS
Doug Jones
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH

ellievsbear
"I'm Dorothy Gale from Kansas"
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Not today Justin
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almost home

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🩵 avery cochrane 🩵
Lint Roller? I Barely Know Her
Phantogram Three
The Stonewall Inn

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@lebibish
Analyzing the politics of a work that's meant to be apolitical is actually a really interesting exercise because it asks you to critically examine what the creator considers to be "political" in the first place. Which ideas are just How Things Are, and which ones are Political, and how is that influenced by the creator's beliefs?
Usually this just ends up with you looking like a moron btw
Angrily lashing out at the suggestion that it's possible to do basic media analysis was foundational to the ragebait ecosystem of the 2010s, from which we got basically the entire culture of modern far right politics, btw.
I genuinely believe myself and others are being so sincere and literal when we say TOUCH GRASS
I went outside and got an education, that's where I learned that you can obtain knowledge and insight through analytical methods, then noticed that some people who sit on the internet yelling at strangers get really mad about that constantly.
Don’t make me point to the Omar Sakar poem
Everyone thinks Shane doesn’t drink because he is so disciplined and healthy and while yes, that is true, the real reason is because he’s a runner when he’s drunk. He’s sprinting down dark alleys. His friends are trying to follow him? They are chasing him! Gotta run! He’s climbing up trees. He’s finding stairs to slide down the railing. He can’t stay still. He needs to go on an adventure!
Unfortunately he’s too fast for his own good. One time during his rookie season the team lost him after he got drunk and left his phone and wallet with Hayden. He woke up next to a dumpster five kilometers from the bar they ended the night at and had to rely on the good will of some kind Canadians (who were fortunately fans) to get to the practice facility. It was the first and only time he was late to practice and the reason he never drinks during the season.
Crucially Ilya is unaware of this and assumes Shane is going to be a horny sex demon the first time Shane gets drunk around him, and is very alarmed when Shane instead starts sprinting away from him at full speed. He’s like a dog and will stop running to give Ilya a chance to get close but then he’s off again. By the end of the night Ilya is exhausted and understands those parents who keep their kids on a leash (but ofc overjoyed to see Shane so carefree)
The #Ownvoices discourse has done a lot of harm in the queer community. Queer authors have been pressured to come out before they are ready, and people who may never have the opportunity to publicly discuss their own identity are discouraged from exploring queerness in their art. As if exploring queerness through art isn't meaningful and important no matter the public identity of the artist.
Also it is absolutely ridiculous to think that we can deem a work from a country where queerness is illegal less legitimate because the author has not chosen to publicly disclosed their identity. Authors who were forced to hide their names because of government crack downs on queer art have been questioned for not being openly #Ownvoices.
I'm passionate because I have experience with this issue. I was questioned as to whether I could write about trans people, while I had been out as genderfluid in my personal relationships for years. I just didn't think it was a strangers business. If not for pressure from outsiders, I may have had a better experience coming out on my own terms, but some of y'all ruined that for me.
#Ownvoices is useful as a marketing term for the people who want to use it, but it is not the barrier art must cross to be deemed "queer enough".
Rewatching the original "The Little Mermaid" animated movie while working on something else... I can't quite recall at the moment (early into it atm) if this movie ever establishes Eric as the heir of the throne of his kingdom.
I think it'd be really funny if Eric was actually a younger brother. So, like, maybe he's a duke, actually, but he still gets the title of Prince. Travels the sea a lot, unlike a more landlocked heir. Hanging out at this summer seaside palace while the rest of the family is elsewhere for some reason.
Like, imagine Eric's parents and older brother and maybe sister-in-law and niblings getting that letter at the end of this movie. Nearly drowned. Miraculously washed ashore. Fell in love with a mysterious voice and then a mute girl. Got enchanted by a shape-shifting sea witch and nearly married her. Killed the sea witch after she turned into a giant. Married the aforementioned girl who turned out to be the beloved youngest daughter of the mythical King Triton instead and have now established a strong alliance with the merpeople. Wild summer! Wish you were here!
(via @owl-librarian)
Thousands of starfish had washed up on the beach, and a little girl was diligently throwing them back into the water, one at a time.
A man came up to the girl and said, "You'll never save all of them. What you're doing is pointless. It doesn't matter."
The girl threw another starfish into the water. "It mattered to that one."
The man snorted and walked away.
The girl kept throwing starfish, one after another.
To throw one starfish back into the ocean takes a trivial amount of effort, but to throw ten, or fifty, is much less so. The girl had not learned much of biomechanics, but she began to feel the strain in her back. Her skin had softened from the seawater, and the starfish themselves were abrasive. Her fingers had pruned. Her shoulder hurt. She was cut, twice, on her fingers, as the same storm that had stranded the starfish had also brought up broken shells and crab carapaces. The skin of a starfish was like sandpaper.
She tried switching hands, and could throw the starfish less well, and it wasn't long before she had mirrored all her injuries. She was bleeding, though the blood wept rather than flowing, briefly staining the starfish pink before they were tossed into the ocean.
It seemed as though there were just as many dying starfish as when she'd started.
After three hours, the girl was sunburnt. A passing man had told her that she should stop what she was doing, and had offered her some water, which she took, but he hadn't helped to throw the starfish back.
The girl's hands were cracked, scraped, and raw. Saltwater found the wounds, but she'd gone numb, and her motions became more mechanical.
"It mattered to that one," she thought to herself, "It mattered to that one," over and over, like a mantra. Her muscles ached, but the ache became familiar. When she'd started, her throws had been beautiful things, guided by purpose, but now they were sloppy and threatened to pull her off balance.
She did fall, more than once, landing on sand that was filled with jagged debris, and sometimes she was slow to get up. But she did get up, because there were more starfish to save, tens of thousands of them.
Night fell, and it was harder to see the starfish, but they were still in need of help. She was tired, and the cuts on her fingers had multiplied. The skin had been wet for too long, and in one place, on her palm, where she had gripped a thousand starfish to throw them, a piece of white skin had come off.
Still, she kept throwing starfish.
Her mother didn't find her until after midnight.
"Hi mom," said the girl. Her voice croaked. She had been saying, "It mattered to that one" under her breath for long enough that her vocal cords had strained. She threw another starfish into the ocean.
"You need to come home," her mother said.
"These starfish will die without me," said the girl.
"I know," said her mother. "But you need to come home, because if you keep doing this, you'll collapse on the beach, and like a starfish, you'll need to be rescued too."
The girl stooped down, back aching, and picked up another starfish. Many of them had died by this point, but there were still uncountably many that lived. The rough skin of the starfish grated at her tender skin, but she rose and threw it, arm protesting, and watched it fall down into the water.
Her mother grabbed her gently by the shoulders. "I'm bringing you home," she said. "It would be better if I didn't have to carry you, but I will if I have to."
"I don't want to be the sort of person who leaves starfish to die," said the girl, shrugging off her mother. But a part of her did want to be carried, because she'd walked for miles along this beach, one stooping step at a time.
"I know," said her mother. "But to survive, you have to be. Save as many as you can, but take breaks, get good sleep, eat well. Then go back and save more."
The girl swayed where she was. She was close to passing out, though maybe it was because her rhythm had been interrupted.
Her mother held out a hand, so they could walk together, like they'd done when she was smaller.
And it was then that she noticed the scars on her mother's hands, the calluses and rough spots, the places where cuts had healed. She had seen her mother's hands many times before, but had never asked why they were that way.
The girl slipped her hand into her mother's and began to cry as they walked back home.
I get in theory why people complain about het ships or whatever, I get wanting to watch queer media I really do, but I guess where y’all lose me is like. I saw some asshole on a post about Sinners complaining it was “hetslop”—this person was specifically doing so while also claiming Remmick was a queer character and thus they were justified in caring more about him than the Black protagonists. which is a whole other disgusting can of worms that has been well addressed by others at this point. but even in the absence of that part of the argument, like, no, i actually don’t think that a hunger for queer stories is an especially good excuse to deride and dismiss a piece of landmark Black filmmaking, especially as a non-Black person. I have a post that’s been going around encouraging folks to engage with more Native stories and characters, and I had someone come onto that post saying in the tags that they’d need these stories to be queer in order to care. and I just think that, you know, sucks! like obviously as a queer Native I also want to see more of those stories too. but idk how else to put it other than to say that Black people and people of color shouldn’t have to be like you in order for you to care about our narratives and experiences. and I think some of y’all are using this disdain for heterosexuality as a cover for your unexamined racial biases. it’s not okay to be racist to people just because those people happen to be straight, and you continue to be white before you are queer.
that is the face of a man worried he will be next
Good news, he was not next! In fact, she accepted him as her mate, he learned the crane mating dance and now every year, he artificially inseminates her with crane semen to expand the very endangered crane population. True story.
Sorry, he WHAT? Imagine being this man's boss and having to sit him down like. Listen. Brian. We need you to fuck the bird. You have to act like you're excited about it.
crane husband.....
this is the diametric opposite of all those awful swan wife stories and i love it.
(WalWaPo makes you jump through like three separate hoops before you can read the article, so I will share some of the highlights:
Walnut was born in a species-recovery breeding program in the 1980′s. The program had crane chicks hand-raised by human volunteers, and at that time they did not fully understand the measures necessary make sure that the chicks do not imprint on humans and retain their identity as cranes.
As a result, her keepers believe, Walnut does not recognize other cranes as members of her own species.
It has not been proven that Walnut killed her previous suitors; however, there is a persistent rumor in the white-naped-crane-conservation community that she did.
Because this species is highly endangered, and the gene pool of the captive population is small, it’s pretty important for the survival of her species that Walnut A) mate, and B) not kill a bunch of other cranes.
The actual name of the keeper is Chris Crowe.
They both arrived at the Smithsonian Conservation Biology Institute in 2004.
Walnut immediately began paying special attention to Chris--and ignoring the eligible male crane in a nearby enclosure.
Walnut initiated their courtship, performing the opening moves of a mating dance.
Chris realized that if he reciprocated the mating dance, it might be possible to artificially inseminate Walnut with her participation and consent. (The process normally involves restraining the bird.)
It worked!
Chris and Walnut have had five children, who were raised by other crane couples at the facility--sometimes the biological dad and his mate--both because it’s unclear whether Walnut would accept the chicks as her own, and because Chris is not equipped to be a Crane Dad.
However, the Institute provides her with artificial eggs to sit on, and Chris takes his turn looking after them. (This would not work with real eggs because he can’t sit on them properly, but Walnut seems to feel that he is on the job if he just stands over them.)
Chris accepts that he is pretty much married to this bird. White-naped cranes live to be about 60, and they mate for life, so he knows he can’t retire while Walnut is alive. (At the time of the article, Walnut was 36, and Chris 42.)
Legit cannot pick the funniest part of this
she has not been PROVEN to have killed her exes, but there is a PERSISTENT RUMOR (really officers she's simply DEVASTATED, she sobs, wearing a new feather boa unfortunately resembling her most recent deceased husband)
His name is Chris CROWE. (Mrs. Walnut Crane-Crowe?)
the mental images of a whole human man learning and performing the crane mating dance, and "sitting" on artificial eggs so she thinks he's performing his duties as a husband and father (and apparently OBJECTS if he does not?)
"chris, buddy, you gotta marry the possibly-murderous crane lady for the GOOD OF THE SPECIES." (alternately: "chris, my man! good news! we found you a very interested lady! She's 36, she's very spirited and independent, she holds a very important and rare status in her society! ...Is there a downside? WELL...")
chris sits any potential human partners down, like "my love, you must understand before we wed,,, i am already... Attached" (camera drifts wistfully to the above photo) "Lady Walnut and I have an,, Understanding... the relationship is open, but very committed"
just had to explain this post to my father bc he thought my stifled laughter was a signal of illness.
well done, everyone, good game. hit the showers.
Not only is he 'married' to walnut, this has apparently happened SEVERAL times, so he has MULTIPLE crane wives, none of which know about any of his other crane wives. This man is, for some unknown reason, irresistible to cranes
the “this content has been removed for violating Tumblr’s Community Guidelines” notice really adds a lot of flavor to this post and somehow makes it MORE obscene than whatever that actually was
World Heritage Post
I regret being the bearer of bad news, but I thought it should be shared that Walnut passed away in January of this year (2024). There's a lot of mixed info about the lifespan of cranes (due to people misunderstanding what a median is...) but the average for most species I know of is 20-30 years (in the wild if nothing eats them/they don't die young), and 30-45 in captivity, with the oldest known white-naped crane having loved to be 46. Given that she was 42, this old gal did good, and I'm certain she will be missed by folks here.
Fly on forever Walnut Crane-Crowe
One thing I really like about Beverly Engel's book It Wasn't Your Fault, which is about PTSD-induced toxic shame, is that quite a bit of it deals with people who haven't broken The Cycle of Abuse (TM) and have gone on to hurt others. That's a really underserved and vulnerable patient population, and statistically, it's also MASSIVE. I don't think I've read a single other self-help type book on PTSD and self-loathing that confronts the possibility that you're exactly as bad as you think you are.
I felt better that it so much as mentioned that children can react to abuse with ungovernable rage. Everybody likes the image of PTSD patients as internalizing everything and becoming doormats, which does happen, and often, but it's not the only narrative. Personally I've always hated my abusers and have always wanted everyone who so much as breathed wrong in my direction from ages 0 to 18 to burn eternally in hell. I *never* thought any of it was my fault and ever since I was a toddler I was willing to make it everybody else's problem, and it's really relieving to read a clinical perspective that acknowledges that abuse victims can act that way too.
It's wild to me that its such a neglected subset of abuse victims. Its really common. When I still lived with my parents and was still subjected to my father every fucking day I would lash out terribly at my mother, to the point when i went to visit them for years afterwards she was afraid I would lash out again. We've worked it out, I'm a much better person when I'm not regularly subjected to mental and emotional abuse, but like, its just so common.
I think it must be, at least partially, because, people hate the imperfect victim. Its easy for so many people to sympathize with someone who never lashed out. Less so for people to sympathize with people who are angry and lash out. Even though its a perfectly sensible reaction to being hurt over and over. I'm sure most people would like to think they would simply never.
I don't think this is the whole reason, but, I think it plays into it.
Similarly, there’s a narrative of, you cannot experience grief over having fucked up. That if you are hurting because you caused harm, because you were the cause of harm, that you’re not allowed to grieve, because you “earned your sorrow. You deserve to bottle it up and to hurt for the bad things you have done,”
Which is punitive logic. It’s copthink. Which is bad.
important
In fact, you can actually give yourself trauma over fucking up too badly and doing, witnessing, or failing to prevent something evil that goes against your morals; for instance, if you steal your mother's life savings due to drug addiction, kill a civilian during a military operation (please do not join the military), or became abusive because you didn't have the tools and skills yet to handle BPD. In the field of psychology this is called "moral injury" or "perpetrator trauma."
please wear sunscreen!!! I've seen "fuck the beauty industrial complex" posts about complicated skincare regimens and am 100% with them except sometimes they mention sunscreen and no. no. absolutely not. sunscreen is a wonderful supportive friend who wants to keep you safe, and you should let her do it. throw out all your other cosmetics and skincare products if you want, but keep your sunscreen. and if you're not wearing sunscreen, start wearing it!!!! this is not about terror of aging, this is not about every tiny imperfection our fucked-up culture has made you feel insecure about, this is about protecting yourself from skin cancer. wear the damn sunscreen.
my controversial opinion is I don’t think Zuko was confused by “my first girlfriend turned into the moon”
he was there during siege of the North. he infiltrated the spirit oasis. he has an uncle who studies spirits and the spirit world. he watched the sky go dark then the moon suddenly reappear like everyone else in the entire world did. and most importantly he watched zhao get eaten by a giant godzilla fish spirit.
his entire life since he saw that beam of blue-white light in the south pole has been ‘this day has already been so goddamn weird’
The only really new information was that that was Sokka’s girlfriend
Important opinion in the tags that I need to have be part of the post:
Also, Iroh was there? He literally watched Sokka make out with the moon spirit. And you want to tell me that a romantic sap like him would not have immediately told Zuko about this romantic tragedy? Please, Zuko has known about this for ages, he just knows that this is not an acceptable situation in which to say “yeah, I know.”
Sokka: “My girlfriend turned into the moon.”
Zuko: “I know.” “Yes.” “She sure did.” “Uh huh.” “Tell me something new.” “Are we still talking about that?” “That’s rough, buddy.”
[image: tags by samwisethebold: #it’s not that he doesn’t get what sokka means #it’s that how on earth do you respond to that]
When you put it like that, this is actually a legendary display of tact on Zuko’s part
today I found out my mother doesn’t know what dandelions are and now I’m wondering what other strange secrets she’s been quietly harboring
Where do you live that you don’t have dandelions?
we have dandelions EVERYWHERE, they are basically our State Weed, it is absolutely impossible that my mom has never interacted with a dandelion before, this requires further investigation
So after extensive interrogation I have an update:
my mom is in fact aware that dandelions exist. she temporarily forgot the name and there was some miscommunication.
the truth is actually weirder
she’s aware dandelions look like this
she is familiar with this flower. she knows the name of this flower. she declines to believe, however, that these are also dandelions
she does not believe these are the same plant. I tried to explain, and she thought I was either misinformed or lying. so I asked her what exactly did she think the yellow ones were called?
she answered, with complete confidence: Daffodils.
gosh I enjoy this website
For comparison, this is a daffodil
See, folks in the southern US will tell you up and down those are buttercups, actually.
i don’t think so? i’m southern and buttercups are what we call these things (much tinier)
Wait I thought those bigger cup ones were Easter Lillies???
This is an Easter Lily. It is an actual lily and therefore deadly to cats.
They’re marigolds and I know a bitch when I see one!
This is a marigold:
….we need to start taking the phrase “go touch grass” more literally. go outside and examine a flower i beg u
“buttercups” is a name applied to MANY flowers. in my part of the south it was this one:
imo there’s correct identifications of dandelions, daffodils, easter lilies and marigolds in this thread, but buttercups are simply impossible to agree on and the only solution is for everyone to post pictures of their local buttercups
*squints* is that a motherfucking EVENING PRIMROSE?!??
Hello I would like to add to the confusion:
That purple fella is a Morning Glory as told by my mothers (texan)
⬆️ morning glory
wait so if thats morning glory what is this?
No transphobes allowed, only transborbs.
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There's an awful trend in reading that's this CinemaSins kind of rejection of abstract concepts and suspension of disbelief, that makes people say it's bad writing when authors use descriptions that aren't immediately one to one with physical reality.
Like it's bad when a "tattoo is undulating" (as opposed to... "drawn in a wave like pattern on the skin"?), or when hair is "wet wheat from a late Summer field" (as opposed to "sort of brownish light yellow that dries lighter, but is not actual wheat stalks growing on someone's head but kind of reminiscent of the color and texture"?), or when when ice cream tastes like midnight at the fair" (as opposed to "ice cream flavour bringing back memories of undefined ice cream flavours that are individually popular but always tied to a memory of late evening at the fair ground and probably smelling vaguely like popcorn and sugar"?).
Please. We have to get back to understanding abstract descriptions that evoke feelings and memories and mental images or things we haven't experienced yet. This hyper utilitarian way of reading and judging text is killing fiction. it's robbing you of experiencing things you haven't actually personally experienced.
Miriam Margolyes for British Vogue’s July 2023 pride themed issue: “I wouldn’t want to be straight for anything.”
Photos by Tim Walker
Martha and Jonathan find a baby in an ark. There is no note with him, but they see how tenderly he was swaddled, how desperately sent here, and they look at each other and they know. She was on the Kindertransport. He lost his parents to the camps. Martha's eyes say "He is like us." Her voice says, "Moses in the bullrushes."
They take him home. They give him the Hebrew name Kal-El and the American name Clark so he will fit in. They know what it is to be different. There is no Hebrew school in Smallville so they teach him at home, and study Torah together. When he shows special abilities, they wonder to each other if he is the Moshiach. Not for the strength of his body, but for the strength of his kindness. He always seems to be helping others, delivering them from harm, as he was delivered to them. They never tell him this, but they teach him about the obligations without measure. He's a natural.
At school, he is side-eyed for being different. When he displays eccentricities, the villagers shrug and say "maybe it's a Jewish thing." The Kents make sure he values his education, and is always home for Shabbas dinner.
His is bar-mitzva'd at the nearest shul, a few towns over. They didn't know his birthday, so they chose one near Parshat Shemot. Now they worry that was too on-the-nose, but he gives a moving d'var about the obligation to speak truth to power.
As he comes into his own and tries to be a hero, he hides his identity from the public, not out of shame, but to keep his adopted parents safe. They've been persecuted enough.
When he moves to the big city for a job at a newspaper, Pa is so proud he cries. Clark uses his journalistic skills to expose corruption, give voice to the neglected and oppressed, and research his own origins. When he learns the truth about Krypton and his birth parents' desperate bid to send him to safety, Ma and Pa are not at all surprised that they were right.
When Clark brings Lois home, he assures his parents she is a nice Jewish girl, but they're just glad she's a mensch. They step on a glass to remember the destruction of Krypton, and stand under a chuppah quilted by Ma.
A white billionaire spews lies about him, trying to spread fear of the stranger in their midst. He comes out in public and says "There's nothing more American than being an immigrant."
When the government turns against immigrants, he stands on the side of the protestors and protects. Tear gass does nothing to him. He makes himself a shield. He writes article after article in the Daily Planet, making sure the public knows what their government is doing, that immigrants know their rights, that the powerful are put on notice. When they start rounding people up, he says "Never again."
He shows up at immigrant detention centers, armed with miracles. And says "Let my people go."
#i'm not crying you are#this hit me right in the feels#weren't many of the og superman creators jewish?
They were! Superman was created in 1938 by Jerry Siegel and Joe Shuster, two Jewish boys, sons of immigrants.
also thank you!
one big thing i think people outside fandom (like, all fandoms, fandom in general, not any particular one) tend to misunderstand is they know it's a subculture of people who are weirdly deeply invested in fictional media, and they hear about drama caused by people in those subcultures being unhinged in not-fun ways, and they think the unhingedness comes from the fact of being overinvested in works of fiction.
which is a natural assumption, but in my experience that's not really the case? like in my experience the drama llamas in fandom are usually not the ones who are just genuinely very deeply into the fiction. i've known people who are basically thinking about star trek or x-men comics or supernatural pretty much 100% of their free time and ime that type of person is usually very nice and surprisingly functional in their regular life. when someone's a constant nexus of fandom drama it's usually not that they are obsessed with the actual work of fiction the fandom is about, it's at least one of the following:
what they're obsessed with is not the source material but their unhealthy parasocial relationships with one or more of the people who created it
what they're obsessed with is not the source material but some elaborate shared-universe subset of fanfic about it that's only barely related to the original at this point, and/or an esoteric reading-against-the-text reinterpretation of the source material (often if the canon is active and ongoing this leads to becoming actively hostile toward it for its inevitably increasing failure to conform to their preferred fanon)
what they're obsessed with is not the source material but the fandom itself and gathering clout within it, so that the source material basically only exists to them as a tool for scoring points in increasingly arcane fandom disputes
and very often you get the same person doing 2 and sometimes even all 3 of these, and that's where the trouble really starts
holy shit I've never seen this articulated but OP is EXACTLY RIGHT.