Meeta is the only reason why I go back to watching Hasee Toh Phasee, even though it has some problematic elements. Meeta and the music of the film, to be precise, but more particularly Zehnaseeb and Ishq Bulava, but that's another post.
Meeta, played by Parineeti Chopra, is shown as an intelligent girl right from childhood, along with Nikhil, played by Siddharth Malhotra. When the film opens with both our protagonists’ childhood counterparts, it's very interesting to see a young Meeta closing the door while a young Nikhil tries to open a closed door. While he does this to watch his favorite film, Agneepath, 14 years later Nikhil breaks out of his room by unscrewing the room’s windows to attend a wedding where he meets Meeta hanging by a barbed wire fence, trying to run away.
After their brief conversation, we understand that both of them have similar ideas and are alike, which we already established from the opening scene. As they say their goodbyes, Meeta asks Nikhil, whom she just met, to come to Goa with her. He doesn't, unfortunately. (He later in the film realizes how big of a mistake it was.) But this post is not about the “swooning” chemistry Nikhil and Meeta had. This post is only about Meeta as a character and how much we need more of her in the movies.
First, let me put aside a few things by saying that I absolutely despised the bade pappa who loves slapping Meeta, and the rest of her family who are at any given time passing sexist comments on the sisters. They always want their girls to wear “dhang k kapde.” Meeta’s dad is the only one who has encouraged her smarts since childhood, and I am glad that he finally takes her side during the climax. I also hated that Meeta takes all the pills at the airport (which she later pukes), which made her look like she has forgotten her goal, her lab, her colleagues, working on the project, everything basically everything she went through, all the family trauma, and the reason she came home for. It just felt extremely out of character for her. Yes, she's in love with a guy who is going to get married to her sister. I get it! But that one scene just felt… I mean… She did her PhD on her own, started her lab, her thesis and her project all without any support from family and her forgetting all of that instantly just felt out of place. But then again, “the things love makes you do,” I guess.
Now that all that's out of the way, here's why I loved watching Meeta.
Meeta is a scientist. She casually starts explaining physics concepts during conversations (the hiccup scene). She comes from a science background and all her bits and her dialogues are just straight-up facts. She's extremely intelligent and a little bit quirky and does weird stuff sometimes, although most of it is due to her medicines. But I don't blame her for it. If I had a family who constantly called me crazy, disowned me, abused me, and behaved like I didn't exist, I would be popping some pills too. The scene with her singing “Ek garam chai ki pyali ho” or even the confusion that ensues with the twin relatives at the bazaar is a laugh riot.
Meeta deserved better treatment from everyone in her family. But just Meeta as a character deserved better.
I cannot remember any other female character in Indian cinema that was showcased as a highly intellectual, nerdy protagonist. Even though Hasee Toh Phasee isn't a Meeta-centric movie (it should've been) and doesn't talk sensitively about Meeta’s conditions (most of her behavior from the meds is shown comedically), this was the only film where I was rooting for the female lead and wanted to put up Meeta’s poster in my room. I mean, where in movies do we have a female scientist protagonist, and that too in a rom-com?
Even after being raised in an extremely orthodox family, she dares to dream, and with her dad’s support, she fulfills her dreams and makes a crazy invention. She knows what she wants, and she goes to extremes to fulfill her goals. The only unfortunate part of her life is her unsupportive, misogynist family who will spend money on lavish weddings but won't fund their daughter's educational needs. This is why Meeta runs away with the money.
As a physics nerd, I would've loved to see more about Meeta’s life in China, her friends, her colleagues, and her work, Or just her growing years as a science enthusiast that made her a scientist. Because Meeta, for me, felt like “finally a nerdy female character who is not shown as one of the bros or an introverted thick-rimmed glass-wearing geek or even a stereotypical tomboy.” Meeta, in my books, will always remain a superhero scientist, creator of the perpetual motion machine polymer ball whose story still needs to be told.
Meeta is not a manic pixie dream girl who's here to save the male protagonist from his depressed life and show him the “world through a different lens,” nor is she a damsel in distress who needs saving. She's here for herself. She comes home from China for her lab, her project, and her passion. Meeta is an extremely intelligent, career-driven woman who also knows that “Do half mein ek full se zyada milta hai”! 😉
