
No title available
No title available

pixel skylines
No title available
Sade Olutola

Jar Jar Binks Fan Club
No title available
Sweet Seals For You, Always
TVSTRANGERTHINGS
tumblr dot com
occasionally subtle
"I'm Dorothy Gale from Kansas"
One Nice Bug Per Day
d e v o n
Claire Keane
hello vonnie
Not today Justin
I'd rather be in outer space 🛸

ellievsbear

★

seen from United States
seen from United States

seen from United States
seen from United States
seen from Netherlands
seen from United States
seen from France
seen from France

seen from Malaysia
seen from United Kingdom
seen from Netherlands

seen from United States
seen from Germany

seen from Uzbekistan
seen from France
seen from Bangladesh
seen from China
seen from United States
seen from Bangladesh
seen from United States
@mayathebea
Just starting next big canvas , with last big finished painting for motivation
Is Pixie's painting space at art studio for IDD and other disabled people !!!
Progress : finished whole First layer of background !
Well … Maybe ... Pixie consider change front hill slope be less steep but not sure yet .
Pixie need bigger brushes for these big canvases especially next canvas after this because it be huge ! Pixie's biggest canvas so far , it be 36- 40 inches square , not remember exactly but is for sure huge huge square .
That looks like such a joyful and sunny place for painting! Are you taking a class at the art studio, or just painting for yourself?
emperor kuzco was clearly gay
hes 19, with unlimited power, and he ain’t got a gf. the only time we see him interact with any women his own age is when he’s rejecting like 7 of them rapid fire. he pretends to date pacha in a gag that lasts like 10 solid minutes. listen to me god damnit
Okay, but just in case anyone is coming to tumblr dot com for my hot takes on 20+ year old kids' movies: Kuzco super WAS gay (or at least coded as such) and of course, I didn't get it until I watched it as a gay grownup.
He is played obviously camp and dramatic, for a start, and there is the aforementioned "hate your hair/not likely/yikes yikes yikes/let me guess you have a great personality" summary dismissal of all his potential brides. Then he spends dinner asking Yzma about Kronk ("so he seems nice? He's what, in his late twenties?") and otherwise being slightly obsessed with him.
Then there is the whole Adventure of Doom with Pacha, him being ever huffy about the Kiss of Life, and then the restaurant gag where Kuzco takes to playing Pacha's fake wife and dressing up in ladies' clothing with great gusto (reinforced by the waitress' "bless you for coming out in public" remark when Pacha says they're on their honeymoon). Then when he is finally de-llamafied, we don't see him paired off with the obligatory girl from the lineup earlier, as might otherwise be expected in a Disney movie. Instead he is still single, but goes to found family it up with Pacha, Chica, Kronk, etc, which dare we remark is a very queer trope.
In short, I have no idea how a Disney movie with no white people (all the characters are Indigenous/people of color), a gay king, cross-dressing jokes, and the most offbeat plot of all time actually ever got made (can you imagine the Family Friendly Mouse doing that today? Let us also talk about Kronk because he is a brilliant deconstruction of both toxic masculinity and the musclebound henchman stereotype.) Other than that this was the Chaos Hour of animated movies in the late 90s/early 2000s, and yes.
So yes. There you have it. I will not be taking criticism at this time.
In response to the question “How did a movie like this get made at all much less by fucking Disney?” there was a recent Vulture article that outlines the whole shit show of a history behind this film according to everyone (writers, directors, VAs, Stings) involved. The gist of the story is that they fucked up making a whole, true-to-form Disney musical that never came to see the light of day SO BADLY that Disney switched directors, locked the writer’s room, and didn’t review a single script until weeks after the film was in theaters.
Please, read this article if you have some time. This story is wild, and involves directors being pitted against each other Bake-Off style and a shockingly intimate documentary created by the wife of Sting who, himself was heartbroken by the decimation of the songs he wrote for the film including cutting a fantastic Yzma villain song sung by Eartha Kitt that is SO DAMN GOOD but would not ever have fit the more nailed-down Yzma we would eventually come to know and love. It’s so catchy though, I’m doubling up on calls to action but please listen now:
holy shit read the article. it’s worth it and completely batshit
This is fucking insane
I've never adequately appreciated the batshit brilliance of this joke, I've taken it for granted
World Heritage Post
Okay but teacher Grace on Erid having very little say in which kids get filtered into his class, though he is aware that the selection process is super specific and that most of the kids he gets are high performers with star academics and some even with influential parents. He isn't quite comfortable enough with Eridian culture yet to object to the selection process and make it more inclusive, however. That is, until he learns about the special needs kids.
Obviously, there are Eridian kids with special needs, and a few of them even filter into his classes. But one specific type of special needs kid has never shown up in his classes, and the only reason he even learned of the condition is because Rocky and Adrien's first pebble has the condition.
It's initially quite a struggle for them to deal with, and Grace sympathizes of course, because the child will apparently have huge learning and academic struggles and will likely never be able to live on their own. That is, until he learns the details of the disability.
Basically, it's a condition where the part of the Eridian brain that gives them their eidetic memory isn't fully developed, and so these kids just... can't remember things the way most eridians do. And in a culture where an eidetic memory is the norm, all things cater to that, so not having that is actually a massive disability.
But Grace is like, so... this kid just learns the same way a human does, or something like. Which is nothing new to him, though he is somewhat boggled at how much Rocky and Adrian struggle with their infant and their "slow" learning curve, even as far as initial developmental stages. Grace, on the other hand, simply treats the kid the same way he would a human infant, and Rocky and Adrien are impressed with his patience.
But, through this, it occurs to Grace that there must be other kids out there with this disability who likely aren't getting the attention and chances in life that they deserve, because Eridian culture is particularly hostile toward this disability, and actively views those with it as unable to function in regular society.
So Grace demands that a special course be put together where he teaches kids with this disability specifically. Rocky is hesitant, as most kids with this disability are home schooled and kind of... kept shut away. But Grace insists and as one of Erid's saviors, he gets what he wants eventually.
His first class is super small, maybe only three kids because so few parents were willing to advertise that their children have this disability. And because of the stigma around it, even those who agreed to it are super unsure and want to be present during the lessons, perhaps paranoid about the impression it will leave on Savior Grace, who is so accustomed to only teaching the most gifted students.
But Grace knows exactly how to deal with these kids. Some of them have varying degrees of function when it comes to their memory banks, which isn't so unlike teaching kids on earth. And so Grace is able to introduce all these tools and teaching techniques that were previously unheard of on Erid (though very normal on Earth) like having textbooks for reference with you at all times and having strategies that are less focused on memorization for understanding, and providing these kids with tools like calculators and teaching them the art of taking notes to look back on, etc etc.
Suddenly, with all these tools that most Eridians don't need, these kids are learning at a much faster rate, and succeeding with the help of all their little tools. And because so many normal eridians are ignorant of Grace's actual biology, it's shocking to them that Savior Grace doesn't have an eidetic memory either (shocking to everyone but Rocky anyway)--that his brain functions quite similarly in capacity to these "disabled" children.
Once this news gets around, suddenly there's more kids in his special classes, and there's all kinds of discourse being inflamed because the real reason these kids can't live on their own or function is lack of support from Eridian society.
If Savior Grace, who is well respected as a genius in his own right amongst the Eridians, can function so successfully, they why can't these kids?
I dunno, I just think it's an interesting premise.
i love writing out numbers and then putting them in parentheses like "one (1)" even when i dont need to i think its funny
if fallout 76 really is a world where “every character is a real person” & there’s no NPCs im making it my civic duty to be like this lowly tavern barkeep and then once i’ve established enough of a rapport i’m going to nuke all of west virginia and it will be in character
someone help where’s the screenshot of some post somewhere about the mmo player who barkept for a longass time then fucked absolutely everyone over
This one?
guy accidentally cures his own road rage by making fun of the person who caused his road rage
Guy: Yeah I’m, I’m just gonna put this out into the world: I need you to drive, like you got in your car on purpose. Drive like you’ve got somewhere to be, because I do, and I’m behind you! I don’t know how I always get stuck behind the person that’s like. *impression* “That cloud kinda looks like.....looks like a rabbit!” “I do believe....that meadow is full of daffodils!”
*cracking up* Okay, here’s the problem, is I was mad at that guy, and now that I’m doing an impression of him I kinda think he’s adorable and I like him. I like him now. It’s a very unique way to defuse my own road rage. I don’t know what kind of mental illness I have, but it’s fun.
I've been thinking about this video non-stop for months, but do you know what just occurred to me? This is actually a great example of mindfulness, expression, and self-modulation.
Instead of bottling it or lashing out, he took the time to stop in a quiet place to process an upsetting event. He validated his anger, and stated he felt his needs were going unmet. He then humanized the person who upset him, and considered their intentions. He then found perspective on the event and his own emotions. This then genuinely calmed him down.
Those are all therapy skills being used in real time! Which, like, I don't think people talk about enough. Part of the human experience is getting angry about stupid things. Feelings can't be permanently bottled or unleashed full force on the spot. You need to process it, and take the time to see the bigger picture.
how manual wheelchair users move (explainer for non-users)
frequently when i’m out and about with someone walking, they can’t anticipate what path i will take and therefore they’re in my way pretty frequently. this is fine! i can politely ask them to step to the side. but it makes me think about how little non-wheelchair users understand the way wheelchair users move. as someone who used to walk everywhere, it was an adjustment period for me to figure out how to navigate the world in a chair. here are some things that didn’t occur to me so that you don’t cut off your friend right as they’re building momentum to go up a ramp 😆
for context, i use an active manual chair. the world is very different in a power chair. even among active manual chair users, there is a huge diversity in physicality and strategies for getting around. this is a general guide that i think will apply to most manual wheelchair users. i’m starting super basic and getting more complicated as i go.
———
1. manual wheelchairs are a momentum game. it is very easy to maintain speed and direction. but speeding up, slowing down, or turning, is hard. one thing this affects is if we’re on a wavy sidewalk or other twisty-turny walkway, that is a pain in the ass and i am taking as straight a path as i can.
2. wheelchair users also have to pay attention to the slope and condition of the pavement, so our path somewhere will be different than yours, even if we’re taking the same route to the same place. for example, i usually have to go down slopes straight, not diagonally, to avoid tipping over sideways. one area this affects is crosswalks. many intersections have one curb cut for both roads you could cross, which means i will go down curb cuts to a crosswalk as if i am aiming for the middle of the intersection.
your path in orange, mine in blue. to you it seems indirect, but to me it’s the path of least resistance.
i also will be building speed in the second half of the crosswalk. this is a much easier way to tackle a ramp. if i approach with momentum, i won’t have to drag myself up the slope once i get to it.
3. building momentum and maintaining it is only half of the job. the other half is stopping. manual wheelchairs cannot stop on a dime if they’re moving with any kind of speed. if i tried to stop immediately when going downhill, i would fly out of the chair. so don’t walk right into the path of a wheelchair in motion and then stop! i will have to turn to the side very quickly and hope i don’t tip. i can’t tell you how often parents pushing strollers will stop their stroller directly in my path and then get offended when i am alarmed and turn sharply to avoid hitting their child. from their perspective, i was being careless and going “too fast.” in reality, normal walking speed takes a few feet to slow down from and stop.
4. in terms of slope. see this street in san francisco?
i can’t go down this street, it’s way too steep. i would give myself friction burns on my palms trying to control my speed. if i was in a situation where there was no avoiding this street, like in an emergency, i would be breaking my straight-slope rule and zig-zagging in the middle of the road.
this would require several zig-zags back and forth, more than the four that i drew. i also could not go up this road other than with this method. up or down, i risk tipping over sideways if i’m not careful.
4. in a similar vein, consider terrain. slopes with grass or carpet take huge amounts of energy to get up. this grassy hill isn’t insurmountable, but it would take me like thirty minutes to get up there. honestly i would probably go backwards, because it’s easier to pull yourself up a slope than push yourself.
other types of terrain can be completely immobilizing, though. this decorative gravel pathway is beautiful, and inaccessible to me. my casters (front wheels) simply will not go through that.
5. in terms of walkways and obstacles. if there’s a deep gap in the pavement lined up the way i’m going, and it’s, say, an inch wide, that is an obstacle for me. my casters are one inch wide, and my back wheels are an inch and a half. i’ll get stuck in it like a train on a track.
i have to straddle this, even if it means being too close to the middle of the sidewalk and preventing us from walking side by side.
similarly, if a crack is greater than an inch high, i’m gonna wheelie over it. at two inches, i have to. a wheelie may require a change in speed, either faster or slower depending on the person.
i have 4 inch casters, so a lip as little as 2 inches will stop me in my tracks. a lip as little as one inch, hit with any speed, can knock my casters out of square. casters can get knocked out of alignment pretty easily depending on the chair. i’d rather not have to pull out an allen wrench and a level, so i’m gonna wheelie.
this happened when i hit about a 1.5” lip on a pavement crack when i was going downhill at maybe 3mph.
6. putting it all together. see how diagonal this crack is?
this is another situation where i have to go straight relative to the slope. because that crack is wide, it will probably also require a wheelie. if i tried to approach that straight relative to the sidewalk, my left caster would get up the slope, i’d wheelie, then my right caster would land in the crack. i have to go this way.
(also lol at the trash can blocking the curb cut)
these are just a few things to keep in mind when walking about with a wheelchair user! ofc the best strategy always is just to listen when someone asks you to move out of their way 😆 but i think being able to anticipate movement a little better will help it seem less random. feel free to ask any questions!
the upside of ADHD is that it makes you a fucking genius
the downside is that you don't get to decide when and for how long you're a genius.
Or what you are going to be a genius about.
You have a big work project?
Nah. You're now a genius at making boardgames. For 7 hours.
unfortunately i dont think its queerbaiting if the creator is just so terminally heterosexual that they never remotely considered the same gender relationship their show is centered around could be read as romantic. it is deeply painful however.
Maybe accidental queer baiting? The way someone may not mean to say something rude, but it may come off rude, so it's rude. Frustrating either way.
Not being a dick, just a friendly clarification.
By definition you can't accidentally queerbait. Queerbaiting is specifically using a same sex pair from the show to market the show to queer audiences with no intention of ever following through on a romantic relationship.
There is officially licensed Destiel merch signed off on by Kripke. Teen Wolf had a commercial with the actors for Derek and Stiles draped over each other talking about being "on a ship." Both shows actively used scenes between them as marketing while actively mocking fans for wanting them together. Sherlock has multiple characters refer to Johnlock as a couple, including characters we're supposed to believe are never wrong about human behavior and pushed those scenes in marketing. Then they acted insulted when fans saw them as a couple.
That's queerbaiting.
Done on accident it would just be queer subtext. Done because they had no other choice due to censorship is queer coding.
The specific meaning of the word is really starting to get lost and it's a pretty important one to keep accurate. It describes a very specific phenomenon that was done repeatedly and maliciously for decades and is meant to examine that specifically.
Doing it on accident sucks, but it isn't a tactic of capitalism intentionally intended to suppress queer representation while making money from queer fans.
Reblogging to keep the accurate definition and examples of queerbaiting circulating in the world
Story prompt:
You have a superpower that keeps you safe: whenever you are in danger, time freezes.
You could be asleep, or in the middle of a conversation, or watching a movie. Time would stop and give you a chance to leave the area, and as soon as you were out of danger, time would immediately start up again
You walk in front of a bus and time stops until you exit its path. Someone tries to mug you, but suddenly you're gone; down the street and around the corner, so even when he turns around he can't see you, and therefore can't come after you.
One day you're watching tv at home and everything freezes. You look around, but you're alone. You get up and walk out of your apartment - the unnatural quiet, and the immobile dust motes suspended in the shaft of light from the window at the end of the hall tells you the danger still has not passed. You leave the building and the city is motionless. You walk down the street, then you go a few blocks, and before you know it you've traversed several neighborhoods, but nothing changes
After what feels like hours of walking, time still hasn't resumed, which means the danger still hasn't passed
So what the hell is going on??
idea: a nuclear bomb is about to be dropped.
my first thought
After a very long time (you'd say multiple hours, but you can't estimate it well. There's nothing to estimate it by.) walking in random directions, it finally clicks. This isn't something that happened to you, it was going to destroy the whole city at least. You can't check your phone for news, because that requires a current to be transmitting information, so that's not an option. But you can open doors. And bars in the area are sure to have a tv. If any news about this came before time stopped, the screen is likely to still be stuck on that transmission. You know it's a low chance, but you have nothing else to try.
Games from older consoles are being made less and less available to the point so much of the industry's history could easily vanish without
Preserving classic videogames from consoles past.
I'm just gonna slide this on in here for anyone that is interested in preserving old games. They take it very seriously too, they want an archive of every single game. Like, they have lists of every game ever released for a system, and once that system gets old enough, they add it to their archive and start collecting. Their latest addition was the Xbox 360, they opened that vault up in September 2022, and proudly announced they'd finished their collection of games for it back in April.
Also, while their game archives are almost entirely complete, they've got another project of archiving the manuals that came with those games, and that is... considerably less well filled out. Their collection of Xbox 360 manuals is especially rough, they've only gotten manuals for three games. So if you've got some Xbox 360 games kicking around, and the manual's still with them, please consider scanning them and submitting them to the site!
Game preservation is important, but people rarely consider preserving the manuals as well; I really respect Vimm's Lair for being so thorough in their archival work.
I've been using Vimm's Lair for years, I have yet to see a single bad link or virus on the entire site. It's arguably the safest and most comprehensive archive of video games in existence. Preserved history
The whole photo is gold but I especially like that the automated feeder is taped to the fucking floor.
just witnessed something devastating
guy on the subway with one ear pierced, little gold hoop. other guy on the subway very quickly and subtly googling "which one is the gay ear". it is not the gay ear. visible disappointment on his face as he puts his phone away.
where is that renaissance painting with those two fellers and a giant fucking random skull on the floor that looks like it was accidentally stretched out in photoshop
THANK YOU
somebody please explain
Someone once told me it’s like that because it was designed to be hung in a stairwell so the skull pops out as you walk past.
…I guess it works but you have to be at a pretty sharp angle
There was a whole trend at one point where artists would include something in their paintings (usually a skull, for whatever reason) that’s super distorted in just the right way so that it looks normal if you hold the painting up to a convex/concave mirror. I have absolutely no idea why. But I think that’s what’s going on here.
In case anyone’s curious, here’s what it looks like when you walk past it irl:
It does have a 3D effect to it! It’s pretty neat, guess it would be even more impressive to people from the 14th century.
honestly, people just looking at the skull are missing the real deal here
You can read any implied text you see in this thing, even the book, that’s how detailed it is. Look at the painting on those letters!
jesus christ you’re just showing off now, Hans!
HANS OH MY GOD
anyway, the skull apparently had some meaning about the transcendence of death, you can only see it clearly when you can’t see the world clearly and vice versa, but man, I’m all about the detail in this guy’s shit
No, I think you’re missing the real deal here
as an art historian, i think this is the best post on tumblr
This interview with Ncuti Gatwa crossed my dash again, and I was reminded of how much I like it. Because it makes the rare Third Argument for representation in fiction, the argument I think is the best, and I'm always happy to see it. I quote:
At times, Gatwa’s casting in those projects has been dismissed as an exercise in ‘box-ticking’. Gatwa scoffs. ‘First of all, you don’t know anything about me. Secondly, tick fcking boxes! People need to be fcking seen. What are you going to do, tell the same stories? Have the same people fronting things for all of eternity? Representation and inclusivity and branching out… it enriches us all. How embarrassing. You people with your tiny mindsets – open a book, look out the window and then f*ck off.’ (source)
What do I mean by the Third Argument? Well, I'm not sure I've ever made a post about this directly, but as far as I can see it, there are three main arguments for greater diversity in popular media. The first two are the most common, and they go like this:
It is good for media to be diverse because it is good for people to see people like them on screen. That is, the beneficiaries are marginalized people.
It is good for media to be diverse because it is good for people to see and learn about people who are not like them through art. That is, the beneficiaries are non-marginalized people, who then (hopefully) pass on the benefit by treating marginalized people better.
These two arguments are the source of a lot of debate here on ye olde tumblr. Despite both being arguments for representation, they pull in different directions. What counts as 'good' representation for the purposes of Argument 1 often would not be good for the purposes of Argument 2, and vice versa. Authentic versus sympathetic. Ugly or over-sanitized. You see this debate play out constantly. It's really hard for a piece of - say - queer media to do both at once.
But these debates tend to leave out Argument 3, the one that Gatwa is making above. And that argument cuts through a lot of this debate.
3. It is good for media to be diverse because art needs variety. The beneficiary of representation is art itself, absent any social effects that may or may not be present.
For this argument, diverse stories are intrinsically good. It is good to make art that's not just the same thing you've seen a hundred times before. Putting the kinds of people who don't often make it into mainstream media into your art is an extremely efficient way to make that happen. It's not the only method, but it's a really good method.
For representation to be 'good representation' according to Argument 3, all it needs to be is interesting. A story you haven't heard before, at least not in that medium. That which counts as 'bad representation' by the lights of this argument are stock characters, like the Eternally Patient Mother, the Gay Best Friend, the Wise Black Advisor. Perhaps there was a time in which these characters were new, but that time has long passed. There's no art in pulling a bog-standard character trope off the shelf. Show us a new kind of guy. The world is infinitely diverse. You're not going to run out. Telling the same stories with the same voices for all eternity, as Gatwa says, is boring. Even if there was nothing else wrong with it, this would be. Art isn't supposed to be boring.
And that's why Argument 3 is my favourite. I do want the world to be a better place, of course, and I think art is a part of that. But the main job of art is to be good as art. And diversity in all aspects of the production of art makes art better.
"It's not about adding diversity for the sake of diversity, it's about subtracting homogeneity for the sake of realism." --Mary Robinette Kowal